Mackie 3204-VLZ4 Owners Manual - Page 25

Preset Selector, Tap Delay and LED, 66. Internal FX Mute, 67. Solo Level, Delay 1 Wrm 300ms

Page 25 highlights

U 1 2 SOLO MODE 6 5 FX1 SOLO SOLO SOLO PFL +15 +15 U F6X31 AFL FX 2 +15 FX AUX 5/6 QU -15 +15 U 6 61 FX2 U SIG/OL +15 FX MASTER 64HI 12k TAP DELAY 65HI MID 2.5k U +15 TO AUX 1 U 62 +15 TO AUX 2 U U U SIG/OL +15 FX MASTER +15 TO AUX 1 U TAP DELAY +15 TO AUX 2 U U 67 +15 SOLO U 68 +15 MONITOR U -15 +15 U MUTE 66 LOW MID 400Hz -15 +15 U LOW 80Hz MUTE +15 TO LR SUBGROUPS 72 +15 TO LR 69 +15 PHONES TALKBACK U 70 -15 +15 AL L R 23/24 MUTE ALT 3-4 OFF MAX OFF MAX COMP COMP STEREO OFF MAX OFF MAX COMP COMP STEREO +15 LEVEL SOLO SOLO SOLO SOLO PUSH TO TALK LEFT 73 LEFT LEFT LEFT 71 AUX 1-4 RIGHT RIGHT 1 2 RIGHT RIGHT MAIN 3 4 MAIN MIX OL dB dB 10 10 dB dB dB 10 10 10 -20 5 U SOLO 5 10 1-2 20 3-4 30 40 50 L R 60 5 5 U U 5 5 10 74 10 20 20 30 30 40 40 50 50 60 60 5 5 U U 5 5 10 75 10 20 20 30 30 40 40 50 50 60 60 OO OO OO OO OO 65. Preset Selector, Tap Delay and LED Rotate these endless controls to select one of the 24 preset effects. When the rotation stops, that preset will be loaded and become operational. The current preset number is shown in the display [64]. The different presets are shown in the table to the right and on the silkscreen in the upper right hand corner of each VLZ4 4•Bus mixer. Further details of each preset are explained in Appendix E on page 37. 1 Plate Reverb 13 Chorus 2 Vocal Plate 14 Chorus + Reverb 3 Warm Room 15 Doubler 4 Bright Room 16 Tape Slap 5 Warm Lounge 17 Delay 1 Brt 350ms 6 Small Stage 18 Delay 1 Wrm 300ms 7 Warm Theater 19 Delay 2 Brt 250ms 8 Bright Stage 20 Delay 2 Wrm 200ms 9 Warm Hall 21 Delay 3 Brt 175ms 10 Concert Hall 22 Delay 3 Wrm 150ms 11 Cathedral 23 Chorus + Dly 300ms 12 Gated Reverb 24 Reverb + Dly 200ms The knob also offers a tap delay function for presets 17-24. This works as follows: 1. Use the knob to select a preset from 17 to 24. 2. Press the knob in at least two times. The DSP processor will calculate the time delay between the last two pushes, and it will assign this time interval to the echoes of the current digital delay. The minimum tap delay is 50 ms and the maximum is 500 ms. • If your taps are faster than 50 ms, they will be set to 50 ms. • If taps are 500 ms to 1 second, they will be set to 500 ms. • If taps are greater than 1 second apart, they will be ignored. Try again a bit faster. 3. The LED will flash in time with the new tap delay time. 66. Internal FX Mute When engaged, the internal effects processor is muted, and its output will not appear on the main mix, monitor mix...or anywhere for that matter. The adjacent mute LED will come on as a reminder that the effects are muted. When power is first applied, these LEDs will illuminate and the FX will be muted for about 10 seconds while the little FX gerbils inside settle down. If this switch is not engaged, then the internal effects are set free and may be added as required to the main mix, monitor mix and last two stereo channels. 67. Solo Level This knob is used to adjust the volume of the soloed signal as it is routed to the monitor [15, 16] and phones [17] outputs. This control is independent of, and prior to, the monitor [68] and phones [69] level controls. Owner's Manual 25

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25
Owner’s Manual
SUBGROUPS
PUSH
TO TALK
MAIN
RIGHT
AUX 1-4
SOLO
STEREO
LEFT
RIGHT
SOLO
LEFT
RIGHT
SOLO
STEREO
LEFT
RIGHT
SOLO
LEFT
1
2
3
4
MAIN MIX
TALKBACK
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
LEVEL
PHONES
TO AUX 1
TO AUX 2
SOLO
MONITOR
TAP
DELAY
MUTE
TO AUX 1
TO AUX 2
TAP
DELAY
MUTE
FX MASTER
FX MASTER
TO LR
TO LR
FX
2
SIG/OL
FX
1
SIG/OL
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
30
20
10
10
40
50
5
5
U
60
dB
O
O
30
20
10
10
40
50
5
5
U
60
dB
O
O
30
20
10
10
40
50
5
5
U
60
dB
O
O
30
20
10
10
40
50
5
5
U
60
dB
O
O
30
20
10
10
40
50
5
5
U
60
dB
O
O
61
67
68
69
70
72
73
74
75
71
64
65
66
63
62
65. Preset Selector, Tap Delay and LED
Rotate these endless controls to select one of the
24 preset effects. When the rotation stops, that preset
will be loaded and become operational. The current
preset number is shown in the display [64].
The different presets are shown in the table to the
right and on the silkscreen in the upper right hand
corner of each VLZ4 4•Bus mixer. Further details of
each preset are explained in Appendix E on page 37.
1
Plate Reverb
13
Chorus
2
Vocal Plate
14
Chorus + Reverb
3
Warm Room
15
Doubler
4
Bright Room
16
Tape Slap
5
Warm Lounge
17
Delay 1 Brt 350ms
6
Small Stage
18
Delay 1 Wrm 300ms
7
Warm Theater
19
Delay 2 Brt 250ms
8
Bright Stage
20
Delay 2 Wrm 200ms
9
Warm Hall
21
Delay 3 Brt 175ms
10
Concert Hall
22
Delay 3 Wrm 150ms
11
Cathedral
23
Chorus + Dly 300ms
12
Gated Reverb
24
Reverb + Dly 200ms
The knob also offers a tap delay function for presets
17-24. This works as follows:
1.
Use the knob to select a preset from 17 to 24.
2.
Press the knob in at least two times.
The DSP processor will calculate the time delay
between the last two pushes, and it will assign
this time interval to the echoes of the current
digital delay.
The minimum tap delay is 50 ms and the
maximum is 500 ms.
If your taps are faster than 50 ms, they will
be set to 50 ms.
If taps are 500 ms to 1 second, they will be
set to 500 ms.
If taps are greater than 1 second apart,
they will be ignored. Try again a bit faster.
3.
The LED will flash in time with the new tap
delay time.
66. Internal FX Mute
When engaged, the internal effects processor is
muted, and its output will not appear on the main mix,
monitor mix...or anywhere for that matter. The adjacent
mute LED will come on as a reminder that the effects
are muted. When power is first applied, these LEDs will
illuminate and the FX will be muted for about 10
seconds while the little FX gerbils inside settle down.
If this switch is not engaged, then the internal effects
are set free and may be added as required to the main
mix, monitor mix and last two stereo channels.
67. Solo Level
This knob is used to adjust the volume of the soloed
signal as it is routed to the monitor [15, 16] and phones
[17] outputs. This control is independent of, and prior
to, the monitor [68] and phones [69] level controls.