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Sony F35 Product Manual (F35 Operation Manual) - Page 79

R, G, B, and M master, Highlighted: ABS Absolute

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Chapter 4 Menu Configuration and Detailed Settings PAINT menu Page title & purpose Adjusting the compression for high-luminance areas No. Item P06 [ - - ] K POINT K SLOPE Default Settings [R] [G] [B] [M] 0 0 0 0 -99 to +99 0 0 0 0 -99 to +99 KNEE KNEE MAX KNEE SAT AUTO KNEE POINT LIMIT SLOPE ABS Adjusting the level to white-clip the high-luminance areas P07 [ - - ] W CLIP Adjusting the emphasis of the contours in video ABS P08 DETAIL [ - - ] LEVEL LIMITER OFF OFF 0 OFF OFF 0 0 ON, OFF ON, OFF -99 to +99 ON, OFF OFF, AUTO -99 to +99 -99 to +99 [R] [G] [B] [M] 0 0 0 0 -99 to +99 OFF OFF 0 [M] 0 [WHT] 0 [BLK] 0 ON, OFF ON, OFF -99 to +99 -99 to +99 -99 to +99 -99 to +99 CRISP 0 -99 to +99 LVL DEP 0 -99 to +99 ABS OFF ON, OFF Remarks R, G, B, and M (master) values can be independently set. K POINT: To adjust the point to apply the change K SLOPE: To adjust the slope of compression Absolute values are displayed in ABS mode except for M (master). To adjust the color saturation at high-luminance areas Absolute value is displayed in ABS mode. Absolute value is displayed in ABS mode. Highlighted: ABS (Absolute) mode R, G, B, and M (master) values can be independently set. Absolute values are displayed in ABS mode except for M (master). Fixed to OFF in Cine mode Highlighted: ABS (Absolute) mode Fixed to OFF in Cine mode Absolute value is displayed in ABS mode. To adjust the level to clip the maximum value of the emphasis signal Absolute values are displayed in ABS mode except for M (master). To adjust the level for noise suppression (Absolute values are displayed in ABS mode) To adjust the emphasis elements suppressed by gamma (Absolute values are displayed in ABS mode.) Highlighted: ABS (Absolute) mode 79 Menu List

Section	Page
Table of Contents	4
Chapter 1 Overview	8
1-1 Features	8
1-2 Example of System Configuration	10
1-2-1 SRW-1 Docking System	11
1-2-2 Optical Fiber System Using the CA-F101	11
1-3 Locations and Functions of Parts	12
1-3-1 Camera Head	12
1-3-2 Assistant Panel (Supplied)	17
1-3-3 Interface Box (Supplied)	17
Chapter 2 Installation and Preparations	19
2-1 Mounting the Interface Box	19
2-2 Mounting the SRW-1 Recorder	21
2-3 Mounting the CA- F101 and Optical Connection	22
2-4 Attaching a Lens	23
2-5 Attaching a Viewfinder	24
2-6 Mounting the Camera to a Tripod	25
2-7 Attaching/Detaching Handles	26
2-7-1 L Handle	26
2-7-2 Center Handle (Supplied)	26
2-8 Preparing the Power Supply	27
2-9 Setting the Built-in Clock	29
Chapter 3 Basic Adjustments and Settings	30
3-1 Selection of the Basic Operation Modes	30
3-1-1 Overview of the Basic Operation Modes	30
3-1-2 Switching of the Basic Operation Modes	30
3-2 Basic Settings with the Subdisplay	32
3-2-1 Basic Operation of the Subdisplay	32
3-2-2 Shutter Settings	33
3-2-3 RAMP Operation	35
3-2-4 Selection of Video Formats	35
3-2-5 Retrieving the ND Offset	36
3-2-6 Selection of the Gain, Color Temperature, and White Balance Memory	36
3-2-7 Selection of a Lens File	37
3-2-8 Confirmation of the Time Code and Tape Remaining	38
3-2-9 Confirmation of the Power Voltage and Selection of Fan Operation Mode	38
3-2-10 ON/OFF of the Character Indication	39
3-2-11 Allocation of Functions to the Assignable Buttons and Switch	39
3-2-12 Brightness Adjustment of the Subdisplay	40
3-2-13 Selection of Gamma Tables	40
3-2-14 Selection of Color Spaces	40
3-2-15 Checking the Optical Levels	40
3-2-16 Limiting Pages that are Displayed on the Subdisplay	41
3-3 Black Balance Adjustment	42
3-4 White Balance Adjustment (in Custom mode)	43
3-5 Setting the Camera Outputs	44
3-5-1 Selecting a Video Output Signal for Each Connector	44
3-5-2 Setting the Monitor Picture	45
3-5-3 Outputting Color Bars	47
3-6 Viewing and Setting the Viewfinder Displays	48
3-6-1 Viewing the Basic Status Indications	48
3-6-2 Viewing the LENS (Lens Information) Display	50
3-6-3 Viewing the ABNORMAL <!> Display	50
3-6-4 Viewing the FUNCTION (Format/Switch Function) Display	51
3-6-5 Setting the Marker Indications	51
3-6-6 Adjusting the Viewfinder Details	52
3-6-7 Setting the Zebra Indication	52
3-6-8 Setting the Cursor Indication	53
3-6-9 Checking the Power Voltage	54
3-7 Detailed Settings of the Switch Functions	54
3-8 Setting the Gain	55
3-9 Detailed Shutter Settings	56
3-10 Resuming the Standard Conditions	57
3-11 Selecting the Gamma	58
3-11-1 Using the Standard Gamma	58
3-11-2 Using Hyper Gamma	58
3-11-3 Using the S-LOG	60
3-11-4 Using the User Gamma	60
3-12 Inverting the Camera Picture	61
3-13 Detailed Setting of the Video Format	61
Chapter 4 Menu Configuration and Detailed Settings	63
4-1 Menu Configuration	63
4-2 Basic Menu Operations	64
4-2-1 Displaying Setting Pages	65
4-2-2 Setting the Menu Items	66
4-2-3 Menu Operation via a Web Browser	66
4-3 Menu List	68
4-3-1 OPERATION Menu	68
4-3-2 PAINT Menu	77
4-3-3 MAINTENANCE Menu	84
4-3-4 NETWORK Menu	90
4-3-5 FILE Menu	91
4-3-6 DIAGNOSIS Menu	95
4-4 Editing the USER Menu	96
Chapter 5 Storage and Retrieval of User Setting Data	99
5-1 File Configuration	99
5-2 List of Items Stored in Files	101
5-3 File Operations	103
5-3-1 Using a “Memory Stick”	103
5-3-2 Storage and Retrieval of the Operator File	104
5-3-3 Registration and Retrieval of the Lens Files	104
5-3-4 Storage and Retrieval of the Scene Files	105
5-3-5 Storage and Retrieval of the Reference File	106
5-3-6 Reading of the User Gamma	106
5-3-7 Reading of the User MLUT	106
5-3-8 Storage of the OHB File	107
5-3-9 Resetting to the Initial Settings	107
Appendixes	109
Using the RM-B750	109
Connection	109
Operating the Menu of This Camera	109
Monitoring the Camera Image	110
Using the MSU-900/950	110
Connections	110
Parameter Settings	111
Using the ARRI Remote Control	113
About Metadata	114
Warning/Error Messages	126
Precautions	127
About a “Memory Stick”	128
Specifications	130
Camera Head	130
Interface Box (Supplied)	132
Optional Accessories	132
Connector Pin Assignments	133
Color Space According to the COLOR SPACE Settings	136

Match case Limit results 1 per page

Menu List

Chapter 4

Menu Configuration and Detailed Settings

<KNEE>

Adjusting the

compression for

high-luminance

areas

P06

[ - - ]

K POINT

[R] [G]

[B]

[M]

–

99 to +99

R, G, B, and M (master)

values can be independently

set.

K POINT: To adjust the point

to apply the change

K SLOPE: To adjust the slope

of compression

Absolute values are displayed

in ABS mode except for M

(master).

K SLOPE

–

99 to +99

KNEE

OFF

ON, OFF

KNEE MAX

OFF

ON, OFF

KNEE SAT

–

99 to +99

To adjust the color saturation

at high-luminance areas

OFF

ON, OFF

AUTO KNEE

OFF

OFF, AUTO

POINT LIMIT

–

99 to +99

Absolute value is displayed in

ABS mode.

SLOPE

–

99 to +99

Absolute value is displayed in

ABS mode.

ABS

Highlighted: ABS (Absolute)

mode

Adjusting the level

to white-clip the

high-luminance

areas

P07

[ - - ]

W CLIP

[R] [G]

[B]

[M]

–

99 to +99

R, G, B, and M (master)

values can be independently

set.

Absolute values are displayed

in ABS mode except for M

(master).

OFF

ON, OFF

Fixed to OFF in Cine mode

ABS

Highlighted: ABS (Absolute)

mode

Adjusting the

emphasis of the

contours in video

P08

[ - - ]

DETAIL

OFF

ON, OFF

Fixed to OFF in Cine mode

LEVEL

–

99 to +99

Absolute value is displayed in

ABS mode.

LIMITER

[M]

–

99 to +99

To adjust the level to clip the

maximum value of the

emphasis signal

Absolute values are displayed

in ABS mode except for M

(master).

[WHT]

–

99 to +99

[BLK]

–

99 to +99

CRISP

–

99 to +99

To adjust the level for noise

suppression (Absolute values

are displayed in ABS mode)

LVL DEP

–

99 to +99

To adjust the emphasis

elements suppressed by

gamma (Absolute values are

displayed in ABS mode.)

OFF

ON, OFF

ABS

Highlighted: ABS (Absolute)

mode

PAINT menu

Page title &

purpose

No.

Item

Default

Settings

Remarks