Bose Powered Acoustimass 5 Series II Owner's guide - Page 10

Compensation, Controls, Getting, Sound, Powered, Acoustimass, Series, Speaker, System

Page 10 highlights

Room Compensation Controls The powered Acoustimasss-5 Series II speaker system features two room compensation controls (located on the bass module, Figure 7) that allow you to adjust the treble (high frequencies) and bass (low frequencies) as desired. In the normal setting, as illustrated, the red dots on each control face the center right. Rotate the controls clockwise to increase and counterclockwise to decrease the amount of treble or bass. A raised dot is provided on each control as a finger guide. -BOW PCOLGTIMASS sPONOVE0 SPEMOI snrtu 0 0 0 a O O Figure 7 Room compensation controls 10 Getting the Best Sound from Your • Powered Acoustimass- 5 Series II Speaker System The powered Acoustimass-5 speaker system offers many built-in and user-selectable features not available from a conventional speaker system. The cube arrays adjust to deliver the optimal combination of reflected and direct sound for any listening environment. Plus, the compact size of the cube arrays and the almost unlimited placement options for theL Acoustimass bass module make the powered Acoustimass-5 speaker system easily adaptable to any size room and any decor. Below are descriptions of these features and some tips on placing and adjusting the systen • components to help you get the best sound possible from them. Bose Dynamic Equalization Circuitry. Patented built-inBoseDynamic Equalization circuitry eliminates a problem common to conventional audio systems - loss of bass at low volume levels. The ear is less sensitive to low bass at low listening levels and cannot hear parts of the musical spectrum - even entire instruments - on a conventional system when it is operated at a low volume level. The proprietary Bose Dynamic Equalization technology, developed after 10 years of acoustic and psychoacoustic research, solves this problem by continuously (dynamically) adjusting the level of bass produced depending on the volume level chosen - without distorting the spoken voice. This also eliminates the need to readjust tone controls every time the volume level is turned up or down. Music always sounds full and rich, whether the system is played very softly or loudly.

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Room
Compensation
Controls
The
powered
Acoustimasss-5
Series
II
speaker
system
features
two
room
compensation
controls
(located
on
the
bass
module,
Figure
7)
that
allow
you
to
adjust
the
treble
(high
frequencies)
and
bass
(low
frequencies)
as
desired.
In
the
normal
setting,
as
illustrated,
the
red
dots
on
each
control
face
the
center
right.
Rotate
the
controls
clockwise
to
increase
and
counterclockwise
to
decrease
the amount
of
treble
or
bass.
A
raised
dot
is
provided
on
each
control
as
a
finger
guide.
O
O
—BOW
PCOLGTIMASS
sPONOVE0
SPEMOI
snrtu
0
0
0
a
Figure
7
Room
compensation
controls
Getting
the
Best
Sound
from
Your
Powered
Acoustimass-
5
Series
II
Speaker
System
The
powered
Acoustimass-5
speaker
system
offers
many
built-in
and
user
-selectable
features
not
available
from
a
conventional
speaker
system.
The
cube
arrays
adjust
to
deliver
the
optimal
combination
of
reflected
and
direct
sound
for
any
listening
environment.
Plus,
the
compact
size
of
the
cube
arrays
and
the
almost
unlimited
placement
options
for
the
L
Acoustimass
bass
module
make
the
powered
Acoustimass-5
speaker
system
easily
adaptable
to
any
size
room
and
any
decor.
Below
are
descriptions
of
these
features
and
some
tips
on
placing
and
adjusting
the
systen
components
to
help
you
get
the
best
sound
possible
from
them.
Bose
Dynamic
Equalization
Circuitry.
Patented
built-in
Bose
Dynamic
Equalization
circuitry
eliminates
a
problem
common
to
conventional
audio
systems
loss
of
bass
at
low
volume
levels.
The
ear
is
less
sensitive
to
low
bass
at
low
listening
levels
and
cannot
hear
parts
of
the
musical
spectrum
-
even
entire
instruments
-
on
a
conventional
system
when
it
is
operated
at
a
low
volume
level.
The
proprietary
Bose
Dynamic
Equalization
technology,
developed
after
10
years
of
acoustic
and
psychoacoustic
research,
solves
this
problem
by
continuously
(dynamically)
adjusting
the
level
of
bass
produced
depend-
ing
on
the
volume
level
chosen
-
without
distorting
the
spoken
voice.
This
also
elimi-
nates
the
need
to
readjust
tone
controls
every
time
the
volume
level
is
turned
up
or
down.
Music
always
sounds
full
and
rich,
whether
the
system
is
played
very
softly
or
loudly.
10