Mackie Onyx 32.4-Bus Owner's Manual - Page 14

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8 range. The HIGH MID EQ frequencies include the female vocal range as well as the fundamentals and harmonics for many instruments. 22. LOW MID EQ This is a second midrange EQ control that provides 15 dB of boost or cut centered at 400 Hz. This includes the male vocal range and the fundamentals of some lower instruments (guitar, lower brass). 23. LOW EQ 27. MUTE Press this switch to mute the channel. This disconnects the channel's signal from all the Groups, the Main Mix, and Aux Send buses (pre* and post-fader). You can still solo the channel in PFL mode when the MUTE switch is pushed in. * If the pre-fader Aux Send's internal jumper is wired for pre-Mute [56], the MUTE switch will not affect the PRE Aux Send. 28. Stereo Fader The fader controls the stereo channel's level, from off to unity gain at the "U" marking, on up to 10 dB of additional gain. EE ) 
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 8 ,& This control gives you up to 15 dB of boost or cut below 80 Hz. The circuit is flat (no boost or cut) at the center detent position. This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers. 24. EQ IN/OUT Switch This is a true hardware bypass of the Perkins EQ circuitry to insure that there is no coloration of the signal if the EQ is not needed. When this button is out, the EQ controls have no effect on the signal. You can use this switch to make an A/B comparison between the EQ'd signal and the signal without EQ. 25. AUX Sends These tap a portion of each channel's signal out to an effects processor or for stage monitoring. The AUX Send levels are controlled by the channel's AUX 1-6 knobs, and by the AUX SEND MASTERS knobs [55]. 26. PAN PAN adjusts the amount of chan- nel signal sent to the left versus * the right outputs. On the stereo channels, the PAN knob works like the balance control on your home stereo (panning left turns down the right channel, and panning right turns down the left channel). 14 ONYX 4•Bus 29. Signal Level LEDs These LEDs indicate the sum of the channel's left and right signal levels after the GAIN and EQ controls, but just prior to the channel's fader. So even if the fader is turned down, you can see if a signal is present. If you've followed the "Set the Levels" procedure, the -20 and 0 LEDs should light frequently, the +10 LED should light occasionally, and the OL (Overload) LED should not light at all. If the OL LED is blinking frequently, the signal is probably distorted from overdriving the input. Either turn down the GAIN control or turn down the signal at its source. 30. GROUP and MAIN MIX ASSIGN Switches Alongside each channel fader are three buttons referred to as channel assignment switches. Used in conjunction with the channel's PAN knob, they are used to determine the destination of the channel's signal. The stereo channels are assignable to GROUPS 1-2, 3-4, and the MAIN MIX. With the PAN knob [26] at the center detent, the left and right stereo signal is equally balanced. To feed only one side or the other, turn the PAN knob accordingly. 31. PFL Solo Switch Like the PFL switch on the mono channels, this switch allows you to hear signals through your headphones or monitor outputs without having to route them to the MAIN or GROUP mixes. Since this is Pre-Fader Listen, you can listen to the stereo signal even when the channel fader is turned down. Unlike the mono channel PFL, the stereo channel PFL is a stereo signal (post-pan control), and therefore retains its left and right stereo image in the headphones and monitors, and appears on both LEFT and RIGHT meters. The Rude Solo LEDS [43] below the meters indicate which solo mode is active.