Yamaha P-95S Owner's Manual - Page 16

Selecting & Playing Voices, Selecting Voices

Page 16 highlights

ENGLISH Selecting & Playing Voices Selecting & Playing Voices Selecting Voices 1. Press one of the voice buttons. Voice Name GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 JAZZ ORGAN PIPE ORGAN STRINGS CHOIR HARPSICHORD VIBRAPHONE Description Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Clear piano with bright reverb. Good for popular music. An electronic piano sound created by FM synthesis. Good for popular music. The sound of an electric piano using hammer-struck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard. The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL. A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. The definitive instrument for baroque music. Since the strings of a harpsichord are plucked, there is no touch response. The sound of a vibraphone played with relatively soft mallets. NOTE To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 12). TERMINOLOGY Voice: In this manual, the term "voice" means "instrument sound." NOTE When you select a voice, an appropriate reverb type will be selected automatically (page 18). 2. Adjust the volume. Re-adjust the [MASTER VOLUME] slider (page 9) for the most comfortable listening level during your performance. 14 16 P-95 Owner's Manual

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Selecting & Playing Voices
P-95
Owner’s Manual
ENGLISH
16
Selecting & Playing Voices
Selecting Voices
1.
Press one of the voice buttons.
2.
Adjust the volume.
Re-adjust the
[MASTER VOLUME]
slider (page 9) for the most comfortable lis-
tening level during your performance.
To familiarize yourself with the
characteristics of the voices, lis-
ten to the demo songs for each
voice (page 12).
TERMINOLOGY
Voice:
In this manual, the term “voice”
means “instrument sound.”
When you select a voice, an
appropriate reverb type will be
selected automatically (page 18).
NOTE
NOTE
Voice Name
Description
GRAND PIANO 1
Recorded samples from a full concert grand piano. Perfect for
classical compositions as well as any other style that requires
acoustic piano.
GRAND PIANO 2
Clear piano with bright reverb. Good for popular music.
E. PIANO 1
An electronic piano sound created by FM synthesis. Good for
popular music.
E. PIANO 2
The sound of an electric piano using hammer-struck metallic
“tines.” Soft tone when played lightly, and an aggressive tone
when played hard.
JAZZ ORGAN
The sound of a tonewheel type electric organ. Often heard in jazz
and rock idioms.
PIPE ORGAN
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good
for sacred music from the Baroque period.
STRINGS
Spacious and large-scale string ensemble. Try combining this
voice with piano in DUAL.
CHOIR
A big, spacious choir voice. Perfect for creating rich harmonies in
slow pieces.
HARPSICHORD
The definitive instrument for baroque music. Since the strings of a
harpsichord are plucked, there is no touch response.
VIBRAPHONE
The sound of a vibraphone played with relatively soft mallets.
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