Harman Kardon A250 Owners Manual - Page 7
Dress, Operating, Model, A-250, Conversion, Amplifier, Additional, Information, Speaker, Phasing,
View all Harman Kardon A250 manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 7 highlights
No further connections need be made to your old monaural amplifier. Pro;ram sources such as tuner, tape, phonograph, etc., are connected to the appro]oriate receptacles on the A-250 as described under stereo installation. .ead Dress: k black plastic clamp is located on the rear of the chassis near the input o receptacles. Remove the rubber clamp on the upper portion of the block, insert the shielded leads into the clamp assembly and replace the rubber clamp. This 1 will offer a neat installation. OPERATING YOUR MODEL A-250 AS A CONVERSION AMPLIFIER Operation of the Model A-250 as a stereo conversion amplifier is identical with its operation as a normal stereo amplifier. The controls of the old monaural amplifier, now being used as one channel of yoUr new stereo system, must be properly set, however, and then left permanently in that setting. Set the tone controls and contour switch to fiat, the rumble and scratch filter switches to off, and the function selector to AUX or TUNER, depending on which input receptaele was used for connecting to the A-250. . Set the VOLUME control on your old amplifier to minimum and adjust :the BALANCE Control on your Model A-250 to the mid-point. Play a stereo record or tape and turn the LOUDNESS Control on your A-250 up to a normal listening volume. The left channel will be inoperative since the volume control • on your old amplifier is set at minimum. Now slowly rotate the volume control :1,H on this amplifier until the loudness of the two channels is equal. Allow the vol...Hume control on your second amplifier to remain in this position permanently. ADDITIONAL INFORMATION Speaker Phasing: When more than one speaker is used in any music reproducing system they must be connected in such a way as to aid each other, rather than to work against each other. Since two speakers must be used for stereo reproduction, this caution applies. Checking for phase, and correcting if necessary, is quite simple, and is done at the time of installation of the system. Play a record with readily apparent bass tones. Listen carefuly to the strength and clarity of the bass. Now reverse the connections of one of the speakers. If the bass notes are now louder and clearer, the speakers are now correctly phased. If the bass seems weaker, the original connection was correct. How To Play A Monaural LP Record: If you have been playing stereo records, merely remove the stereo record and put on a monaural record. It's as simple as that! All stereo record players and phonographs are completely compatible with monaural LP records. LP's and stereos may he intermixed on any good stereo record changer. System Hum and Noise: In any high fidelity intallation, hum may be caused by the interconnection of a record changer, tuner and amplifier, as a result of the cables and different grounds. A good way to eliminate this problem is to first disconnect everything but the speakers from the amplifier, and listen for hum. If the hum persists, make the balance adjustments described below. Try reversing the amplifier power plug. Now plug in the record player. If hum appears, try reversing the record player power plug, and try connecting a wire from the record player chassis to the amplifier chassis. In this way, connect the tuner, tape deck and other de' -es in turn. Note that hum may be picked up by defective interconnecting cables, and by :connecting cables running too close to power cables.