Bose T8S ToneMatch Mixer English Owners Guide - Page 23
Adjusting Para EQ, Using Compressor/Gate Functions
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Operation Adjusting Para EQ The Para EQ function provides three parametric equalizations centered on a user-specified frequency within the range of 50 Hz to 16 kHz. Note: To bypass the Para EQ settings, press the Select control. Press it again to activate. 1. Press or rotate the Select control and select Para EQ band 1-3. 2. Rotate the Level control to adjust the boost/cut level from -15 dB to +15 dB. 3. Rotate the Freq control to adjust the center frequency from 50 Hz to 16 kHz. 4. Press the Freq control to switch to Width. Rotate the Width control to adjust the width of the bell curve around the center frequency from 0.20 octave to 5.00 octave. Ch 1 Select PEQ 1 Parametric EQ B3 Width Level Freq -3.4dB 250.0Hz Using Compressor/Gate Functions The Comp/Gate function provides access to gate, compression, limiter, de-esser and kick drum presets with adjustable parameters. Note: To bypass the Comp/Gate settings, press the Type control. Press it again to activate. Note: Only one effect per channel. Ch 1 Comp/Gate Type Gate Thresh -80.0dB Ramp Speed 50% 1. Rotate the Type control to access the list of Comp/Gate effects and highlight your choice: A. Compressor 1: Light - Compressor featuring a preset low-compression ratio with variable threshold and gain parameters. Works well as a general-purpose compressor for most instruments and microphones that require minimal level control. B. Compressor 2: Medium - Compressor featuring a preset moderate compression ratio with variable threshold and gain parameters. Works well with basses, guitars, keyboards, and vocals requiring subtle level control. C. Compressor 3: Heavy - Compressor featuring a preset high compression ratio with variable threshold and gain parameters. Works well with loud instruments (like horns and drums), as well as strong vocals that require more aggressive level control. D. Limiter - Hard limiter featuring a preset ratio (∞:1) with variable threshold and gain parameters. Works well with very loud instruments, such as drums, to prevent signal peaks from overloading the channel. English - 23