Harman Kardon TA12 Owners Manual - Page 3

Speaker, Connections, Connecting, loudspeaker, CAUTION, loudspeakers, OPERATION, TECHNICAL,

Page 3 highlights

Speaker Connections: A unique method of connecting one or two loudspeakers is incorporated in the Solo II in order that you may derive maximum enjoyment from this superlative instrument with any of today's fine speaker systems. Connecting one loudspeaker: Connect one of the two speaker leads to terminal "G" and the other lead to "A" on the three screw terminal strip at the rear of the chassis marked "SPEAKER." For speakers with an impedance of 12 to 24 ohms place the Impedance Selector Jumper located at the rear of the chassis so that the center terminal is connected to the terminal marked 16. For speakers with an impedance of 4 to 12 ohms place the Impedance Selector Jumper so that the center terminal is connected to the terminal marked 8. The front panel Speaker Selector Switch should then be placed in the "A" position. CAUTION: A jumper is connected between "A" and "B" terminals on the Speaker Terminal Strip on the rear of this instrument. When only one loudspeaker is used, this jumper must be connected at all times. It should be removed only when two separate speakers are connected. This precaution will prevent the set from appearing to be inoperative when only one speaker is connected, and the Speaker Selector Switch is improperly set. Connecting two loudspeakers: If you wish to operate two loudspeakers with the Solo II and use either one or both together, connect the second speaker to terminals "G" and "B" on the Speaker Terminal Strip. For best operation, both speakers should have the same impedance, although a slight mismatch will not disturb the overall response. To select speaker A, place the front panel Speaker Selector.Switch in the "A" position. To select speaker B, place the switch in position "B". To activate both speakers simultaneously, place the front panel Speaker Selector Switch in position marked "AB". OPERATION In general, every control on a well designed, honestly considered high fidelity instrument has a specific useful function, related to each of the other controls. Although this cannot be a treatise on the subject, an explanatory note on the relationship of the various front panel controls will doubtless prove useful in organizing and clarifying them for the user. Your Solo II incorporates the following operating controls located on the front panel. Viewing the instrument from the front and reading from left to right you will note the Scratch Filter Control, Bass Control, Treble Control, Loudness (volume) Control (on/off switch is incorporated into this control), Dynamic Con- tour Control and Tuning Control. In the upper left hand corner you will find the Function Selector Switch and in the upper right corner the Speaker Selector Control. To operate, turn the Function Selector Switch to the AM position. Set the Bass and Treble tone controls so that the white lines on the knobs point straight up. This will assure a "flat" uncompensated response. Turn the set on by rotating the Loudness Control in a clockwise position; now set this Loudness Control at 1/3 volume. The Contour Control should remain on zero at this time. Tune for an AM station. Once the desired program is located and tuned in, adjust the volume so that the music is played at a comfortable level. Now adjust the Bass and Treble tone controls to correct for the electro-acoustic characteristics of the loudspeaker you are using and the acoustic characteristics of the room in which you are listening. Modify each control until settings are chosen which in your total system create the proper sense of aural balance and evenness. Now reduce the Loudness (Volume) control setting somewhat lower than normal listening level in your room. You will note that the full bodied lifelike quality you experienced at high listening level has disappeared (this because of the Fletcher-Munson effect described in the paragraph on the H/K Dynamic Loudness Contour). With all other controls unchanged, select the best contour setting for you. Do this by switching quickly through the several positions until you find the one which most nearly duplicates the full bodied sound you enjoyed at high level. Now turn the Loudness control up to the level at which you wish to listen (perhaps the maximum level you can permit in your home). You'll find that there is automatic compensation of contour wherever you set the Loudness control thereafter. In fact, under normal circumstances you should not find it necessary to readjust the tone controls or the contour selector once having chosen the correct settings for you, your room and your system. TECHNICAL EXPLANATION OF THE CONTROLS The Function Selector Switch has 8 positions: AUX, AM, FM, FM-AFC, RIAA-Rumble, RIAA, LP and EUR. Its use is to select the desired type of program. Listed below is the explanation of the various functions. Automatic Frequency Control: (AFC) FM broadcasting, by its very nature, eliminates almost all natural and man-made static. However, the characteristics of FM which makes this possible also causes problems in tuning. The Solo II incorporates a special electronic circuit known as Automatic Frequency Control that overcomes these problems and insures proper tuning even if the manual tuning is not accurately 3

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10

Speaker
Connections:
A
unique
method
of
connecting
one
or
two
loud-
speakers
is
incorporated
in
the
Solo
II
in
order
that
you
may
derive
maximum
enjoyment
from
this
superlative
instrument
with
any
of
today's
fi
ne
speaker
systems.
Connecting
one
loudspeaker:
Connect
one
of
the
two
speaker
leads
to
terminal
"G"
and
the
other
lead
to
"A"
on
the
three
screw
terminal
strip
at
the
rear
of
the
chassis
marked
"SPEAKER."
For
speakers
with
an
impedance
of
12
to
24
ohms
place
the
Impedance
Selector
Jumper
located
at
the
rear
of
the
chassis
so
that
the
center
terminal
is
connected
to
the
terminal
marked
16.
For
speakers
with
an
impedance
of
4
to
12
ohms
place
the
Impedance
Se-
lector
Jumper
so
that
the
center
terminal
is
connected
to
the
terminal
marked
8.
The
front
panel
Speaker
Selector
Switch
should
then
be
placed
in
the
"A"
posi-
tion.
CAUTION:
A
jumper
is
connected
between
"A"
and
"B"
ter-
minals
on
the
Speaker
Terminal
Strip
on
the
rear
of
this
instrument.
When
only
one
loudspeaker
is
used,
this
jumper
must
be
connected
at
all
times.
It
should
be
re-
moved
only
when
two
separate
speakers
are
connected.
This
precaution
will
prevent
the
set
from
appearing
to
be
inoperative
when
only
one
speaker
is
connected,
and
the
Speaker
Selector
Switch
is
improperly
set.
Connecting
two
loudspeakers:
If
you
wish
to
operate
two
loudspeakers
with
the
Solo
II
and
use
either
one
or
both
together,
connect
the
second
speaker
to
terminals
"G"
and
"B"
on
the
Speaker
Terminal
Strip.
For
best
operation,
both
speakers
should
have
the
same
impedance,
although
a
slight
mismatch
will
not
disturb
the
overall
response.
To
select
speaker
A,
place
the
front
panel
Speaker
Selector.Switch
in
the
"A"
position.
To
select
speaker
B,
place
the
switch
in
position
"B".
To
activate
both
speakers
simultaneously,
place
the
front
panel
Speaker
Selector
Switch
in
position
marked
"AB".
OPERATION
In
general,
every
control
on
a
well
designed,
hon-
estly
considered
high
fi
delity
instrument
has
a
specific
useful
function,
related
to
each
of
the
other
controls.
Although
this
cannot
be
a
treatise
on
the
subject,
an
explanatory
note
on
the
relationship
of
the
various
front
panel
controls
will
doubtless
prove
useful
in
organizing
and
clarifying
them
for
the
user.
Your
Solo
II
incorporates
the
following
operating
controls
located
on
the
front
panel.
Viewing
the
in-
strument
from
the
front
and
reading
from
left
to
right
you
will
note
the
Scratch
Filter
Control,
Bass
Control,
Treble
Control,
Loudness
(volume)
Control
(on/off
switch
is
incorporated
into
this
control),
Dynamic
Con-
tour
Control
and
Tuning
Control.
In
the
upper
left
hand
corner
you
will
fi
nd
the
Function
Selector
Switch
and
in
the
upper
right
corner
the
Speaker
Selector
Con-
trol.
To
operate,
turn
the
Function
Selector
Switch
to
the
AM
position.
Set
the
Bass
and
Treble
tone
controls
so
that
the
white
lines
on
the
knobs
point
straight
up.
This
will
assure
a
"flat"
uncompensated
response.
Turn
the
set
on
by
rotating
the
Loudness
Control
in
a
clock-
wise
position;
now
set
this
Loudness
Control
at
1/3
volume.
The
Contour
Control
should
remain
on
zero
at
this
time.
Tune
for
an
AM
station.
Once
the
desired
program
is
located
and
tuned
in,
adjust
the
volume
so
that
the
music
is
played
at
a
com-
fortable
level.
Now
adjust
the
Bass
and
Treble
tone
controls
to
correct
for
the
electro-acoustic
characteris-
tics
of
the
loudspeaker
you
are
using
and
the
acoustic
characteristics
of
the
room
in
which
you
are
listening.
Modify
each
control
until
settings
are
chosen
which
in
your
total
system
create
the
proper
sense
of
aural
balance
and
evenness.
Now
reduce
the
Loudness
(Volume)
control
setting
somewhat
lower
than
normal
listening
level
in
your
room.
You
will
note
that
the
full
bodied
lifelike
quality
you
experienced
at
high
listening
level
has
disappeared
(this
because
of
the
Fletcher
-Munson
effect
described
in
the
paragraph
on
the
H/K
Dynamic
Loudness
Con-
tour).
With
all
other
controls
unchanged,
select
the
best
contour
setting
for
you.
Do
this
by
switching
quickly
through
the
several
positions
until
you
fi
nd
the
one
which
most
nearly
duplicates
the
full
bodied
sound
you
enjoyed
at
high
level.
Now
turn
the
Loudness
con-
trol
up
to
the
level
at
which
you
wish
to
listen
(per-
haps
the
maximum
level
you
can
permit
in
your
home).
You'll
fi
nd
that
there
is
automatic
compensation
of
con-
tour
wherever
you
set
the
Loudness
control
thereafter.
In
fact,
under
normal
circumstances
you
should
not
fi
nd
it
necessary
to
readjust
the
tone
controls
or
the
contour
selector
once
having
chosen
the
correct
settings
for
you,
your
room
and
your
system.
TECHNICAL
EXPLANATION
OF
THE
CONTROLS
The
Function
Selector
Switch
has
8
positions:
AUX,
AM,
FM,
FM
-AFC,
RIAA-Rumble,
RIAA,
LP
and
EUR.
Its
use
is
to
select
the
desired
type
of
program.
Listed
below
is
the
explanation
of
the
various
functions.
Automatic
Frequency
Control:
(AFC)
FM
broadcasting,
by
its
very
nature,
eliminates
al-
most
all
natural
and
man-made
static.
However,
the
characteristics
of
FM
which
makes
this
possible
also
causes
problems
in
tuning.
The
Solo
II
incorporates
a
special
electronic
circuit
known
as
Automatic
Frequency
Control
that
overcomes
these
problems
and
insures
proper
tuning
even
if
the
manual
tuning
is
not
accurately
3