Behringer FEEDBACK DESTROYER PRO DSP1124P Manual - Page 5

Table Of Contents - how to use

Page 5 highlights

FEEDBACK DESTROYER PRO DSP1124P TABLE OF CONTENTS 1. INTRODUCTION ...6 1.1 The design concept ...6 1.2 Before you begin ...6 1.3 Background: How is feedback produced 7 1.3.1 Background: front of house mix (FOH 7 1.3.2 Background: monitor mix ...7 2. APPLICATIONS ...8 2.1 Level setting ...8 2.2 Using the FEEDBACK DESTROYER PRO in the monitor path 8 2.3 Using the FEEDBACK DESTROYER PRO in the FOH mix 9 2.4 Using the FEEDBACK DESTROYER PRO in a studio environment 10 3. A FEW QUICK STEPS TO ELIMINATE FEEDBACK 10 4. CONTROL ELEMENTS ...10 5. DSP1124P ARCHITECTURE: PRESETS, FILTERS, OPERATING MODES ...13 5.1 “Priming” the DSP1124P for P.A. and monitor applications 13 6. OPERATING MODES OF THE DSP1124P 14 6.1 Off mode “OF” ...14 6.2 Manual filters (“PA”) / parametric equalizer 14 6.3 Automatic filters (“SI” and “AU”) ...14 6.4 Locked mode (“LO”) ...15 7. WORKING WITH PRESETS 15 7.1 Recalling Presets ...15 7.2 Selecting the filter operating mode 15 7.3 Editing filter parameters ...16 7.4 Storing presets ...16 7.5 Restoring the factory presets ...16 8. PROBLEMS DO HAVE A CAUSE 17 9. MIDI CONTROL ...17 10.INSTALLATION ...18 10.1 Audio connections ...18 10.2 MIDI connections ...20 11.APPENDIX ...20 11.1 Frequency chart ...20 11.2 Preset table ...21 11.3 MIDI implementation ...22 12.SPECIFICATIONS ...23 13.WARRANTY ...24 5

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FEEDBACK DESTROYER PRO DSP1124P
TABLE OF CONTENTS
1. INTRODUCTION
.....................................................................................................................
6
1.1
The design concept
.........................................................................................................................
6
1.2
Before you begin
.............................................................................................................................
6
1.3
Background: How is feedback produced?
........................................................................................
7
1.3.1
Background: front of house mix (FOH)
..................................................................................
7
1.3.2
Background: monitor mix
......................................................................................................
7
2. APPLICATIONS
.......................................................................................................................
8
2.1
Level setting
....................................................................................................................................
8
2.2
Using the FEEDBACK DESTROYER PRO in the monitor path
.......................................................
8
2.3
Using the FEEDBACK DESTROYER PRO in the FOH mix
............................................................
9
2.4
Using the FEEDBACK DESTROYER PRO in a studio environment
..............................................
10
3.
A FEW QUICK STEPS TO ELIMINATE FEEDBACK
..........................................................
10
4. CONTROL ELEMENTS
.......................................................................................................
10
5. DSP1124P ARCHITECTURE: PRESETS, FILTERS, OPERATING
MODES
..................................................................................................................................
13
5.1
²Priming³ the DSP1124P for P.A. and monitor applications
............................................................
13
6. OPERATING MODES OF THE DSP1124P
..........................................................................
14
6.1
Off mode ²OF³
...............................................................................................................................
14
6.2
Manual filters (²PA³) / parametric equalizer
....................................................................................
14
6.3
Automatic filters (²SI³ and ²AU³)
.....................................................................................................
14
6.4
Locked mode (²LO³)
......................................................................................................................
15
7. WORKING WITH PRESETS
.................................................................................................
15
7.1
Recalling Presets
..........................................................................................................................
15
7.2
Selecting the filter operating mode
................................................................................................
15
7.3
Editing filter parameters
................................................................................................................
16
7.4
Storing presets
..............................................................................................................................
16
7.5
Restoring the factory presets
........................................................................................................
16
8.
PROBLEMS DO HAVE A CAUSE
... .....................................................................................
17
9. MIDI CONTROL
....................................................................................................................
17
10.INSTALLATION
.....................................................................................................................
18
10.1Audio connections
........................................................................................................................
18
10.2 MIDI connections
..........................................................................................................................
20
11.APPENDIX
.............................................................................................................................
20
11.1 Frequency chart
............................................................................................................................
20
11.2 Preset table
..................................................................................................................................
21
11.3 MIDI implementation
.....................................................................................................................
22
12.SPECIFICATIONS
.................................................................................................................
23
13.WARRANTY
...........................................................................................................................
24