Fender BXR Dual Bass 400 Owner Manual - Page 8

Front, Panel, Description

Page 8 highlights

- INPUT- O® 2 6AIPd - ENHANCE 12 MINN all 'Aar • - a nor 3 0 ED MAT 12 awns -LS • 0 0 EGWALIZATION VOLUME - STATUS - CROSSOVER nix FUSERIES 131 210 3•4 $32 • CROSSOVER Mims • • alum. so.racror.• • • owes Irdt Caff\ • tomm•3•3 • • e 17~2.i! SAW sow BLOM amp.O• 3/ .3 .1 3. rowautscr (1) POWER • OFF 0 OM DUAL BASS 400-09 0 11. a) 0 0000 CD 0 FRONT PANEL DESCRIPTION The front panel contains twenty-five items for system operation and observation. These items are broken into nine groups as shown in the illustration below. 1. INPUT: Two inputs are provided: Input 1-High gain Input 2 -Low gain The high gain input (INPUT 1) should be used for most instruments. This input can handle as much as 3.5 volts R.M.S., while the low gain input (input 2) accepts 7 volts R.M.S. without audible distortion. For both cases this is greater than any active bass with a 9 volt battery can produce. If you are using a bass with dual 9 volt batteries, or a "hot" passive bass it might be wise to try input 2. For the rare case where two players want to use one amplifier, or where two instruments are to be used during the performance, both inputs may be used. In this mode both inputs will now accept 7 volts R.M.S. 2. GAIN: This control sets the gain of the preamp and will serve as an adjustment for the "loudness" of the amplifier. 3. ENHANCE: HIGH ENHANCE provides high frequency. boost. LOW ENHANCE provides low frequency boost, while eliminating sub-sonic noises below 40 Hz. 4. EQUALIZATION: 11 band graphic equalizer (40 Hz to 10 kHz). Each slider will boost or cut its particular frequency 15dB. Experiment with each slider to hear the effect of boost and cut on the sound of your instrument. The EQUALIZER is most effective when the majority of the sliders are left in the "0" position and selected frequencies are changed. Setting all sliders up or all sliders down does not cause a relative change in the sound of the instrument, but rather merely causes a change in the level. 5. CROSSOVER: STEREO MODE (button out) provides the same signal to both Speaker Jacks. BI-AMP MODE (button in) activates CROSSOVER. In the BI-AMP MODE the Frequency Control will adjust the point where the split between high and low takes place. The Crossover Balance Control adjusts the balance between the high and low frequencies. Refer to the operation manual for your speaker enclosure for recommended crossover settings. 6. LINE OUT: The line out button selects line feed either before the preamp (pre) or after the preamp and multil-level effects loop (post). 7. VOLUME: The volume control sets the preamp output level. It should be left fully clockwise if possible, so that preamp clipping will not occur. The volume may be reduced in the studio where super low noise performance is required. Reducing volume will hinder the performance of DELTACOMP. 8. STATUS: Amber pilot lamps indicate when DELTACOMP A or B is active. Under normal playing conditions the DELTACOMP lights will be active. The red pilot lamp indicates when the unit is on. 9. POWER: Turns the DUAL BASS 400 on or off.

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INPUT—
6AIPd
ENHANCE
2
0
ED
EGWALIZATION
VOLUME
STATUS
CROSSOVER
12
MINN
all
'Aar
- a
nor
3
MAT
12
awns
-LS
131
210
3•4
$32
17~2.i!
SAW
sow
e
CROSSOVER
Mims
alum.
Irdt
Caff\
BLOM
amp.O•
3/
so.racror.•
owes
tomm•
3
3
.3
.1
3.
rowautscr
nix
FUSERIES
0
POWER
OFF
OM
0
DUAL
BASS
400
-09
11.
(1)
a)
0 0
0
0000
CD
0
FRONT
PANEL
DESCRIPTION
The
front
panel
contains
twenty-five
items
for
system
operation
and
observation.
These
items
are
broken
into
nine
groups
as
shown
in
the
illustration
below.
1.
INPUT:
Two
inputs
are
provided:
Input
1
—High
gain
Input
2
—Low
gain
The
high
gain
input
(INPUT
1)
should
be
used
for
most
instruments.
This
input
can
handle
as
much
as
3.5
volts
R.M.S.,
while
the
low
gain
input
(input
2)
accepts
7
volts
R.M.S.
without
audible
distortion.
For
both
cases
this
is
greater
than
any
active
bass
with
a
9
volt
battery
can
produce.
If
you
are
using
a
bass
with
dual
9
volt
batteries,
or
a
"hot"
passive
bass
it
might
be
wise
to
try
input
2.
For
the
rare
case
where
two
players
want
to
use
one
amplifier,
or
where
two
instruments
are
to
be
used
during
the
performance,
both
inputs
may
be
used.
In
this
mode
both
inputs
will
now
accept
7
volts
R.M.S.
2.
GAIN:
This
control
sets
the
gain
of
the
preamp
and
will
serve
as
an
adjustment
for
the
"loudness"
of
the
amplifier.
3.
ENHANCE:
HIGH
ENHANCE
provides
high
frequency.
boost.
LOW
ENHANCE
provides
low
frequency
boost,
while
eliminating
sub
-sonic
noises
below
40
Hz.
4.
EQUALIZATION:
11
band
graphic
equalizer
(40
Hz
to
10
kHz).
Each
slider
will
boost
or
cut
its
particular
frequency
15dB.
Experiment
with
each
slider
to
hear
the
effect
of
boost
and
cut
on
the
sound
of
your
instru-
ment.
The
EQUALIZER
is
most
effective
when
the
majority
of
the
sliders
are
left
in
the
"0"
position
and
selected
frequencies
are
changed.
Setting
all
sliders
up
or
all
sliders
down
does
not
cause
a
relative
change
in
the
sound
of
the
instrument,
but
rather
merely
causes
a
change
in
the
level.
5.
CROSSOVER:
STEREO
MODE
(button
out)
provides
the
same
signal
to
both
Speaker
Jacks.
BI
-AMP
MODE
(button
in)
activates
CROSSOVER.
In
the
BI
-AMP
MODE
the
Frequency
Control
will
adjust
the
point
where
the
split
between
high
and
low
takes
place.
The
Crossover
Balance
Control
adjusts
the
balance
between
the
high
and
low
frequencies.
Refer
to
the
operation
manual
for
your
speaker
enclosure
for
recommended
crossover
settings.
6.
LINE
OUT:
The
line
out
button
selects
line
feed
either
before
the
preamp
(pre)
or
after
the
preamp
and
multil-level
effects
loop
(post).
7.
VOLUME:
The
volume
control
sets
the
preamp
output
level.
It
should
be
left
fully
clockwise
if
possible,
so
that
preamp
clipping
will
not
occur.
The
volume
may
be
reduced
in
the
studio
where
super
low
noise
per-
formance
is
required.
Reducing
volume
will
hinder
the
performance
of
DELTACOMP.
8.
STATUS:
Amber
pilot
lamps
indicate
when
DELTACOMP
A
or
B
is
active.
Under
normal
playing
conditions
the
DELTACOMP
lights
will
be
active.
The
red
pilot
lamp
indicates
when
the
unit
is
on.
9.
POWER:
Turns
the
DUAL
BASS
400
on
or
off.