Harman Kardon AVP-1A Owners Manual - Page 29

Harman Kardon AVP-1A Manual

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These frequencies are often referred to as "room resonances" or "room modes"-that is, the frequencies at which the room tends to vibrate of its own accord. These resonances lead to uneven frequency response, the greatest problems being in the 60-150 Hz range for a typical domestic living room. (At lower frequencies in larger room.) Unfortunately, there is no way to eliminate the effects of standing waves completely. The best that can be done is to minimize their effect through a variety of strategies. STANDING WAVE SOLUTIONS: ROOM RATIOS In new construction, the best way to minimize the audibility of standing waves is to plan for an even distribution of them, so that their effects do not "pile up" on top of each other. In this regard the ratios of room dimensions are the critical factor. Rooms having equal dimensions are the worst, since the standing waves in all directions reinforce one another. Room dimensions which are even multiples of one another are also to be avoided where possible. STANDING WAVE SOLUTIONS: SPEAKER PLACEMENT Speaker placement also has an effect on standing waves and their audibility. In particular, placement of any speaker (including subwoofers) where the wall and the floor meet will tend to stimulate all of the available standing waves, causing the most irregular response. The displacement required to minimize a particular standing wave depends on its frequency, with lower frequencies requiring more movement owing to their longer wavelengths. As a result, minimizing colorations due to standing waves often requires significant adjustment of subwoofer placement. Leave yourself some latitude with regard to subwoofer placement when planning your system-the final adjustment will probably have to be done on something of a trial-and-error basis. STANDING WAVE SOLUTIONS: ABSORPTIONS In theory, it is possible to damp standing waves with absorptive material. The difficulty is that the thickness of the absorptive material would have to be approximately one-half the wavelength of the lowest frequency requiring damping. This means a five-foot thickness of fiberglass would be required in order to damp everything down tg 100 Hz-not very practical. Standing wave energy tends to be concentrated in the corners of rooms,which is why these are the worst places for subwoofers. Because of this fact, it may be possible to break them up somewhat by "breaking up" the corner. This can be accomplished by placing a column of thick, absorptive materials in the corners (covered by acoustically transparent cloth, of course). The column ought to be at least a foot on a side, and run from floor to ceiling. A variation on this theme is to run an absorptive panel diagonally across the corner, leaving open air space behind it. Neither of these techniques is more than a partial solution, at best, but they are easily tried and sometimes quite effective. STANDING WAVE SOLUTIONS: ROOM EQUALIZATION If a room exhibits severe standing wave problems, the best solution is to know your own limitations- hire a trained acoustician. These professionals have the necessary background to analyze the various room modes and recommend appropriate action. This will sometimes take the form of a custom-designed bass trap, which may be easily constructed. But it takes specific skills to determine its optimal design. On other occasions, careful third-octave analysis and equalization may be appropriate. Optimize everything else that you can, then use EQ, if necessary, to "touch up" the room. This is its best use. If everyone used EQ this way, it wouldn't have the bad reputation that it has in home consumer electronics circles. Professionals use it all the time, with excellent results-because they know its limitations and how to apply it. Never equalize a room by ear. Room analysis is not as straightforward as it may seem. The analysis should be done using equipment with at least one-third octave resolution, using both spatial and temporal averaging. The final electronic equalization should be applied by means of a one-third octave graphic equalizer at a minimum. In any event, rooms requiring this level of treatment are relatively rare, and the skills necessary to handle them properly are highly specialized. Do not hesitate to use the professional services of an acoustician when you need them.

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These
frequencies
are
often
referred
to
as
"room
reso-
nances"
or
"room
modes"
—that
is,
the
frequencies
at
which
the
room
tends
to
vibrate
of
its
own
accord.
These
reso-
nances
lead
to
uneven
frequency
response,
the
greatest
problems
being
in
the
60-150
Hz
range
for
a
typical
domes-
tic
living
room.
(At
lower
frequencies
in
larger
room.)
Unfortunately,
there
is
no
way
to
el
iminate
the
effects
of
standing
waves
completely.
The
best
that
can
be
done
is
to
minimize
their
effect
through
a
variety
of
strategies.
STANDING
WAVE
SOLUTIONS:
ROOM
RATIOS
In
new
construction,
the
best
way
to
minimize
the
audibility
of
standing
waves
is
to
plan
for
an
even
distribution
of
them,
so
that
their
effects
do
not
"pile
up"
on
top
of
each
other.
In
this
regard
the
ratios
of
room
dimensions
are
the
critical
factor.
Rooms
having
equal
dimensions
are
the
worst,
since
the
standing
waves
in
all
directions
reinforce
one
another.
Room
dimensions
which
are
even
multiples
of
one
another
are
also
to
be
avoided
where
possible.
STANDING
WAVE
SOLUTIONS:
SPEAKER
PLACEMENT
Speaker
placement
also
has
an
effect
on
standing
waves
and
their
audibility.
In
particular,
placement
of
any
speaker
(including
subwoofers)
where
the
wall
and
the
floor
meet
will
tend
to
stimulate
all
of
the
available
standing
waves,
causing
the
most
irregular
response.
The
displacement
required
to
minimize
a
particular
standing
wave
depends
on
its
frequency,
with
lower
frequencies
requiring
more
move-
ment
owing
to
their
longer
wavelengths.
As
a
result,
mini-
mizing
colorations
due
to
standing
waves
often
requires
significant
adjustment
of
subwoofer
placement.
Leave
your-
self
some
latitude
with
regard
to
subwoofer
placement
when
planning
your
system
—the
final
adjustment
will
probably
have
to
be
done
on
something
of
a
trial
-and
-error
basis.
STANDING
WAVE
SOLUTIONS:
ABSORPTIONS
In
theory,
it
is
possible
to
damp
standing
waves
with
absorptive
material.
The
difficulty
is
that
the
thickness
of
the
absorptive
material
would
have
to
be
approximately
one-half
the
wavelength
of
the
lowest
frequency
requiring
damping.
This
means
a
five-foot
thickness
of
fiberglass
would
be
required
in
order
to
damp
everything
down
tg
100
Hz
—not
very
practical.
Standing
wave
energy
tends
to
be
concentrated
in
the
cor-
ners
of
rooms,which
is
why
these
are
the
worst
places
for
subwoofers.
Because
of
this
fact,
it
may
be
possible
to
break
them
up
somewhat
by
"breaking
up"
the
corner.
This
can
be
accomplished
by
placing
a
column
of
thick,
absorp-
tive
materials
in
the
corners
(covered
by
acoustical
ly
trans-
parent
cloth,
of
course).
The
column
ought
to
be
at
least
a
foot
on
a
side,
and
run
from
floor
to
ceiling.
A
variation
on
this
theme
is
to
run
an
absorptive
panel
diagonally
across
the
corner,
leaving
open
air
space
behind
it.
Neither
of
these
techniques
is
more
than
a
partial
solution,
at
best,
but they
are
easily
tried
and
sometimes
quite
effective.
STANDING
WAVE
SOLUTIONS:
ROOM
EQUALIZATION
If
a
room
exhibits
severe
standing
wave
problems,
the
best
solution
is
to
know
your
own
l
imitations-
hire
a
trained
acoustician.
These
professionals
have
the
necessary
back-
ground
to
analyze
the
various
room
modes
and
recommend
appropriate
action.
This
wil
l
sometimes
take
the
form
of
a
custom
-designed
bass
trap,
which
may
be
easily
construct-
ed.
But
it
takes
specific
skills
to
determine
its
optimal
design.
On
other
occasions,
careful
third
-octave
analysis
and
equal
ization
may
be
appropriate.
Optimize
everything
else
that
you
can,
then
use
EQ,
if
necessary,
to
"touch
up"
the
room.
This
is
its
best
use.
If
everyone
used
EQ
this
way,
it
wouldn't
have
the
bad
reputation
that
it
has
in
home
con-
sumer
electronics
circles.
Professionals
use
it
all
the
time,
with
excel
lent
results
—because
they
know
its
limitations
and
how
to
apply
it.
Never
equal
ize
a
room
by
ear.
Room
analysis
is
not
as
straightforward
as
it
may
seem.
The
analysis
should
be
done
using
equipment
with
at
least
one-third
octave
resolu-
tion,
using
both
spatial
and
temporal
averaging.
The
final
electronic
equal
ization
should
be
appl
ied
by
means
of
a
one-third
octave
graphic
equalizer
at
a
minimum.
In
any
event,
rooms
requiring
this
level
of
treatment
are
rel-
atively
rare,
and
the
skills
necessary
to
handle
them
proper-
ly
are
highly
specialized.
Do
not
hesitate
to
use
the
profes-
sional
services
of
an
acoustician
when
you
need
them.