Yamaha CLP-130 Owner's Manual - Page 72

PROGRAM CHANGE, SYSTEM REALTIME MESSAGES, Yamaha MIDI Format, Universal System Exclusive

Page 72 highlights

4. PROGRAM CHANGE Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number CLP-130 GRANDPIANO 1 VARIATION GRANDPIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E. CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN VARIATION JAZZ ORGAN VARIATION STRINGS VARIATION CHOIR VARIATION GUITAR VARIATION WOOD BASS VARIATION E.BASS VARIATION CLP-120 GRANDPIANO 1 - GRANDPIANO 2 - E.PIANO 1 - E.PIANO 2 - HARPSICHORD 1 HARPSICHORD 2 - - VIBRAPHONE - CHURCH ORGAN 1 CHURCH ORGAN 2 JAZZ ORGAN - STRINGS 1 STRINGS 2 CHOIR - GUITAR - - - - - MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 122 123 112 112 122 122 122 123 122 123 122 123 122 122 123 122 122 123 122 122 122 123 122 122 122 124 122 122 P.C.# 0 0 0 1 5 88 4 4 6 6 7 7 11 12 19 19 16 16 48 49 52 52 24 25 32 32 33 35 • When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data F8H FAH FCH FEH Transmission Transmitted every 96 clocks Recorder start Recorder stop Transmitted every 200 milliseconds Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. 6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH F7H] F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2DH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 32H (CLP02) 30H, 30H (version x, y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H • Panel Data Contents (1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Variation On/Off (27) Touch Sensitivity (28) Fixed Data (29) Left Pedal (30) Soft Pedal Depth (31) Absolute tempo low byte (32) Absolute tempo high byte (33) Key-Off Sampling Depth • Panel data send requests cannot be received. 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master vol-ume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = don't care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive 72 CLP-130/120 Appendix

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80

CLP-130/120
Appendix
72
4.
PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH =
Program event (n = channel number)
ppH =
Program change number
P.C.#=Program Change number
When program change reception is turned OFF in the Func-
tion mode, no program change data is transmitted or
received. Also, Bank MSB/LSB is not transmitted or received.
5.
SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
6.
SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, 2DH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 32H (CLP02)
30H, 30H (version x, y)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+
......
+Data end)
F7H
Panel Data Contents
Panel data send requests cannot be received.
7.
SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format:
[F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
Simultaneously changes the volume of all channels.
When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master vol-ume.
F0H =
Exclusive status
7FH =
Universal Realtime
7FH =
ID of target device
04H =
Sub-ID #1=Device Control Message
01H =
Sub-ID #2=Master Volume
ll
H =
Volume LSB
mmH =
Volume MSB
F7H =
End of Exclusive
or
F0H =
Exclusive status
7FH =
Universal Realtime
XnH =
When n is received n=0~F, whichever is received.
X = don
t care
04H =
Sub-ID #1=Device Control Message
01H =
Sub-ID #2=Master Volume
ll
H =
Volume LSB
mmH =
Volume MSB
F7H =
End of Exclusive
CLP-130
CLP-120
MSB
LSB
P.C.#
GRANDPIANO 1
GRANDPIANO 1
0
122
0
VARIATION
0
123
0
GRANDPIANO 2
GRANDPIANO 2
0
112
0
VARIATION
0
112
1
E.PIANO 1
E.PIANO 1
0
122
5
VARIATION
0
122
88
E.PIANO 2
E.PIANO 2
0
122
4
VARIATION
0
123
4
HARPSICHORD
HARPSICHORD 1
0
122
6
VARIATION
HARPSICHORD 2
0
123
6
E. CLAVICHORD
0
122
7
VARIATION
0
123
7
VIBRAPHONE
VIBRAPHONE
0
122
11
VARIATION
0
122
12
CHURCH ORGAN
CHURCH ORGAN 1
0
123
19
VARIATION
CHURCH ORGAN 2
0
122
19
JAZZ ORGAN
JAZZ ORGAN
0
122
16
VARIATION
0
123
16
STRINGS
STRINGS 1
0
122
48
VARIATION
STRINGS 2
0
122
49
CHOIR
CHOIR
0
122
52
VARIATION
0
123
52
GUITAR
GUITAR
0
122
24
VARIATION
0
122
25
WOOD BASS
0
122
32
VARIATION
0
124
32
E.BASS
0
122
33
VARIATION
0
122
35
Data
Transmission
Reception
F8H
Transmitted every
96 clocks
Received as 96-clock tempo timing
when MIDI clock is set to External
FAH
Recorder start
Recorder start
Not received when the MIDI clock is
set to Internal.
FCH
Recorder stop
Recorder stop
Not received when the MIDI clock is
set to Internal.
FEH
Transmitted every
200 milliseconds
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for
All Sound Off, All Notes Off and Reset
All Controllers as when those signals
are received.
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) Variation On/Off
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth