Canon EOS-1D C EOS Utility Ver.3.0 for Macintosh Instruction Manual - Page 17

Settings with the Camera Settings Window, Connect your camera and computer, and then start, up EU

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Settings with the Camera Settings Window Settings specified with the camera settings window are explained here. Most functions set with the camera settings window requires to be set before shooting. 3 Click the required setting and specify each one. 1 Connect your camera and computer, and then start up EU (p.7). 2 Click [Camera settings]. Introduction Contents 1 Downloading Images 2Camera Settings  The camera settings window appears.  Available settings are displayed for the camera that is connected. For more details, see "Items Settable with the Camera Settings Window" (p.17).  For how to register Picture Style files, lens aberration correction data, or personal white balance setting, see "Applying Picture Style Files to the Camera" (p.18), "Registering Lens aberration Correction Data for the Lens in the Camera" (p.19), and "Registering Personal White Balance in the Camera" (p.22) respectively. 3Remote Shooting 4 Preferences Reference Index 16

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16
1
2
3
4
Introduction
Contents
Downloading
Images
Camera
Settings
Remote
Shooting
Reference
Preferences
Index
Settings with the Camera Settings Window
Settings specified with the camera settings window are explained here.
Most functions set with the camera settings window requires to be set
before shooting.
1
Connect your camera and computer, and then start
up EU
(p.7)
.
2
Click [Camera settings].
The camera settings window appears.
3
Click the required setting and specify each one.
Available settings are displayed for the camera that is connected.
For more details, see “Items Settable with the Camera Settings
Window”
(p.17)
.
For how to register Picture Style files, lens aberration correction
data, or personal white balance setting, see “Applying Picture
Style Files to the Camera”
(p.18)
, “Registering Lens aberration
Correction Data for the Lens in the Camera”
(p.19)
, and
“Registering Personal White Balance in the Camera”
(p.22)
respectively.