Nikon D-40 User Manual - Page 39

Getting Good Results with Autofocus, same distance and then recompose the photograph.

Page 39 highlights

Getting Good Results with Autofocus Autofocus does not perform well under the conditions listed below. If the camera is unable to focus using autofocus, use manual focus ( 28) or use focus lock ( 26) to focus on another subject at the same distance and then recompose the photograph. There is little or no contrast between the subject and the background (e.g., the subject is the same color as the background). The focus area contains objects at different distances from the camera (e.g., the subject is inside a cage). The subject is dominated by regular geometric patterns (e.g., a row of windows in a skyscraper). The focus area contains areas of sharply contrasting brightness (e.g., the subject is half in the shade). The subject appears smaller than the focus area (e.g., focus area contains both foreground subject and distant buildings). The subject contains many fine details (e.g., a field of flowers or other subjects that are small or lack variation in brightness). Reference: More on Photography (All Modes)/Focus 27

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Reference: More on Photography (All Modes)/Focus
27
Getting Good Results with Autofocus
Autofocus does not perform well under the conditions listed below.
If the camera is unable to focus
using autofocus, use manual focus (
28) or use focus lock (
26) to focus on another subject at the
same distance and then recompose the photograph.
There is little or no contrast
between the subject and the
background (e.g., the subject is
the same color as the back-
ground).
The
focus
area
contains
objects at different distances
from the camera (e.g., the sub-
ject is inside a cage).
The subject is dominated by
regular
geometric
patterns
(e.g., a row of windows in a
skyscraper).
The focus area contains areas
of sharply contrasting bright-
ness (e.g., the subject is half in
the shade).
The subject appears smaller
than the focus area (e.g., focus
area
contains
both
fore-
ground subject and distant
buildings).
The subject contains many
fine details (e.g., a field of flow-
ers or other subjects that are
small
or
lack
variation
in
brightness).