Harman Kardon AVP-1A Owners Manual - Page 22

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The "average" setting of the individual output level controls should be ideally near the midrange of their rotation. The simplest way to achieve this is to set the Master Volume at 0 REF on the liquid crystal display and then adjust each individual channel output trim control (located on the rear panel) until a 85 dB SPL is achieved. The Master 0 REF setting becomes the calibrated playback setting for any software which has been dubbed carefully, with proper attention to soundtrack levels. Some adjustments to the input level and input balance controls may be required to compensate for soundtracks with different levels and channel balance. In the absence of a dB SPL meter, it is possible to set the output level controls by ear. Use the built-in test noise generator in the AVP1A to adjust all volumes to sound the same as they cycle around the various speakers. The test signal is bandwidth-limited pink noise to minimize the problem of timbre shifts influencing the setting of levels. Even so, using non-THX-certified loudspeakers may make this more difficult to judge, due to variations in spectral balance between the various speakers-especially mismatched left/right and center speakers. Simply get as close as you can! The system should then be reasonably well balanced, although of course it is not actually calibrated for precise playback levels. ADJUSTING THE DOLBY TIME LINK(tm) DIGITAL AUDIO SIGNAL DELAY SYSTEM All Dolby Pro Logic decoders incorporate an audio signal delay to the rear speakers. The AVP1A incorporates two high-performance, discrete-circuit channels of Dolby Time Link. The Dolby Pro Logic process occasionally yields erroneous leakage of front channel sounds to the rear. Time Link, a digital signal delay circuit, is used to reduce the perceived level of leakage because of the "Hass" or precedence effect. When the front channel information leaks into the surround speakers, we end up hearing this leakage out of the surround speakers following the arrival (at our ears) of the front channel information Time Link allows the sound coming from the front speakers to reach the viewer before the arrival of sound from the surround speakers. The optimum Time Link setting depends on the distance between the main seating area and the front speakers, and the distance between the main seating area and surround speakers. Refer to the graph for choosing the best setting in any given situation - measure theIn distances andlook to where they meet on the graph. The shaded areas Will indicate the best setting for the delay. If in doubt. simply set Time Link for 20 ms of delay. The setting will be stored in the memory of the AVP1A until you change it You may also use Time Link to enhance and align arrival times of certain music surround modes available in the AVP1A. The audio signal delay settings can be stored for each applicable music or movie mode independently of the Pro Logic or Home THX Cinema modes. PREFERRED O ACCEPTABLE O NOT RECOMMENDED 5m 2oma 40 15 nu 35 15 me 30 15 ms 25 15 ms 20 10 ms 15 10 rg 5 5 mil HAAS EFFECT DIFFERENTIAL ARRIVAL 11S* 0 0 5 10 15 20 25 30 35 40 DISTANCE FflOM FRONT SPEAKERS (FEET) USABLE SPEAKER PLACEMENT FLANGE WITH mS1 DELAY TiM£ 19

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The
"average"
setting
of
the
individual
output
level
controls
should
be
ideally
near
the
midrange
of
their
rotation.
The
simplest
way
to
achieve
this
is
to
set
the
Master
Volume
at
0
REF
on
the
liquid
crystal
display
and
then
adjust
each
individual
channel
output
trim
control
(located
on
the
rear
panel)
until
a
85
dB
SPL
is
achieved.
The
Master
0
REF
set-
ting
becomes
the
calibrated
playback
setting
for
any
soft-
ware
which
has
been
dubbed
careful
ly,
with
proper
attention
to
soundtrack
levels.
Some
adjustments
to
the
input
level
and
input
balance
controls
may
be
required
to
compensate
for
soundtracks
with
different
levels
and
channel
balance.
In
the
absence
of
a
dB
SPL
meter,
it
is
possible
to
set
the
output
level
controls
by
ear.
Use
the
built-in
test
noise
gen-
erator
in
the
AVP1A
to
adjust
al
l
volumes
to
sound
the
same
as
they
cycle
around
the
various
speakers.
The
test
signal
is
bandwidth
-limited
pink
noise
to
minimize
the
problem
of
timbre
shifts
influencing
the
setting
of
levels.
Even
so,
using
non-THX-certified
loudspeakers
may
make
this
more
difficult
to
judge,
due
to
variations
in
spectral
balance
between
the
various
speakers
-especial
ly
mis-
matched
left/right
and
center
speakers.
Simply
get
as
close
as
you
can!
The
system
should
then
be
reasonably
well
bal-
anced,
although
of
course
it
is
not
actual
ly
calibrated
for
precise
playback
levels.
ADJUSTING
THE
DOLBY
TIME
LINK(tm)
DIGITAL
AUDIO
SIGNAL
DELAY
SYSTEM
All
Dolby
Pro
Logic
decoders
incorporate
an
audio
signal
delay
to
the
rear
speakers.
The
AVP1A
incorporates
two
high-perfor-
mance,
discrete
-circuit
channels
of
Dolby
Time
Link.
The
Dolby
Pro
Logic
process
occasionally
yields
erroneous
leakage
of
front
channel
sounds
to
the
rear.
Time
Link,
a
digital
signal
delay
circuit,
is
used
to
reduce
the
perceived
level
of
leakage
because
of
the
"Hass"
or
precedence
effect.
When
the
front
channel
information
leaks
into
the
surround
speakers,
we
end
up
hearing
this
leakage
out
of
the
sur-
round
speakers
following
the
arrival
(at
our
ears)
of
the
front
channel
information
Time
Link
al
lows
the
sound
coming
from
the
front
speakers
to
reach
the
viewer
before
the
arrival
of
sound
from
the
sur-
round
speakers.
The
optimum
Time
Link
setting
depends
on
the
distance
between
the
main
seating
area
and
the
front
speakers,
and
the
distance
between
the
main
seating
area
and
surround
speakers.
Refer
to
the
graph
for
choosing
the
best
setting
in
any
given
situa-
tion
-
measure
the
In
distances
and
look
to
where
they
meet
on
the
graph.
The
shaded
areas
Will
indicate
the
best
setting
for
the
delay.
If
in
doubt.
simply
set
Time
Link
for
20
ms
of
delay.
The
setting
will
be
stored
in
the
memory
of
the
AVP1A
until
you
change
it
You
may
also
use
Time
Link
to
enhance
and
align
arrival
times
of
certain
music
surround
modes
available
in
the
AVP1A.
The
audio
signal
delay
set-
tings
can
be
stored
for
each
applicable
music
or
movie
mode
inde-
pendently
of
the
Pro
Logic
or
Home
THX
Cinema
modes.
r
g
PREFERRED
O
ACCEPTABLE
O
NOT
RECOMMENDED
5m
2oma
40
35
30
25
20
15
10
5
0
0
5
10
15
20
25
30
35
40
DISTANCE
FflOM
FRONT
SPEAKERS
(FEET)
USABLE
SPEAKER
PLACEMENT
FLANGE
WITH
mS1
DELAY
TiMĀ£
15
nu
15
me
15
ms
15
ms
10
ms
5
mil
HAAS
EFFECT
DIFFERENTIAL
ARRIVAL
11S*
19