Fender BXR Dual Bass 400 Owner Manual - Page 3

Suggested, First, Operation, Optimizing, Deltacomp, Performance, Setting, External, Signal,

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SUGGESTED FIRST TIME OPERATION If this is the first time you've used a FENDER DUAL BASS 400 we suggest that you try the following first time control setting procedure. If the speaker you're using is capable of BI-AMP operation, refrain from attempting it for now. Turn the gain to "0", set all eleven equalization controls to their mid position ("0"). Be sure the crossover button is out, and the volume is at "0". With the speakers connected through a suitable cable, NOT AN INSTRUMENT CABLE, and your bass plugged in to input 1, turn the power switch to ON. You should hear a very slight "thud': Now turn the volume to "5'1 and advance the gain to the desired position. If the sound you hear does not suit you, try using the LOW and/or HIGH ENHANCE buttons first, and move on to the equalization controls. When using the equalization controls, proceed with caution, so that you don't confuse yourself witih the almost infinite number of possible settings. Refrain from using more than five sliders simultaneously. Eleven sliders are provided so that a nearly infinite variety of sounds may be created. Don't try to create them all at the same time! OPTIMIZING DELTACOMP PERFORMANCE With the volume at "5" as described under "suggested first time use" you have reduced the DELTACOMP range by about 6dB. This is acceptable, provided the DELTACOMP indicators are not being triggered too often. If they are, you may get to the point where the preamp will start to distort. To avoid this, advance the volume to maximum and reduce the gain a like audible amount. Playing hard into DELTACOMP is harmless but will result in a "compressed" sound and will eventually result in preamp distortion which may sound unpleasant. SETTING UP EXTERNAL SIGNAL PROCESSING External signal processors may be used as previously described. Devices used in the multi-level effects loop may be set up as follows: Connect the device to the effects loop so that the send jack is connected to the input of the external processor, and the return jack is connected to the output of same. Set the level switch to "0'1 With the volume at "10", -adjust the gain to performance volume-and note if the external processor distorts•or clips (some devices-havea warning light). If any of•these things occur, adjust the effects loop level switch to -10 or -20, but always try to stay as near to "0" as possible. Some processors such as FLANGERS are best used in the "HIGH/B" patching path while in the BI-AMP MODE. Doing this will preserve low frequency fundamentals, which are often notched out by FLANGERS. Stereo chorus is well suited by using both the HIGH/B and LOW/A patching points. Connect the input of the chorus to either patching out jack and return the stereo chorus outputs to the two "in" jacks (it doesn't matter how you assign the output jacks of the chorus to the patching inputs). Set the CROSSOVER button in the STEREO MODE.

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SUGGESTED
FIRST
TIME
OPERATION
If
this
is
the
first
time
you've
used
a
FENDER
DUAL
BASS
400
we
suggest
that
you
try
the
following
first
time
control
setting
procedure.
If
the
speaker
you're
using
is
capable
of
BI
-AMP
operation,
refrain
from
attempting
it
for
now.
Turn
the
gain
to
"0",
set
all
eleven
equalization
controls
to
their
mid
position
("0").
Be
sure
the
crossover
button
is
out,
and
the
volume
is
at
"0".
With
the
speakers
connected
through
a
suitable
cable,
NOT
AN
INSTRUMENT
CABLE,
and
your
bass
plugged
in
to
input
1,
turn
the
power
switch
to
ON.
You
should
hear
a
very
slight
"thud':
Now
turn
the
volume
to
"5'1
and
advance
the
gain
to
the
desired
position.
If
the
sound
you
hear
does
not
suit
you,
try
using
the
LOW
and/or
HIGH
ENHANCE
buttons
first,
and
move
on
to
the
equalization
controls.
When
using
the
equalization
controls,
proceed
with
caution,
so
that
you
don't
confuse
yourself
witih
the
almost
infinite
number
of
possible
settings.
Refrain
from
using
more
than
five
sliders
simultaneously.
Eleven
sliders
are
provided
so
that
a
nearly
infinite
variety
of
sounds
may
be
created.
Don't
try
to
create
them
all
at
the
same
time!
OPTIMIZING
DELTACOMP
PERFORMANCE
With
the
volume
at
"5"
as
described
under
"suggested
first
time
use"
you
have
reduced
the
DELTACOMP
range
by
about
6dB.
This
is
acceptable,
provided
the
DELTACOMP
indicators
are
not
being
triggered
too
often.
If
they
are,
you
may
get
to
the
point
where
the
preamp
will
start
to
distort.
To
avoid
this,
advance
the
volume
to
maximum
and
reduce
the
gain
a
like
audible
amount.
Playing
hard
into
DELTACOMP
is
harmless
but
will
result
in
a
"compressed"
sound
and
will
eventually
result
in
preamp
distortion
which
may
sound
unpleasant.
SETTING
UP
EXTERNAL
SIGNAL
PROCESSING
External
signal
processors
may
be
used
as
previously
described.
Devices
used
in
the
multi
-level
effects
loop
may
be
set
up
as
follows:
Connect
the
device
to
the
effects
loop
so
that
the
send
jack
is
connected
to
the
input
of
the
external
processor,
and
the
return
jack
is
connected
to
the
output
of
same.
Set
the
level
switch
to
"0'1
With
the
volume
at
"10",
-adjust
the
gain
to
performance
volume
and
note
if
the
external
processor
distorts•or
clips
(some
devices
-
have
-
a
warning
light).
If
any
of•these
things
occur,
adjust
the
effects
loop
level
switch
to
-10
or
-20,
but
always
try
to
stay
as
near
to
"0"
as
possible.
Some
processors
such
as
FLANGERS
are
best
used
in
the
"HIGH/B"
patching
path
while
in
the
BI
-AMP
MODE.
Doing
this
will
preserve
low
frequency
fundamentals,
which
are
often
notched
out
by
FLANGERS.
Stereo
chorus
is
well
suited
by
using
both
the
HIGH/B
and
LOW/A
patching
points.
Connect
the
input
of
the
chorus
to
either
patching
out
jack
and
return
the
stereo
chorus
outputs
to
the
two
"in"
jacks
(it
doesn't
matter
how
you
assign
the
output
jacks
of
the
chorus
to
the
patching
inputs).
Set
the
CROSSOVER
button
in
the
STEREO
MODE.