Harman Kardon CIT25 Owners Manual - Page 8

Filter

Page 8 highlights

5ubsonlc Filter The SUBSONIC (22) circuit helps control the acoustic consequences of warped records and turntable resonance. If you can see your speaker's woofer cones visibly flutter in and out when you play a record, subsonic frequencies are present. While directly inaudible, subsonics can rob amplifier power, cause intermodulation distortion at audible frequencies and actually damage woofer cones if the movement is violent enough. The Citation 25's SUBSONIC filter circuit reduces sub-bass frequencies at 6dB per octave below 15 Hz. Audible bass response will not be significantly affected by this action, so you may leave this button pressed in whenever you play phonograph records. While the subsonic filter circuit cuts inaudible (but potentially destructive) sub-bass frequencies, the HI CUT filter (23) can be used to reduce audible (but unpleasant) high frequency hiss. This circuit reduces frequencies above 6000 Hz at the rate of 6 dB/octave. Since your range of hearing extends as high as 20,000Hz, the HI CUT filter should only be used on video or audio sound sources winch have a noticeably high level of noise. Make sure the button is in its OUT position when listening to music or video sound which is relatively hiss-free. 0 The MONO button (24) combines left and right channel signals and routes their sum to both power amplifier channels. It has several purposes. The most obvious application for this switch is with mono records, such as old 45's, 78's and many excellent classical I.P's you may have collected. NOTE: It is not necessary, however, to engage the Mono button when listening to Compact Discs of older albums which have retained the original mono format. Another use is with the input from a mono VCR. Engaging the MONO button will route the sound to both left and right speakers. You can also use the MONO button as a means of testing speaker phase during system hook-up. After connecting your speakers to their power amplifier, play a stereo record with a vocal or instrumental that images in the center between the two speakers. While sitting in a normal listening position in front of and between the speakers, have someone switch the MONO button on the Citation 25 in and out. There should be no change in the intensity or imaging of the vocal or instrumental. If there IS a change, one of the speakers has been connected out of phase, which results in poor stereo imaging and a diminution of bass. Re-check the polarity of your speaker-toamplifier connections. 0cartridge 6'elector To the right of the MONO button is the MOVING MAGNET! MOVING COIL cartridge input selector (25). The normal (OUT) position selects the Citation 25's input for regular moving magnet cartridges and high output moving coil cartridges with an output rating of at least 2.2mV. The "IN" position switches to the moving coil inputs and engages a special MC step-up amplifier stage. Capacitance and resistance trim adjustments are also provided on the Citation 25's rear panel to further optimize MM/MC performance. Note that you can connect both MM and MC cartridge inputs to the Citation 25 and use this selector button to switch between them. Ojitput This set of selectors mirrors the configuration of the playback source selector buttons on the upper front panel. However, they select the source for RECORDING, rather than listening. As with the playback selectors, the SOURCE (30) button activates the next five record sources: AN 1 (31), NV 2 (32), CD (33), TUNER (34) and PHONO (35). This system lets you: 1) record video and audio from TV, LaserDisc or CDV (connected to the A/V 1 & A/V 2 sources) unto one OR two VCR's. 2) dub video and audio from one VCR to another. 3) record audio from tuner, CD, tape or turntable onto your audio cassette recorder. 4) record audio from those sources onto VHS Hi-Fi video tape. It is important to note that once a RECORD SOURCE has been selected (using buttons 26-35), this signal is sent to all connected components which are capable of recording. To choose which of them to record with, set those units to their RECORD mode. • For example, if you have a stereo 'EV hooked up to A/V 1, pressing RECORD OUTPUT AN 1 (31) will send video and audio to VCR 1 and VCR 2 (and audio only to TAPE I and TAPE 2). If you wish to make one videocassette copy, simply set your VCR 1 to record. If you wish to make TWO copies, activate VCR 1 and VCR 2. Note that you could also make one or two audio soundtrack copies at the same time with TAPE 1 and TAPE 2, since the TV sound is also automatically routed to them.

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5ubsonlc
Filter
The
SUBSONIC
(22)
circuit
helps
control
the
acoustic
conse-
quences
of
warped
records
and
turntable
resonance.
If
you
can
see
your
speaker's
woofer
cones
visibly
flutter
in
and
out
when
you
play
a
record,
subsonic
frequencies
are
present.
While
directly
inaudible,
subsonics
can
rob
amplifier
power,
cause
intermodulation
distortion
at
audible
frequencies
and
actually
damage
woofer
cones
if
the
movement
is
violent
enough.
The
Citation
25's
SUBSONIC
filter
circuit
reduces
sub
-bass
frequencies
at
6dB
per
octave
below
15
Hz.
Audible
bass
response
will
not
be
significantly
affected
by
this
action,
so
you
may
leave
this
button
pressed
in
whenever
you
play
phonograph
records.
While
the
subsonic
filter
circuit
cuts
inaudible
(but
potentially
destructive)
sub
-bass
frequencies,
the
HI
CUT
filter
(23)
can
be
used
to
reduce
audible
(but
unpleasant)
high
frequency
hiss.
This
circuit
reduces
frequencies
above
6000
Hz
at
the
rate
of
6
dB/octave.
Since
your
range
of
hearing
extends
as
high
as
20,000Hz,
the
HI
CUT
filter
should
only
be
used
on
video
or
audio
sound
sources
winch
have
a
noticeably
high
level
of
noise.
Make
sure
the
button
is
in
its
OUT
position
when
listening
to
music
or
video
sound
which
is
relatively
hiss
-free.
0
The
MONO
button
(24)
combines
left
and
right
channel
signals
and
routes
their
sum
to
both
power
amplifier
channels.
It
has
several
purposes.
The
most
obvious
application
for
this
switch
is
with
mono
records,
such
as
old
45's,
78's
and
many
excellent
classical
I.P's
you
may
have
collected.
NOTE:
It
is
not
necessary,
however,
to
engage
the
Mono
button
when
listening
to
Compact
Discs
of
older
albums
which
have
retained
the
original
mono
format.
Another
use
is
with
the
input
from
a
mono
VCR.
Engaging
the
MONO
button
will
route
the
sound
to
both
left
and
right
speakers.
You
can
also
use
the
MONO
button
as
a
means
of
testing
speaker
phase
during
system
hook-up.
After
connecting
your
speakers
to
their
power
amplifier,
play
a
stereo
record
with
a
vocal
or
instrumental
that
images
in
the
center
between
the
two
speakers.
While
sitting
in
a
normal
listening
position
in
front
of
and
between
the
speakers,
have
someone
switch
the
MONO
button
on
the
Citation
25
in
and
out.
There
should
be
no
change
in
the
intensity
or
imaging
of
the
vocal
or
instrumental.
If
there
IS
a
change,
one
of
the
speakers
has
been
connected
out
of
phase,
which
results
in
poor
stereo
imaging
and
a
diminution
of
bass.
Re
-check
the
polarity
of
your
speaker
-to
-
amplifier
connections.
0cartridge
6'elector
To
the
right
of
the
MONO
button
is
the
MOVING
MAGNET!
MOVING
COIL
cartridge
input
selector
(25).
The
normal
(OUT)
position
selects
the
Citation
25's
input
for
regular
moving
magnet
cartridges
and
high
output
moving
coil
cartridges
with
an
output
rating
of
at
least
2.2mV.
The
"IN"
position
switches
to
the
moving
coil
inputs
and
engages
a
special
MC
step-up
amplifier
stage.
Capacitance
and
resistance
trim
adjustments
are
also
provided
on
the
Citation
25's
rear
panel
to
further
optimize
MM/MC
performance.
Note
that
you
can
connect
both
MM
and
MC
cartridge
inputs
to
the
Citation
25
and
use
this
selector
button
to
switch
between
them.
Ojitput
This
set
of
selectors
mirrors
the
configuration
of
the
playback
source
selector
buttons
on
the
upper
front
panel.
However,
they
select
the
source
for
RECORDING,
rather
than
listening.
As
with
the
playback
selectors,
the
SOURCE
(30)
button
activates
the
next
five
record
sources:
AN
1
(31),
NV
2
(32),
CD
(33),
TUNER
(34)
and
PHONO
(35).
This
system
lets
you:
1)
record
video
and
audio
from
TV,
LaserDisc
or
CDV
(connected
to
the
A/V
1
&
A/V
2
sources)
unto
one
OR
two
VCR's.
2)
dub
video
and
audio
from
one
VCR
to
another.
3)
record
audio
from
tuner,
CD,
tape
or
turntable
onto
your
audio
cassette
recorder.
4)
record
audio
from
those
sources
onto
VHS
Hi-Fi
video
tape.
It
is
important
to
note
that
once
a
RECORD
SOURCE
has
been
selected
(using
buttons
26-35),
this
signal
is
sent
to
all
connected
components
which
are
capable
of
recording.
To
choose
which
of
them
to
record
with,
set
those
units
to
their
RECORD
mode.
For
example,
if
you
have
a
stereo
'EV
hooked
up
to
A/V
1,
pressing
RECORD
OUTPUT
AN
1
(31)
will
send
video
and
audio
to
VCR
1
and
VCR
2
(and
audio
only
to
TAPE
I
and
TAPE
2).
If
you
wish
to
make
one
videocassette
copy,
simply
set
your
VCR
1
to
record.
If
you
wish
to
make
TWO
copies,
activate
VCR
1
and
VCR
2.
Note
that
you
could
also
make
one
or
two
audio
soundtrack
copies
at
the
same
time
with
TAPE
1
and
TAPE
2,
since
the
TV
sound
is
also
automati-
cally
routed
to
them.