Behringer UB-Xa User Manual - Page 19

19 UB-Xa User Manual 8L*8R (8 voices are panned hard left, 8 panned hard right) Flip LR (Odd numbered voice pan left, even pan right) Spiral (voice alternately pan L/R with each new voice panning further from centre) Destinations These destinations can have a modulation source assigned to them: Empty (no destination selected) Porta (increases or decreases the Portamento time, in conjunction with control (6)) PrfLFOAmnt (increases or decreases the depth of the Performance LFO, in conjunction with Depth control (72)) PrfLFORte (increases or decreases the rate of the performance LFO, in conjunction with Rate control (69)) Tuning (raises or lowers the Master Tuning of the UB-Xa, in conjunction with Master Tune control (5)) Churn (multiplies the Butter modulation) FltrAttk (increases or decreases the filter envelope attack, in conjunction with Filter Attack control (41)) V Detune (increases or decreases the amount of voice detuning, in conjunction with Voice Detune control (Shift & 8)) Volume (increases or decreases the overall level of the UB-Xa) FltrDecy (increases or decreases the filter envelope decay, in conjunction with Filter Decay control (42)) FltrFreq (adds or subtracts from the filter frequency as set by control 32 and selected modulation sources such as filter envelope and LFO) FltrMod (increases or decreases the amount of filter modulation, in conjunction with the Filter Modulation control (34)) FltrNoise (increases white noise content to the filter input, in conjunction with Noise Level control 35) Shift & 69 (LFO Rate) - Performance LFO Sync - holding the Shift button and turning the Performance LFO rate control syncs the LFO to whatever clock is being used by the sequencer and arpeggiator. The options are: • 4 Bar • 2 Bar • 1 Bar • ½ Note FltrRels (increases or decreases the filter envelope release, in conjunction with the Filter Release control (44)) FltrRsnce (increases or decreases the amount of filter resonance, in conjuntion with the Filter Resonance control (33)) FltrSust (increases or decreases the sustain level of the filter envelope, in conjunction with the Sustain control (43)) • ¼ Note • Dotted ¼ Note • ¼ Note Triplet • 1/8 Note • Dotted 1/8 Note LdnssAttk (increases or decreases the loudness envelope attack, in conjunction with Loudness Attack control (45)) LdnssDecy (increases or decreases the loudness envelope decay, in conjunction with Loudness Decay control (46)) LdnssRels (increases or decreases the loudness envelope release, in conjunction with Loudness Release control (48)) LdnssSust (increases or decreases the loudness sustain level, in conjunction with Loudness Sustain control (47)) ModCh1Amt (increases or decreases the depth of Channel 1 modulation (frequency) in conjunction with the depth control (15)) • 1/8 Note Triplet • 1/16 Note • Dotted 1/16 Note • 1/16 Note Triplet • 1/32 Note • Dotted 1/32 Note • 1/32 Note Triplet Moving the rate control without shifting returns the LFO to free running. ModCh2Amt (increases or decreases the depth of Channel 2 modulation (PWM) in conjunction with the depth control (19)) ModLFOPhs (changes the phase of the modulation LFO) ModLFORte (increases or decreases the rate of the modulation LFO in conjunction with Rate control (13)) O1 PWAmnt (increases or decreases the amount of Pulse Width Modulation to Oscillator 1, in conjunction with the depth control (19)) O1 Trnsps (transposes Oscillator 1 in conjunction with Frequency control (23)) O2 Detune (increases or decreases the detuning of Oscillator 2 against Oscillator 1 in conjunction with the Detune control (8)) O2 PWAmnt (increases or decreases the amount of Pulse Width Modulation to Oscillator 1, in conjunction with the depth control (19)) O2 Trnsps (transposes Oscillator 2 in conjunction with Frequency control (29)) Panning (the modulation source controls the panning of the voices from left to right)