Pioneer VSX23TXH Owner's Manual - Page 84

Reverberance of high vs. low frequencies, Reverb characteristics for different channels, Select

Page 84 highlights

10 The Advanced MCACC menu How to interpret the graphical output The graph shows decibels on the vertical axis and time (in milliseconds) on the horizontal axis. A straight line indicates a flat-response room (no reverb), whereas a sloping line indicates the presence of reverberation when outputting test tones. The sloping line will eventually flatten out when the reverberant sound stabilizes (this usually takes about 100 ms or so). By analyzing the graph, you should be able to see how your room is responding to certain frequencies. Differences in channel level and speaker distance are taken into account automatically (compensation is provided for comparison purposes), and the frequency measurements can be examined both with and without the equalization performed by this receiver.1 Setting Acoustic Calibration EQ Professional according to your room characteristics Using the manual setup, you can set the time period at which the frequency response is analyzed, pinpointing the time that is best for system calibration with your particular room characteristics. The graph below shows the difference between conventional acoustic calibration and professional calibration (the gray circle indicates the point where the microphone captures sound during frequency analysis). Level Test tone Acoustic Cal. EQ Pro. calibration range Conventional MCACC EQ calibration range Time 0 80 160 (in msec) As soon as audio is output from your speaker system, it is influenced by room characteristics, such as walls, furniture, and the dimensions of the room. The sooner the frequency analysis, the less it is influenced by the room. We recommend an earlier time setting of 30-50ms to compensate for two major factors that will influence the sound of most rooms: • Reverberance of high vs. low frequencies - Depending on your room, you may find that lower frequencies seem overly reverberant compared to higher frequencies (i.e. your room sounds 'boomy'). This may result in a skewed frequency analysis if the measurement is done too late. Level Low frequencies High frequencies Acoustic Cal. EQ Pro. calibration range Conventional MCACC EQ calibration range Time 0 80 160 (in msec) • Reverb characteristics for different channels - Reverb characteristics can be somewhat different for each channel. Since this difference increases as the sound is influenced by the various room characteristics, it is often better to capture a frequency analysis early on for smoother mixing of channel frequencies/sounds. Level Front L Front R Acoustic Cal. EQ Pro. calibration range Conventional MCACC EQ calibration range Time 0 80 160 (in msec) If your room isn't affected by the factors above, it is often not necessary to make a 30-50ms setting. Later time settings may provide a more detailed sound experience with your speaker system. It is best to try and see what works best for your particular room. Note that changing the room (for example, moving furniture or paintings) will affect the calibration results. In such cases, you should recalibrate your system. Using Acoustic Calibration EQ Professional 1 Select 'EQ Professional', then press ENTER. 1c.Manual MCACC A/V RECEIVER 1. Fine Channel Level 2. Fine SP Distance 3. Standing Wave 4. EQ Adjust 5. EQ Professional 1c5.EQ Professional A/V RECEIVER a. Reverb Measurement b. Reverb View c. Advanced EQ Setup Exit Return Exit Return Note 1 Note that due to an effect known as 'group delay', lower frequencies will take longer to be generated than higher frequencies (this is most obvious when comparing the frequencies at 0 ms). This initial slope is not a problem (i.e. excessive reverb) with your listening room. 84 En

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The Advanced MCACC menu
10
84
En
How to interpret the graphical output
The g
r
a
p
h shows decibels on the ve
r
tical axis and time (in
milliseconds) on the ho
r
izontal axis. A st
r
aight line
indicates a flat-
r
es
p
onse
r
oom (no
r
eve
r
b), whe
r
eas a
slo
p
ing line indicates the
pr
esence of
r
eve
r
be
r
ation when
out
p
utting test tones. The slo
p
ing line will eventually
flatten out when the
r
eve
r
be
r
ant sound stabilizes (this
usually takes about 100 ms o
r
so).
By analyzing the g
r
a
p
h, you should be able to see how
you
r
r
oom is
r
es
p
onding to ce
r
tain f
r
equencies.
Diffe
r
ences in channel level and s
p
eake
r
distance a
r
e
taken into account automatically (com
p
ensation is
pr
ovided fo
r
com
p
a
r
ison
p
u
rp
oses), and the f
r
equency
measu
r
ements can be examined both with and without
the equalization
p
e
r
fo
r
med by this
r
eceive
r
.
1
Setting Acoustic Calibration EQ Professional
according to your room characteristics
Using the manual setu
p
, you can set the time
p
e
r
iod at
which the f
r
equency
r
es
p
onse is analyzed,
p
in
p
ointing
the time that is best fo
r
system calib
r
ation with you
r
p
a
r
ticula
r
r
oom cha
r
acte
r
istics.
The g
r
a
p
h below shows the diffe
r
ence between
conventional acoustic calib
r
ation and
pr
ofessional
calib
r
ation (the g
r
ay ci
r
cle indicates the
p
oint whe
r
e the
mic
r
o
p
hone ca
p
tu
r
es sound du
r
ing f
r
equency analysis).
As soon as audio is out
p
ut f
r
om you
r
s
p
eake
r
system, it
is influenced by
r
oom cha
r
acte
r
istics, such as walls,
fu
r
nitu
r
e, and the dimensions of the
r
oom. The soone
r
the f
r
equency analysis, the less it is influenced by the
r
oom. We
r
ecommend an ea
r
lie
r
time setting of
30-50ms
to com
p
ensate fo
r
two majo
r
facto
r
s that will influence
the sound of most
r
ooms:
Reverberance of high vs. low frequencies
De
p
ending on you
r
r
oom, you may find that lowe
r
f
r
equencies seem ove
r
ly
r
eve
r
be
r
ant com
p
a
r
ed to
highe
r
f
r
equencies (i.e. you
r
r
oom sounds ‘boomy’).
This may
r
esult in a skewed f
r
equency analysis if the
measu
r
ement is done too late.
Reverb characteristics for different channels
Reve
r
b cha
r
acte
r
istics can be somewhat diffe
r
ent fo
r
each channel. Since this diffe
r
ence inc
r
eases as the
sound is influenced by the va
r
ious
r
oom
cha
r
acte
r
istics, it is often bette
r
to ca
p
tu
r
e a
f
r
equency analysis ea
r
ly on fo
r
smoothe
r
mixing of
channel f
r
equencies/sounds.
If you
r
r
oom isn’t affected by the facto
r
s above, it is often
not necessa
r
y to make a
30-50ms
setting. Late
r
time
settings may
pr
ovide a mo
r
e detailed sound ex
p
e
r
ience
with you
r
s
p
eake
r
system. It is best to t
r
y and see what
wo
r
ks best fo
r
you
r
p
a
r
ticula
r
r
oom.
Note that changing the
r
oom (fo
r
exam
p
le, moving
fu
r
nitu
r
e o
r
p
aintings) will affect the calib
r
ation
r
esults.
In such cases, you should
r
ecalib
r
ate you
r
system.
Using Acoustic Calibration EQ Professional
1
Select ‘
EQ Professional
’, then press
ENTER
.
Note
1 Note that due to an effect known as ‘g
r
ou
p
delay’, lowe
r
f
r
equencies will take longe
r
to be gene
r
ated than highe
r
f
r
equencies (this is most
obvious when com
p
a
r
ing the f
r
equencies at 0 ms). This initial slo
p
e is not a
pr
oblem (i.e. excessive
r
eve
r
b) with you
r
listening
r
oom.
Level
Test tone
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Conventional MCACC
EQ calib
r
ation
r
ange
Time
(in msec)
80
160
0
Level
Low
f
r
equencies
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Time
(in msec)
80
160
High
f
r
equencies
Conventional MCACC
EQ calib
r
ation
r
ange
0
Level
F
r
ont L
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Time
(in msec)
80
160
F
r
ont R
Conventional MCACC
EQ calib
r
ation
r
ange
0
1. Fine Channel Level
2. Fine SP Distance
3. Standing Wave
1c.Manual MCACC
4. EQ Adjust
5. EQ Professional
A/V RECEIVER
Exit
Return
a. Reverb Measurement
b. Reverb View
c. Advanced EQ Setup
1c5.EQ Professional
A/V RECEIVER
Exit
Return