Fender Mustangtrade GT 100 Mustang™ GT 100 Owner s Manual - English - Page 26

Reverb Effects Continued

Page 26 highlights

REVERB EFFECTS (CONTINUED) All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party. Small Plate Large Plate '63 Spring Resonantly metallic reverb with more density and flatness than room and hall reverbs The reverb type heard on countless recordings, based on the classic (and pool table-sized) EMT 140 Classic early-'60s standalone Fender reverb effect '65 Spring Arena Ambient Shimmer GA-15 Reverb Fender reverb effect built into classic mid-'60s Fender amps Simulates the long-trailing reverberation typical of large stadiums and arenas Subtle reverb effect typical of notably smaller spaces (even smaller than Small Room reverb above) Sonically radiant combination of reverb and two-octave pitch shift Based on the '60s-era Gibson GA-15 amp reverb, unique in its ability to go "full wet" (no dry signal) 24

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24
Small Plate
Resonantly metallic reverb with more density and flatness
than room and hall reverbs
Large Plate
The reverb type heard on countless recordings, based on
the classic (and pool table-sized) EMT 140
’63 Spring
Classic early-’60s standalone Fender reverb effect
’65 Spring
Fender reverb effect built into classic mid-’60s Fender amps
Arena
Simulates the long-trailing reverberation typical of
large stadiums and arenas
Ambient
Subtle reverb effect typical of notably smaller spaces (even
smaller than Small Room reverb above)
Shimmer
Sonically radiant combination of reverb and
two-octave pitch shift
GA-15 Reverb
Based on the ’60s-era Gibson GA-15 amp reverb, unique in
its ability to go “full wet” (no dry signal)
REVERB EFFECTS (CONTINUED)
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products
whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affilia-
tion, connection, sponsorship, or approval between FMIC and with or by any third party.