Pioneer DJM-850 Operation Manual - Page 19
Types of effects - white
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Types of effects Types of effects BEAT COLOR FX/SOUND COLOR FX effect types Effect Name NOISE GATE CRUSH FILTER [BEAT] button status Off On Off On Off On Off On Descriptions [COLOR] control White noise generated inside this unit is mixed in to the sound of the channel via the filter and output. ! The volume can be adjusted by turning the [TRIM] controls for the respective channels. The sound quality can be adjusted by turning the [EQ/ISO (HI, MID, LOW)] controls. Turn counterclockwise: The cut-off frequency of the filter through which the white noise passes gradually decreases. Turn clockwise: The cut-off frequency of the filter through which the white noise passes gradually increases. The volume changes in association with the beat. Turn counterclockwise: The cut-off frequency of the filter through which the white noise passes gradually decreases. Turn clockwise: The cut-off frequency of the filter through which the white noise passes gradually increases. The gate effect makes the sound tighter and reduces the sense of volume. Turn counterclockwise: The gate effect is applied to the medium and high frequencies. Turn clockwise: The gate effect is applied to the low and high frequencies. The sound is recorded while the gate is open, and when the gate is closed, the recorded sound is output several times. Turn counterclockwise: The gate effect is applied to the medium and high frequencies, and the sampled sound is added. Turn clockwise: The gate effect is applied to the low and high frequencies, and the sampled sound is added. Changes the original sound to a crushed-like sound for output. Turn counterclockwise: Increases the sound's distortion. Turn clockwise: The sound is crushed before passing through the high pass filter. The distortion changes in association with the beat. Turn counterclockwise: Increases the sound's distortion. Turn clockwise: The sound is crushed before passing through the high pass filter. Outputs sound that has passed through a filter. Turn counterclockwise: Gradually decreases the low-pass filter's cutoff frequency. Turn clockwise: Gradually increases the high-pass filter's cutoff frequency. The filter's cut-off frequency changes in association with the beat. Turn counterclockwise: Gradually decreases the low-pass filter's cutoff frequency. Turn clockwise: Gradually increases the high-pass filter's cutoff frequency. Types of BEAT EFFECT Input sound turned off Fade-out DELAY1 A delay sound is output once according to the beat fraction set with the [BEAT c, d] buttons. When 1/2 beat delay sound is added, 4 beats become 8 beats. Original (4 beats) 1 beat Time BEAT c, d buttons (parameter 1) Use these to set a time delay of 1/8 - 16/1 with respect to the time of one beat of the BPM. TIME control (parameter 2) Use this to set the delay time. 1 to 4000 (ms) LEVEL/DEPTH control (parameter 3) Use this to set the balance between the original sound and the echo sound. 1/2 delay (8 beats) BEAT c, d buttons (parameter 1) Use these to set a time delay of 1/8 - 16/1 with respect to the time of one beat of the BPM. TIME control (parameter 2) Use this to set the delay time. 1 to 4000 (ms) LEVEL/DEPTH control (parameter 3) Use this to set the balance between the original sound and the delay sound. UP ECHO1 2 A delay sound is output several times and gradually attenuated according to the beat fraction set with the [BEAT c, d] buttons. With 1/1 beat echoes, the delay sounds are faded out according to the track's tempo even after the input sound has been cut. Also, it is also possible to change the pitch of the echo sound. Input sound turned off Fade-out ECHO1 2 A delay sound is output several times and gradually attenuated according to the beat fraction set with the [BEAT c, d] buttons. With 1/1 beat echoes, the delay sounds are faded out according to the track's tempo even after the input sound has been cut. 1 beat Time BEAT c, d buttons (parameter 1) Use these to set a time delay of 1/8 - 16/1 with respect to the time of one beat of the BPM. TIME control (parameter 2) Use this to set the delay time. 1 to 4000 (ms) LEVEL/DEPTH control (parameter 3) Use this to set the balance between the original sound and the echo sound and to set the amount by which the echo sound's pitch changes. En 19