Mackie SR244 / SR324 Contractor's Specs - Page 5

Pro features even amateurs can understand. "Most significant [about the SR Series] is the large degree of flexibility while retaining ease of use. Typically these two factors are at odds - the more something does, the harder it is to make it do what you want. Not so with the SR24•4. Things are laid out very logically, making operation very intuitive." - J.H., Kathleen, GA AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 SOLO L SOLO R PFL LOGIC • • GAIN ∑ AIR 16kHz SOLO • PFL LOGIC • FADER • INSERT • • SUB OUT 1 (1 OF 4) ASSIGN TO L-R • PAN • • SUB OUT 1 SUB • OUT 5 • MONO LEVEL • 2 TAPE TO L-R ∑ • • 3 L MIX INSERTS FADER 2 • R MIX •∑ • • 3 2 • • 3 TAPE IN • • SOLO RELAY •∑ MONITOR LEVEL • • • • TAPE TO •∑ • MONITOR • LEVEL • RUDE•SOLO LED • PFL/SIP • ∑ • • ∑ • • SOLO LEVEL RELAY L • PHONES AMPS R • •∑ • ∑ AUX SEND 1 (2) • • • • • • • • • SOLO •• • ∑ • +• -• L • LEVEL + - R AUX RET 1 (2) IN +• -• L +22 +10 +7 +4 +2 0 -2 -4 -7 -10 -20 -30 -40 METERS ØdBu=Ø VU + LEVEL - R AUX RET 3 IN +• -• L LEVEL ∑• • SOLO 1-2 + - R • 3-4 L-R/SUBS LEVEL AUX RET 4 IN •••• • SOLO LED LEFT OUT •L TAPE OUT •R RIGHT OUT 1 MONO XLR OUT 1 LEFT XLR OUT 1 RIGHT XLR OUT L CONTROL ROOM OUT R PHONES OUTPUTS AUX 1 OUTPUT AUX SEND (1 OF 6) Mackie's SR Series was designed with professionals - and amateurs - in mind. That's why they feature 4 submix buses - "doublebussed" for 8-track recording, 6 aux sends on each input channel, VLZ® Very Low Impedance design, Mackie's brand new "AIR" EQ circuit, high-headroom mic preamps, constant-power pan pots, 4 aux returns, and more. The SR Series mixing consoles are great for live music festivals, theatrical revues, or any event with lots of performers. The SR24•4 has 24 inputs and the SR32•4 has 32 (the last two channel strips on each are stereo, for playback of tape decks or CD players). With 20 and 28 mic preamps, respectively, the SR Series consoles are big enough to handle majorsized acts or performances. 6 aux sends make the SR24•4 and 32•4 very adaptable to systems with many effects. Pre-fader auxes are great for monitor sends - which you need more of for live mixing. Postfader aux sends are for effects, which you usually want more of during studio tracking and mixdown. You get both with the SR Series. Aux Sends 1 & 2 are pre-fader, Aux Sends 3 & 4 can be used either pre- or post-fader, and Aux Sends 5 & 6 are post-fader. For live mixing, you can have four pre-fader auxes (Aux Sends 1-4), and therefore four different monitor mixes, as well as two post-fader auxes for effects. For studio recording, you can have four post-fader auxes (Aux Sends 3-6), for use with all the effects processors in your rack, plus two pre-fader auxes for headphone mixes.