Yamaha PM5000 Owner's Manual

Yamaha PM5000 Manual

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  • Yamaha PM5000 | Owner's Manual - Page 1
    Owner's Manual E
  • Yamaha PM5000 | Owner's Manual - Page 2
    alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. IMPORTANT SAFETY INSTRUCTIONS 1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus
  • Yamaha PM5000 | Owner's Manual - Page 3
    Power supply/Power cord • Only use user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Water warning • Do not expose the device to rain, use use the device in the vicinity of a TV, radio, stereo
  • Yamaha PM5000 | Owner's Manual - Page 4
    immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. • Do not use the device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any
  • Yamaha PM5000 | Owner's Manual - Page 5
    reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
  • Yamaha PM5000 | Owner's Manual - Page 6
    control features from Yamaha's top-line PM1D digital console. In an era in which digital consoles are becoming the mainstream, the PM5000 represents the peak of refinement in analog sound technology, with the added benefits of digital control. Please read this manual carefully before use to ensure
  • Yamaha PM5000 | Owner's Manual - Page 7
    The PM5000 series includes three basic models, as described below: ■ PM5000-52C (52 input channels/center master) ■ PM5000-36 (36 input channels/right master) ■ PM5000-28 (28 input channels/right master) For each model the number following "PM5000" refers to the total number of mono and stereo input
  • Yamaha PM5000 | Owner's Manual - Page 8
    This Manual 7 General Approach 7 The PM5000 Models 7 PM5000 Overview 10 Panel Layout 10 Top Panel 10 Rear Panel 12 Expansion: Connecting to External Equipment 14 Cascade 14 MIDI 14 GPI (General Purpose Interface 14 Input Channel Section 15 Mono and Stereo Input Modules 15 Head
  • Yamaha PM5000 | Owner's Manual - Page 9
    Installation 86 Internal Switch Settings For Each module 88 Connector Pin Assignments 92 PM5000 Self-diagnostic Function 93 Initializing the Internal Memory 93 Error Messages 94 Troubleshooting 95 Specifications 96 1. General Specifications 96 2. Inputs/Outputs 97 3. Others 98 MIDI
  • Yamaha PM5000 | Owner's Manual - Page 10
    console's input modules make up the "input channel section." Each input channel is made up of an "EQ block," a "fader block," and others. In the PM5000 each input channel is made up of two separate hardware components: an "input channel module" and a "fader module." Top Panel PM5000-52C PM5000-28
  • Yamaha PM5000 | Owner's Manual - Page 11
    ). When the [LCR] switch is engaged the MONITOR A and B outputs can be used simultaneously for LCR monitoring. The [SOLO MODE] switches on the meter bridge allow the module [CUE] switches to be used as solo switches independently for the console's input and output sections (CUE/SOLO function). 11
  • Yamaha PM5000 | Owner's Manual - Page 12
    the attached screws or M3-size machine screws 8 millimeters or less in length. 9 Meter Bridge (page 47) Used in conjunction with the monitor control section, the meter bridge's LED bar-graph meters provide visual monitoring of final output levels at the console's rearpanel outputs. Indicators are
  • Yamaha PM5000 | Owner's Manual - Page 13
    on the meter bridge. Engage the [LAMP OFF] switch to turn the lamps off. ¡ Fan Vents These are the air vents for the console's internal cooling fans (4 locations on the PM5000-52C, 3 on the PM500036 and PM5000-28). Be sure that the vents aren't blocked when installing the console. ™ Fan Switch
  • Yamaha PM5000 | Owner's Manual - Page 14
    is entirely self-contained and can be used effectively on its own, but it does provide some versatile expansion capabilities. In this section we'll describe how the PM5000 can be synchronized with external gear and cascaded with other Yamaha mixing consoles. MIDI IN OUT GPI RS232C RS422 THRU
  • Yamaha PM5000 | Owner's Manual - Page 15
    of the input audio signal level and other parameters can be carried out here. Mono Input Module Stereo Input Module 1 1 4 3 3 2 52 5 1 [+48V] Switch Engage this switch to supply +40-volt phantom power to the corresponding input. NOTE In order to use phantom power, the rear-panel [+48V
  • Yamaha PM5000 | Owner's Manual - Page 16
    of the right channel. 4 [L+R] Switch (stereo modules only) When this switch is engaged the stereo input signal is summed to a mono mix, allowing the stereo input modules to be used as mono input modules, as required. NOTE To maintain the proper subjective signal level the left and right channels are
  • Yamaha PM5000 | Owner's Manual - Page 17
    Channel Section Insert Block These switches are used to determine whether and where external processing sent to the console's 12 stereo aux buses. ! ! Send Level and Pan Controls @ (mono modules) # Send Level and Balance Controls (stereo modules) The inner controls adjust send level (0 dB at
  • Yamaha PM5000 | Owner's Manual - Page 18
    channel signal is assigned to the console's main stereo and mono (center) buses. The stereo and mono outputs can be used independently, or combined for LCR output. Mono Input Module Stereo Input Module & * ( ( ¡ ¡ º º $ Send Level Controls Adjust send level to the corresponding group/aux
  • Yamaha PM5000 | Owner's Manual - Page 19
    the mono bus engage the [MONO] switch. In all cases the channel fader determines the signal level. On mono modules it is also possible to send the channel signal to the stereo and mono buses in LCR mode, using the mono bus as the center signal. To do this engage the [LCR] switch and
  • Yamaha PM5000 | Owner's Manual - Page 20
    of the console's PHONES jacks. NOTE Using the VCA CUE function, the post-fader channel signal can be monitored. NOTE The [CUE] switches are also used to assign channels to VCA and mute groups (page 21), as well as to specify target channels when setting fade time parameters (page 52). Normal [CUE
  • Yamaha PM5000 | Owner's Manual - Page 21
    channel signals to any of the console's 12 stereo aux or 8 mono group/aux buses and use the bus master fader for group control. The second method, pioneered by Yamaha's introduction of VCA-controlled groups in the PM3000 console, is to directly control the levels and muting of the channels assigned
  • Yamaha PM5000 | Owner's Manual - Page 22
    Input Channel Section VCA Group Assignment Procedure 1 Press the ASSIGN MODE [VCA] key to initiate the assignment procedure (the indicator will flash). 2 Engage a VCA master [CUE] switch to specify the VCA master to which a channel or multiple channels are to be assigned. The [CUE] switch will flash
  • Yamaha PM5000 | Owner's Manual - Page 23
    Input Channel Section Mute Group Assignment Procedure 1 Press the ASSIGN MODE [MUTE] key to initiate the assignment procedure (the indicator will flash). 2 Engage a mute master ([1] ~ [8]) switch to specify the muter master to which a channel or multiple channels are to be assigned. The mute master
  • Yamaha PM5000 | Owner's Manual - Page 24
    is set to -20 dB and the VCA 2 fader is set to 0 dB, the final fader levels of channels 1 and 3, which are assigned to both VCA 1 and VCA 2, will 20-dB lower the same way, the [VCA MUTE] switches on the VCA master modules function as group mute switches for the assigned input channels. VCA Faders
  • Yamaha PM5000 | Owner's Manual - Page 25
    to the console's cue (L&R, C) buses for monitoring. VCA Faders Channel Faders VCA 1 VCA 2 1 2 3 4 5 6 7 Channels 1 and 3 can be monitored by mute safe function is on, the channel [RECALL SAFE] switches can be used to prevent specified channels in the group from being muted when the
  • Yamaha PM5000 | Owner's Manual - Page 26
    ASSIGN MODE [MUTE] switch. Please note, however, that the console will automatically restart in the normal mode if no operations are performed for 5 seconds. M U T E M O D E : B L I N K PW5000 POWER SUPPLY POWER ON OFF OPERATION MONITOR NORMAL +16 -16 CAUTION +12 +48 FAN HIGH STOP THERMAL
  • Yamaha PM5000 | Owner's Manual - Page 27
    While the Group Mute Display Setup Mode display is showing use the [INC]/[DEC] keys to select either "BLINK" the normal mode without altering the previous setting. NOTE • This setting is retained when the console power is turned off, but is not included in the setup memory and therefore can not be
  • Yamaha PM5000 | Owner's Manual - Page 28
    - in each module. While the stereo aux master modules each handle two stereo signal pairs, each G/A master module can be used to handle two independent mono signals, a linked pair of mono signals, or a stereo pair. Similarly, the stereo/mono master module combines the console's main stereo and mono
  • Yamaha PM5000 | Owner's Manual - Page 29
    Master Out Section Basic Signal Routing In the same was as the input channel modules, the only real difference between the stereo aux, G/A, stereo, and mono masters is whether they are mono or stereo. The basic routing is the same for all signals, as summarized in the diagrams below. ST AUX ST AUX
  • Yamaha PM5000 | Owner's Manual - Page 30
    each module type. The stereo and mono masters have completely independent sets of controls, while the stereo aux 8 $ $ $ $ NOTE After the common controls have been described below, the independent controls (white bullets with black numbers) will be described for each type of master module. 28
  • Yamaha PM5000 | Owner's Manual - Page 31
    indicators light when the mixed signal reaches 3-dB below level presented at the corresponding master output connector. NOTE The stereo aux master modules are dual configurations, each including two stereo CUE] switches are used to monitor the corresponding master signals via the console's cue bus. PFL
  • Yamaha PM5000 | Owner's Manual - Page 32
    the proper subjective signal level the left and right channels are attenuated by 3 dB. 5 NOTE The [L+R] switches allow the stereo aux masters to be used as mono masters. In and right outputs even though the source for both channels is the same mono mix. ST AUX ST AUX L ST AUX R TB/OSC ST AUX SUB
  • Yamaha PM5000 | Owner's Manual - Page 33
    engaged @ the same signal is sent to the mono bus. NOTE The signal sent from the G/A master modules to the stereo and mono buses is the same as the post-fader AFL signal that can be monitored by using the [CUE] switches. For this reason with the initial default setup the signal cannot be
  • Yamaha PM5000 | Owner's Manual - Page 34
    switched, the actual change occurs not in the G/A module, but in the way the mono or stereo input channel signal is sent to the group/aux G/A send block [PRE FADER] switch and [SEND LEVEL] control function normally. A mono mix of the post-fader stereo signal is sent to the odd and evennumbered G/A
  • Yamaha PM5000 | Owner's Manual - Page 35
    the GROUP POST PAN mode is selected, however, adjacent G/A master channels function as a stereo pair and the odd-numbered master feeds the L cue bus while the even-numbered [CUE] switches on a module function in tandem so that engaging either one will automatically engage the other at the same
  • Yamaha PM5000 | Owner's Manual - Page 36
    other, or to both if required. Similarly, the mono master controls correspond approximately to one half of the controls on a G/A master module. Since the stereo and mono masters feed the console's master stereo and mono outputs there is no need for mono mix or send-to-stereo assignment switches. 34
  • Yamaha PM5000 | Owner's Manual - Page 37
    the console's master out section. From the hardware standpoint it is a "matrix send block" fed by the outputs of the various master modules, The master signals flow vertically. Stereo Aux G/A Master Module Master Module Stereo/Mono Master Module Monitor Module [TO MATRIX] Switches The matrix
  • Yamaha PM5000 | Owner's Manual - Page 38
    determined by the source channel. Mono channel sends to the stereo matrices are internally mixed to mono. LR ST LR SUB IN Stereo/Mono Master Module Mono master signals sent to the stereo matrices can be adjusted for level (inner control) and L/R balance (outer control). Mono channel sends to
  • Yamaha PM5000 | Owner's Manual - Page 39
    stereo matrix is being used as a mono matrix. MONO MODE Indicator Matrix [ON] Switch Engaging the matrix [ON] switch activates the corresponding matrix output (output from that matrix is disable when the [ON] switch is disengaged). For active matrix outputs the [MASTER] control determines the level
  • Yamaha PM5000 | Owner's Manual - Page 40
    is capable of generating pink noise or sine-wave signals for testing and system setup via the TB bus, while the talkback section can be used to send the audio signal from the talkback mic via the TB bus. The [TB/OSC] switches provided on each master and matrix bus allow
  • Yamaha PM5000 | Owner's Manual - Page 41
    be used to level determined by the oscillator [LEVEL digital control section message display when no other message is being displayed. To deliver a talkback signal via the TB bus an appropriate microphone must be plugged into the INPUT connector (input level = -50 dB). When using a phantom-powered
  • Yamaha PM5000 | Owner's Manual - Page 42
    master signal, input from the 2-track inputs (2TR IN 1 & 2), and CUE. The stereo master signal can be monitored via the MONITOR A or MONITOR B output simply by engaging the corresponding [ON] switch and adjusting the [LEVEL] control as required. If the [2TR IN 1] or [2TR IN 2] switch is then engaged
  • Yamaha PM5000 | Owner's Manual - Page 43
    When using MONITOR A and B at the same time, the [LCR] switch can be engaged to allow the MONITOR B L channel to function as the C (center) channel for LCR monitoring in conjunction with the L and R channels from MONITOR A. Engage the [L+R] switch to sum the L and R channels to form a mono mix which
  • Yamaha PM5000 | Owner's Manual - Page 44
    1 VCA Fader Flashing 1 2 3 4 5 6 7 Channel fader Only channels 1 and 5 can be sent to the MONITOR outputs It is thus possible to monitor the PFL or AFL signal from each input channel, but a considerable shift in level may occur when switching from one to the other. Cue trim controls are
  • Yamaha PM5000 | Owner's Manual - Page 45
    monitor output reverts to the main stereo program or 2-track input signal. In some situations, however, the PM5000 "cue stack" function applies. If, for example, cue monitoring are engaged the corresponding signals are all sent to the monitor outputs (MIX CUE mode). When the [LAST CUE] switch is
  • Yamaha PM5000 | Owner's Manual - Page 46
    while "SOLO" is a signal sent to the speakers fed by the console's master or matrix outs. Since solo monitoring in the PM5000 is handled in essentially the same way as cue monitoring, the term "cue/solo function" can be used in cases in which no clear distinction is necessary. CUE House Speaker
  • Yamaha PM5000 | Owner's Manual - Page 47
    Main House Speaker R SOLO MODE PREVIEW STEREO AUX SOLO SELECT GROUP/ ST· AUX MONO(C) MATRIX NOTE Solo monitoring can be activated for one section at a time: input channel, VCA, or master out. The [LAST CUE] switch can be used to switch between the LAST CUE and MIX CUE modes. Also, the cue
  • Yamaha PM5000 | Owner's Manual - Page 48
    House Speaker R With this setup it is possible to solo-monitor the stereo or stereo aux 1 master outputs by simply operating a single [CUE] console's master outputs. In addition to the SOLO SELECT switches described above, the PM5000 has input solo safe and solo enable functions that can be used
  • Yamaha PM5000 | Owner's Manual - Page 49
    Monitor Control Section Meter Bridge The PM5000 meter bridge features precise bar-graph meters that display the signal levels at the master outs (stereo aux, group/aux, stereo, mono), matrix outs (stereo, mono), cue (L/C/R), and the talkback/ oscillator bus, from -39 dB to PEAK level in 3-dB
  • Yamaha PM5000 | Owner's Manual - Page 50
    LAMP OFF LED DIMMER Bar-graph meter dimmer. Panel switch dimmer. Confirmation LEDs are also provided for the phantom power supply and other power-supply voltages, as well as operation of the console and external power supply cooling fans. Phantom power supply and other voltage supplies. +48V
  • Yamaha PM5000 | Owner's Manual - Page 51
    Digital Control Section Control Functions The digital control section includes the majority of functions used for digital control of the PM5000 scene memory and utility features. 45 12 ! 7 @ 6 # 3 $ % 8 9 9 ) Digital Control Section 49
  • Yamaha PM5000 | Owner's Manual - Page 52
    dot: A MIDI message has been received. Right dot: The panel settings are different from the recalled scene. NOTE When the PM5000 power is turned on PM5000's digital delay has been applied to the monitor outputs via the corresponding utility function (page 68). @ [UTILITY] Switch Accesses the console
  • Yamaha PM5000 | Owner's Manual - Page 53
    Output STEREO AUX GROUP/AUX VCA STEREO MONO (C) STEREO MATRIX MATRIX Other Stored Parameters (Panel Controls) Level (channel fader) Channel on/off Stereo bus intend to use the PM5000 scene memory function, the "AUTOMODE OFF" mode can be selected (page 70) to prevent potential problems caused
  • Yamaha PM5000 | Owner's Manual - Page 54
    Digital Control Section Fade Time Fade time settings can be used to create smooth transitions between recalled scenes. The fade time specified for a scene is common to all channel the message display while the scene fade is in progress (unless another message is being displayed at the same time). 52
  • Yamaha PM5000 | Owner's Manual - Page 55
    Digital Control Section Scene Store The following procedure stores the ). The DIRECT RECALL switches can also be used for direct scene recall (page 71). NOTE Normally the channel and VCA faders will physically move to the recalled settings via the console's motor drive system. Motor drive can be
  • Yamaha PM5000 | Owner's Manual - Page 56
    Digital RECALL UNDO] switch will have no effect immediately after the console power has been turned on, before any recall operations have been keypad. When the [ALPHABET] switch indicator is lit the alpha-numeric keypad can be used to enter the characters of the alphabet. B A A N D # 0 1 O P E
  • Yamaha PM5000 | Owner's Manual - Page 57
    Digital Control of a scene memory location without affecting the console's current status and audio output. 1 To meter bridge will flash while the preview function is on. SOLO MODE PREVIEW STEREO the [INC] and [DEC] keys can be used to scroll through the available scene memory numbers. In
  • Yamaha PM5000 | Owner's Manual - Page 58
    Digital Control Section 3 Press the [ENTER] key to confirm the selected scene number and the scene number will light continuously. At the same time the scene settings will be reproduced by the panel controls but no change will occur in the console of the PM5000 as well as the console's basic setup
  • Yamaha PM5000 | Owner's Manual - Page 59
    SAFE MONITOR MODE MONITOR DELAY MASTER CUE AFL POSITION THEATER MODE FADER MODE AUTOMATION DIRECT RECALL/ MUTE MASTER SCENE INC/DEC GPI OUT CASCADE MIDI PGM CHANGE MIDI CTL CHANGE MIDI SETTING MIDI ECHO BACK MIDI PGM CHANGE TABLE * In addition to storing the above parameters in the internal PM5000
  • Yamaha PM5000 | Owner's Manual - Page 60
    console operation. Basic Functions Battery Check (Parameter No. U01) The PM5000 has an internal memory backup battery that maintains the console's scene memory, setup memory, and time/date settings while the power , please contact your nearest qualified Yamaha service center or personnel. 58
  • Yamaha PM5000 | Owner's Manual - Page 61
    No. U02) This is the date and time maintained by the PM5000's internal clock. The date and time parameters are used to time-stamp scene memory and other data saved to external CompactFlash memory cards. Digital Control Section CompactFlash Memory (Parameter No. U03) This function allows internal
  • Yamaha PM5000 | Owner's Manual - Page 62
    Digital Control Section ● Format 2 If you selected FMT and pressed [ENTER] in step 1, formatted. Executing NOTE CompactFlash memory cards can also be formatted using a computer, but we recommend that you format cards using the PM5000 format function to minimize the possibility of load errors. ●
  • Yamaha PM5000 | Owner's Manual - Page 63
    . Executing Digital Control Section Lock Mode (Parameter No. U04) This function can be an assurance when you have to leave the console unattended during : either ON or OFF with flash on the parameter display LOCK:ON LOCK:OFF 2 Use the [INC] and [DEC] keys to select either ON or OFF. 3 Press the
  • Yamaha PM5000 | Owner's Manual - Page 64
    Digital Control Section Memory Protect (Parameter No. U05) This function can be used to temporarily protect the scene memory from being overwritten (only the recall operation is available). Scene Edit (Parameter No. U06) Using this function you can change the order of stored scenes (010 ~ 999) to
  • Yamaha PM5000 | Owner's Manual - Page 65
    Digital PM5000's G/A and stereo matrix buses can be set up to suit a wide range of applications. These settings are saved in the console's setup memory, and are common to all scenes. G/A Bus Mode (Parameter No. U07) Each pair G/A buses (odd and even) handled by the G/A master modules can be used
  • Yamaha PM5000 | Owner's Manual - Page 66
    Digital Control Section 3-4:GRP PRE 5-6:AUX 7-8:AUX Stereo Matrix Mode (Parameter No. U08) The L and R buses that make up the console's four stereo matrices can also be used as mono matrices, both buses in each pair carrying the same L+R signal. When a stereo on target G/A modules will change to re
  • Yamaha PM5000 | Owner's Manual - Page 67
    Digital channels when the solo mode is engaged. These settings are saved in the console's setup memory, and are common to all scenes. Group Assign Safe safe function applies to all G/A master modules. G/A ASN.SAFE Press [ENTER] after selecting the above display and use the [INC] and [DEC] keys
  • Yamaha PM5000 | Owner's Manual - Page 68
    Digital Control Section Recall Safe Select (Parameter No. U11) Each input, VCA master, master out, and matrix out channel on the PM5000 features [RECALL SAFE] and [FADER SAFE] switches that can be used or disables the console's solo function. If DISABLE is selected here the meter-bridge [SOLO MODE
  • Yamaha PM5000 | Owner's Manual - Page 69
    Consecutive input-channel numbers are selected, with stereo input channels counted as one channel. 3 Use the [INC] and [DEC] keys to PM5000 setup memory and are common to all scenes. Monitor Mode (Parameter No. U14) The console's three monitor sources are the cue signal, 2-track inputs, and stereo
  • Yamaha PM5000 | Owner's Manual - Page 70
    sound. In such situations the PM5000's internal digital delay system can be used to delay the monitor output so that it becomes (sec) x 343.59 (meter/sec) = 103.077 (meter) Delay units: Determines whether the delay time will be set in milliseconds (msec), meters (meter), or feet. UNIT:msec Delay
  • Yamaha PM5000 | Owner's Manual - Page 71
    Digital Control Section Master Cue AFL Position (Parameter No. U16) The cue signal from each master section can be switched to pre- or -post-fader via the [MASTER PFL] switch in the monitor are stored in the PM5000 setup memory. Theater and MIDI control change messages (page 77) can also be used to
  • Yamaha PM5000 | Owner's Manual - Page 72
    used to turn the PM5000's scene memory off. When the scene memory function is turned off all recall, preview, motor fader, safe switch, MIDI, and GPI functions are also disabled so that the PM5000 functions like a tradition analog console adjusted to match the internal level (after this has been done
  • Yamaha PM5000 | Owner's Manual - Page 73
    Digital Control Section Direct Recall/ Mute Master (Parameter No. U20) In addition to their normal function as mute master switches, the console's 8 MUTE MASTER switches can also be used Unassigned switches cannot be used for group muting. Mute master control via MIDI control change messages is
  • Yamaha PM5000 | Owner's Manual - Page 74
    Digital Control Section GPI The PM5000 used for sequential incrementing or decrementing of the PM5000 scene memory from external equipment. Scenes 010 through 999 can be recalled using GPI outputs. Fader start settings are maintained in the console's setup memory and are common to all scenes, while
  • Yamaha PM5000 | Owner's Manual - Page 75
    Digital prevent operational errors select "---" for GPI outputs you do not intend to use. The first of the two example displays below shows the channel 21 fader signal output occurs with both manual and motordriven fader operation (and is enabled even when the console's motor drive system is disabled
  • Yamaha PM5000 | Owner's Manual - Page 76
    Digital Control Section Cascade The PM5000 allows cascade connection to other consoles for master-slave operation. Two types of cascade connection are possible: type "A" for cascade connection of two PM5000 consoles, and type "B" for connection to PM4000/3500 series consoles (in the latter case the
  • Yamaha PM5000 | Owner's Manual - Page 77
    Digital Control Section Linked Functions When two PM5000 consoles are cascaded for channel expansion complete functional linking can be achieved as well (you can specify which functions are to be linked as described below). It is advisable only to link the functions you intend to use, however, to
  • Yamaha PM5000 | Owner's Manual - Page 78
    Digital Control Section Cascade (Parameter No. U23) To allow fuss-free type A connection of PM5000 consoles, the PM5000 is shipped from the factory with all of the function links listed in the above chart ON. If you want to turn some of these off, use the following parameter on the slave PM5000. In
  • Yamaha PM5000 | Owner's Manual - Page 79
    to continuously vary a stage lighting effect in response to a PM5000 fader operation. MIDI IN OUT GPI RS232C RS422 THRU MASTER SLAVE A B PM5000 MIDI IN OUT THRU Lighting Console In order to effectively use the PM5000's MIDI capabilities it is necessary to have a good grasp not only of the
  • Yamaha PM5000 | Owner's Manual - Page 80
    to handle recall of all 1,000 PM5000 scenes via MIDI program change commands, bank select commands (a type of control change command) are used in conjunction with the program change messages in the same way that they are used in many synthesizers and tone modules. The parameters described below can
  • Yamaha PM5000 | Owner's Manual - Page 81
    Digital Control Section Note that the PM5000 uses the same number of bank and MIDI channel numbers (1 ~ 16). input modules. There is no differentiation between mono and stereo modules. For example, to control the fader levels of input channels 1 ~ 30 from an external device, set the MIDI channel to
  • Yamaha PM5000 | Owner's Manual - Page 82
    previewed. Also, continuous level variations produced by fade time variations between scene changes will not be transmitted. MIDI Program Change (Parameter No. U24) Determines whether the PM5000 will transmit and receive program change commands. The program change table to be used is also specified
  • Yamaha PM5000 | Owner's Manual - Page 83
    be enabled. Digital Control Section MIDI Setting (Parameter No. U26) This is the basic PM5000 setting for MIDI transmission and reception other functions as required. MIDI SETTING 1 Press [ENTER] after selecting the above display and a display like the one shown below will appear. Use the [INC] and
  • Yamaha PM5000 | Owner's Manual - Page 84
    of the PM5000. 2 Use the [INC] and [DEC] keys to set the selected parameter as required. 3 Set the other functions as required. MIDI Echo Back (Parameter No. 27) Independently determines whether program change and control change commands internally generated by the PM5000 will be mixed with program
  • Yamaha PM5000 | Owner's Manual - Page 85
    Digital Control Section MIDI Program Change Table (Parameter No. 28) The program change table determines the correspondence between the PM5000 scene numbers and the program change numbers that will be received and transmitted. The table itself is a simple combination of MIDI channel/bank number,
  • Yamaha PM5000 | Owner's Manual - Page 86
    And Changing Internal Switch Settings Please refer module installation and internal setting changes to your Yamaha dealer or one of the Yamaha service centers. The following optional (sold separately) modules and transformer are available: Module Removal and Replacement The procedure for removal
  • Yamaha PM5000 | Owner's Manual - Page 87
    module that connect the module to the rear panel. There are two connectors on both mono and stereo modules, but their locations are slightly different. Unplug these connectors Module on any part of the console frame. This completes removal of the rear-panel unit. Meter bridge Take care that the
  • Yamaha PM5000 | Owner's Manual - Page 88
    for mono and stereo input modules. The installation procedure is outlined below. ● Transformer Installation On Input modules 1 Turn the console's power supply OFF. 2 Remove the mono or stereo console on which the transformer(s) is to be installed as per the moduleremoval instructions above. 3 Attach
  • Yamaha PM5000 | Owner's Manual - Page 89
    on stereo modules. The leads must be soldered to the circuit board as shown in the illustration below. 8 Make sure the transformer leads are completely contained within the module. That completes transformer installation. Be careful that the leads don't get caught on any part of the console when
  • Yamaha PM5000 | Owner's Manual - Page 90
    module As you tell from the PM5000 block diagram, each module has a number of internal switch settings. These settings can be changed to "customize" the PM5000 signal flow to most ideally suit your mixing PRE POST POST The even-numbered channel G/A TO STEREO signal is pre-on switch (PRE) or post-on
  • Yamaha PM5000 | Owner's Manual - Page 91
    SW106 SW105 JB JB J AUX PRE POST/PRE EQ DIRECT OUT PRE FADER/ POST FADER, POST ON SW DIRECT OUT PRE EQ/POST EQ Stereo Input Module PRE POST POST J18 POST PRE PRE Remove these screws and the bracket. Replace after making the required switch settings. SW106 POST PRE SW105 L&R L-ONLY
  • Yamaha PM5000 | Owner's Manual - Page 92
    Appendix Stereo/Aux Master Module STAUX.GA (ODD) STAUX.GA (EVEN) PRE POST FADER PRE POST ON SW PRE POST FADER PRE POST ON SW TO MATRIX SW102 SW103 SW105 SW106 SW102 SW103 SW105 SW106 Printing Switches G/A Master Module GA (ODD) POST PRE ON SW SW101 STAUX.GA (ODD) TO ST GA (EVEN) POST
  • Yamaha PM5000 | Owner's Manual - Page 93
    Stereo/Mono Master Module PRE POST FADER PRE POST ON SW PRE POST FADER PRE POST ON SW TO MATRIX ST MASTER MONO MASTER SW102 SW103 SW105 SW106 Printing SW102 SW103 SW105 SW106 Switches Appendix 91
  • Yamaha PM5000 | Owner's Manual - Page 94
    pin assignments for the PM5000 as well as the PM4000/3500 series consoles that can be cascade-connected to the PM5000. PM5000 CASCADE TYPE B Pin VCA 1-8 CUE CTRL PM 3500 VCA1~8 (D-sub 9-pin Connector) VCA CTRL SLAVE MIDI IN MASTER CUE SOLO PM 3000 PM 4000 OUT THRU 54321 9876 Pin # 1
  • Yamaha PM5000 | Owner's Manual - Page 95
    PM5000 automatically performs a battery of internal tests when the power is turned on. If no problems are encountered the scene number will appear on the display and normal operation will be possible. If a system or other internal error is found console below can also be used to return the memory to
  • Yamaha PM5000 | Owner's Manual - Page 96
    Yamaha dealer or service center. MIDI transmit/receive error. Make sure that all external MIDI equipment is properly connected. This error can also be caused by attempting to send a large amount of data to the PM5000 at once. Cascade connection error. Check that both of the cascaded consoles
  • Yamaha PM5000 | Owner's Manual - Page 97
    way down? • If all of the above check out OK and the power still won't turn on, contact your Yamaha dealer or service center. • Are you connected to the right connector? The TYPE A connector is for connection between two PM5000 consoles, while the TYPE B connector is for connection to a PM4000/3500
  • Yamaha PM5000 | Owner's Manual - Page 98
    inputs for powering condenser microphones via 6.8kΩ currentlimiting/isolation resistors. Input LED Meter 9-points (PEAK/+12/+6/+3/0/-3/-6/-12/-25dB) LED level meter built into each MONO-IN and STIN module. PEAK LED (red) turns on when pre-EQ level or post-EQ level or pre-Fader level reaches 3dB
  • Yamaha PM5000 | Owner's Manual - Page 99
    IN STEREO MATRIX INSERT IN (1-4) [L, R] MATRIX INSERT IN (1-8) 2TR IN 1, 2 (L, R) Actual Load Impedance 3kΩ 10kΩ 3kΩ 10kΩ 10kΩ For Use With Nominal 50-600Ω Mics 600Ω Lines 600Ω Lines 50-600Ω Mics 600Ω Lines 600Ω Lines Sensitivity *4 Input Level *3 Nominal Max. before Clip Connector In Mixer
  • Yamaha PM5000 | Owner's Manual - Page 100
    RS232C/RS422 digital - analog - digital - digital - 3. Others 3.1 Included Accessories Power Supply Connection Cable (3.6m) Gooseneck Lamps (4 for the PM5000-52C, 3 for the PM5000-36 and PM5000-28) Console Cover Owner's Manual 3.2 Optional Accessories Option Modules Input Transformer ITR5000
  • Yamaha PM5000 | Owner's Manual - Page 101
    or VCA faders are transmitted in 14-bit form using MSB and LSB bytes. In the ON switch, 00H Value 60 h (INC) and 61 h (DEC) are not supported. 1.1.4 PROGRAM CHANGE (Cn) In the SINGLE mode MULTI mode, this will be transmitted on the MIDI channel according to the bank. If the recalled
  • Yamaha PM5000 | Owner's Manual - Page 102
    BANK SELECT $BnH CONTROL CHANGE NRPN $BnH CONTROL CHANGE $BnH PROGRAM CHANGE $CnH MIDI IN BANK ON NRPN ON ASSIGN ON PGM ON ECHO ON MIDI Tx CH? MIDI Tx CH? or MULTI ON MIDI OUT 3. RECEIVE CONDITION MIDI Rx CH? MIDI IN MIDI Rx CH? or OMNI ON or MULTI ON BANK ON NRPN ON ASSIGN
  • Yamaha PM5000 | Owner's Manual - Page 103
    Appendix MIDI Implementation Chart YAMAHA [Mixing Console] / Model: PM5000 Function Transmit Receive Date: May, 01, 2003 Version: 1.00 Remarks Basic Channel Default Changed 1-16 1-16 1-16 1-16 Memorized Mode Default Messages Altered X X OMNI off /
  • Yamaha PM5000 | Owner's Manual - Page 104
    Data Save 60 Date/Time 59 [DEC] Key 50 Digital Control Section 12, 49 Direct Recall 71 E [ENTER] Connectors 13 102 F Fade Time 52 Fader Mode 70 [FADER SAFE] Switch 20 Fader module 88 L [L+R] Switch 16, 30 Lamp Connectors 13 LAST CUE mode 43 LCR vs. Stereo + Mono Operation 19 Level Meter
  • Yamaha PM5000 | Owner's Manual - Page 105
    Change 81 MIDI Echo Back 77, 82 MIDI Program Change 80 MIDI Program Change Table 83 MIDI Setting 81 MIX CUE mode 43 Module Removal and Replacement 84 modules 10 Monitor Control Section 11, 40 Monitor Delay 68 MONITOR DELAY Indicator 50 Monitor Mode 67 Monitor Out 13 Monitor Outputs 41
  • Yamaha PM5000 | Owner's Manual - Page 106
    Tel: 0347-358 040 PA10 Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ BELGIUM/LUXEMBOURG Yamaha Music Central Europe GmbH, Branch 430-8650 Tel: +81-53-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia
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Owner's Manual
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