Yamaha CVP-92 Owner's Manual - Page 53
Adjusting the Overall Auto Accompaniment Volume, Individual Part Volume Control, ACMP/SONG VOLUME]
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Playing with the Auto Accompaniment ACMP ON VIRTUAL ARRANGER AUTO ACCOMPANIMENT AUTO FILL INTRO MAIN A MAIN B ENDING FADE IN/OUT START / STOP TAP SYNCHRO START/STOP The [MAIN A], [MAIN B], [ENDING] and [FADE IN/OUT] operation can be done by using the left pedal (see page 119), conveniently allowing you to change sections without taking your hands from the keyboard. Adjusting the Overall Auto Accompaniment Volume Use the [ACMP/SONG VOLUME] control to adjust the overall volume of the Auto Accompaniment. (This does not affect the volume of parts played from the keyboard.) This control lets you adjust the level balance of the accompaniment and the voices played from the keyboard. Use the [MASTER VOLUME] to control the entire volume of the CVP-94/92. VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN Individual Part Volume Control The CVP-94/92 has five accompaniment parts: Bass, Chord, Pad, Phrase, and Rhythm. BASS CHORD PAD PHRASE RHYTHM The Bass part uses voices appropriate to each style, including acoustic bass and synth bass. The Chord part provides appropriate rhythmic chordal accompaniment for each style. You'll find guitar, piano, and other chordal instruments here. The Pad part plays long chords where necessary, using sustained instruments such as strings, organ, and choir. The Phrase part is used for embellishments such as punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting. This is the main rhythm part. The Rhythm part usually plays one of the drum kits. Each volume setting of the five accompaniment parts can be adjusted individually by using the mixer function. Press the [MIXER] button (the lamp lights) and the MIXER display appears. • By adjusting the volume balance of the various parts and setting some parts' volume to 0, you can create different types of accompaniment and make changes to the basic style accompaniment. • Some styles may not use all five accompaniment parts. 51