Mackie SR244 / SR324 Contractor's Specs - Page 3

OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM MIC GA-1IN0 TRIM 9 10 11 12 13 14 15 16 17 18 19 20 U U U U U U U U U U U 60 -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 10 60 +10dB -40dB U AUX 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 1 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 2 PRE +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 4 +15 U -20 +20 U TRIM 21 22 AUX 1 PRE +15 U 2 PRE +15 U 3 +15 U 4 +15 U -20 +20 U TRIM 23 24 AUX 1 PRE +15 U 2 PRE +15 U 3 +15 U 4 +15 U PRE 5 +15 U 6 +15 U EQ HI 12k +15 U MID +15 FREQ 8kHz U +15 CUT Hz /OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U MID -15 +15 FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U MID -15 +15 FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U MID -15 +15 FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ HI 12k -15 +15 U MID -15 +15 FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz U PRE 5 +15 U 6 +15 U EQ -15 +15 U -15 +15 U -15 +15 U HI 12k HI MID 3k LOW MID 800Hz -15 +15 LOW 80Hz U PRE 5 +15 U 6 +15 U EQ -15 +15 U -15 +15 U -15 +15 U HI 12k HI MID 3k LOW MID 800Hz -15 +15 LOW 80Hz OL OL OL OL OL OL OL OL OL OL OL OL OL OL OO OO OO OO OO OO U 1 +15 U 2 +15 U 3 +15 U 4 +15 U 5 +15 U 6 +15 AUX SEND MASTERS TRACK 1 • 5 5 0 +10 AIR 16kHz SOLO SOLO SOLO SOLO SOLO SOLO SOLO TRACK 2 • 6 5 0 +10 AIR 16kHz SOLO LAMP OO OO OO OO U U 1 +20 U 1 +15 U OO OO OO +20 U +20 U 2 2 +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR 16kHz SOLO MAX LEVEL MAIN MIX TALKBACK AUX 1-2 R -20 AN 9 UTE MUTE / SOLO L R -20 PAN 10 MUTE MUTE / SOLO L R -20 PAN 11 MUTE MUTE / SOLO L R -20 PAN 12 MUTE MUTE / SOLO L R -20 PAN 13 MUTE MUTE / SOLO L R -20 PAN 14 MUTE MUTE / SOLO L R -20 PAN 15 MUTE MUTE / SOLO L R -20 PAN 16 MUTE MUTE / SOLO L R -20 PAN 17 MUTE MUTE / SOLO L R -20 PAN 18 MUTE MUTE / SOLO L R -20 PAN 19 MUTE MUTE / SOLO L R PAN 20 MUTE -20 L R -20 L R -20 PAN PAN 21 22 MUTE 23 24 MUTE MUTE / SOLO MUTE / SOLO MUTE / SOLO L R PAN L/R ASSIGN SUB 1 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 dB SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 L R PAN L/R ASSIGN SUB 2 dB 10 5 U 5 10 20 30 40 50 60 L R PAN L/R ASSIGN SUB 3 dB 10 5 U 5 10 20 30 40 50 60 L R PAN L/R ASSIGN SUB 4 dB 10 5 U 5 10 20 30 40 50 60 TAPE RETURN TO PHONES / C R OO MAX PHONES / C-R LEVEL MAIN MIX TAPE RETURN TO MAIN MIX LEFT/RIGHT dB 10 5 U 5 10 20 30 40 50 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO The SR Series: The most affordable, full-featured mixing consoles available. As you can see, there is every reason that the SR24•4 and 32•4 are fast becoming the premier, affordable 4-bus mixing consoles. With their proven durability, professional features and specs, and certainly not least, the low cost - the SR Series is destined to be a classic. There are no other mixing consoles in their class, with all these features, at such an affordable price. And that's why people from all professions, with all kinds of different applications, prefer Mackie's SR Series. You'll like them because of the SR24•4 and 32•4's low price, easy-touse features, and rugged construction. That's got to sound good. And of course, Mackie does. TRIM MIC GA-1IN0 19 U TRIM 20 60 AUX 10 60 +10dB -40dB U AUX U -20 +20 U TRIM 21 22 AUX U -20 +20 U TRIM 23 24 AUX OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 1 PRE VLZ - Very Low Impedance +15 circuitry for low noise 2 PRE +15 High headroom, low-noise mic 3 preamps (-129.5dBm E.I.N.) +15 1 PRE +15 U 2 PRE +15 U 3 +15 U 1 PRE +15 U 2 PRE +15 U 3 +15 U 1 PRE +15 U 2 PRE +15 U 3 +15 U 3-Band EQ with Sweepable 4 +15 Mids: 80Hz, 100Hz-8kHz PRE swept mid, 12kHz (Mids fixed 5 4 +15 U PRE 5 4 +15 U PRE 5 4 +15 U PRE 5 at 800Hz & 3kHz for 4-band +15 +15 U +15 U +15 U EQ on stereo channels) 6 +15 6 +15 6 +15 6 +15 60mm log-taper faders with lip seal and longwearing contact material "AIR" high frequency EQ circuit on sub tracks 1-8 EQ HI 12k +15 MID +15 FREQ 8kHz LOW 80Hz U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U LOW 80Hz U EQ -15 +15 U -15 +15 U -15 +15 U HI 12k HI MID 3k LOW MID 800Hz LOW 80Hz U EQ -15 +15 U -15 +15 U -15 +15 U HI 12k HI MID 3k LOW MID 800Hz LOW 80Hz 6 aux sends +15 -15 +15 -15 +15 -15 +15 LOW CUT 75 Hz 18dB/OCT 6 aux returns, 2 switchable OL OL OL OL pre- or post-fader (2 fixed R -20 L R -20 L R -20 L R -20 pre- and 2 fixed post-fader) PAN PAN PAN 4 submix buses 20 MUTE 21 22 MUTE 23 24 MUTE MUTE / SOLO MUTE / SOLO MUTE / SOLO Phones/Control Room level dB dB dB control for 2-track monitoring SOLO 10 SOLO 10 SOLO 10 SOLO 5 5 5 PFL/AFL Solo (globally switchable) 1-2 U 1-2 U 1-2 U 1-2 5 5 5 3-4 3-4 3-4 3-4 10 10 10 Constant-loudness pan pots L-R 20 L-R 20 L-R 20 L-R 30 30 30 "Double-bussed" sub outs for 40 50 40 50 40 50 8-track recording OO OO 60 60 60 OO Balanced inputs & outputs (except RCAs & channel inserts) Trim control on each channel for wide gain range OO OO OO LAMP OO OO OO OO OO OO U 1 +15 U 2 +15 U 3 +15 U 4 +15 U 5 +15 U 6 +15 AUX SEND MASTERS TRACK 1 • 5 5 SOLO SOLO SOLO SOLO SOLO SOLO TRACK 2 • 6 5 OO OO OO OO U U 1 +20 U 1 +15 U OO OO OO 2 2 +20 U +20 U +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR 16kHz SOLO 0 +10 AIR 16kHz SOLO 0 +10 AIR 16kHz SOLO MAX LEVEL MAIN MIX TALKBACK AUX 1-2 L R PAN L/R ASSIGN SUB 1 dB 10 5 U 5 10 20 30 40 50 60 L R PAN L/R ASSIGN SUB 2 dB 10 5 U 5 10 20 30 40 50 60 L R PAN L/R ASSIGN SUB 3 dB 10 5 U 5 10 20 30 40 50 60 L R PAN L/R ASSIGN SUB 4 dB 10 5 U 5 10 20 30 40 50 60 TAPE RETURN TO PHONES / C R OO MAX PHONES / C-R LEVEL MAIN MIX TAPE RETURN TO MAIN MIX LEFT/RIGHT dB 10 5 U 5 10 20 30 40 50 60 OO OO