Behringer COMPOSER PRO-XL MDX2600 Manual - Page 11

Installation - how to use

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11 MULTICOM PRO-XL MDX4600/PRO-XL MDX2600/AUTOCOM PRO-XL MDX1600 User Manual MULTICOM PRO-XL MDX4600 Ch1 Ch2 Ch3 Ch4 Ch1 Ch2 Ch3 Ch4 Hi Low Hi Low Input SUPER-X PRO CX2310 Input L R Unbalanced ¼" TS connector strain relief clamp sleeve tip sleeve (ground/shield) tip (signal) Fig. 5.2: 1/4" TS connector Mixer Power ampli ers Fig. 4.3: Multi-band compression with the MDX4600 5. Installation 5.1 Rack installation Each device requires one rack unit for installation in a 19" rack. Please allow an additional 4" of rack depth for the rear panel connectors. Be sure that there is enough air space around the unit for cooling. To avoid overheating, do not place the unit on power amps, for example. 5.2 Audio connections You will need a large number of cables for the different applications. The illustrations below show the wiring of these cables. Be sure to use only high-grade cables. The audio connections of the MULTICOM PRO-XL, AUTOCOM PRO-XL and COMPOSER PRO-XL are electronically balanced to avoid hum problems. You can, of course, also connect unbalanced devices to the balanced inputs/ outputs. Either use mono plugs, or link the ring and shaft on stereo plugs (or pins 1 and 3 in the case of XLR connectors). 21 3 12 3 input output 1 = ground/shield 2 = hot (+ve) 3 = cold (-ve) For unbalanced use, pin 1 and pin 3 have to be bridged Fig. 5.1: XLR connections Balanced ¼" TRS connector strain relief clamp sleeve ring tip sleeve ground/shield ring cold (-ve) tip hot (+ve) For connection of balanced and unbalanced plugs, ring and sleeve have to be bridged at the stereo plug. Fig. 5.3: 1/4" TRS connector Insert send return ¼" TRS connector strain relief clamp sleeve ring tip sleeve ground/shield ring return (in) tip send (out) Connect the insert send with the input and the insert return with the output of the e ects device. Fig. 5.4: 1/4" TRS connector for insert applications

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MULTICOM PRO-XL MDX4600/PRO-XL MDX2600/AUTOCOM PRO-XL MDX1600 User Manual
MULTICOM PRO-XL MDX4600
Ch1
Hi
Input
Input
Mixer
Power amplifiers
L
R
Ch2
Low
SUPER-X PRO CX2310
Ch3
Ch1
Ch2
Ch3
Ch4
Hi
Ch4
Low
Fig. 4.3: Multi-band compression with the MDX4600
5.
Installation
5.1
Rack installation
Each device requires one rack unit for installation in a 19" rack. Please allow an
additional 4" of rack depth for the rear panel connectors.
Be sure that there is enough air space around the unit for cooling. To avoid
overheating, do not place the unit on power amps, for example.
5.2
Audio connections
You will need a large number of cables for the different applications.
The illustrations below show the wiring of these cables. Be sure to use only
high-grade cables.
The audio connections of the MULTICOM PRO-XL, AUTOCOM PRO-XL and
COMPOSER PRO-XL are electronically balanced to avoid hum problems.
You can, of course, also connect unbalanced devices to the balanced inputs/
outputs. Either use mono plugs, or link the ring and shaft on stereo plugs
(or pins 1 and 3 in the case of XLR connectors).
For unbalanced use, pin 1 and pin 3 have to be bridged
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
input
1
2
3
output
1
2
3
Fig. 5.1: XLR connections
strain relief clamp
sleeve
tip
sleeve
(ground/shield)
Unbalanced ¼" TS connector
tip
(signal)
Fig. 5.2: ±" TS connector
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.
Balanced ¼" TRS connector
ring
cold (-ve)
tip
hot (+ve)
Fig. 5.3: ±" TRS connector
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
Connect the insert send with the input and the
insert return with the output of the effects device.
Insert send return ¼" TRS connector
ring
return (in)
tip
send (out)
Fig. 5.4: ±" TRS connector for insert applications