Mackie Onyx 820i Quick Start Guide - Page 6

Hookup Diagrams - firewire recording mixer

Page 6 highlights

Setting up a system The following diagram shows how you can use the Onyx 820i in a typical club system. This may not be exactly what you want, but it shows most of the features of the mixer that you can apply to your own musical purposes. Dynamics Processor Microphone Stereo Effects Processor Acoustic Guitar with pickup iPod Docking Station press HI-Z button Drum Machine Mackie SRM450v2 Powered Speakers (Stage Monitors) HD1531 Powered Speaker Main Right 1 ONYX MIC PRE 2 ONYX MIC PRE 3-4 ONYX MIC PRE AUX SEND BAL/UNBAL 1 AUX RETURN 1 BAL/UNBAL 2 L (MONO) MAIN OUT BAL/UNBAL L TAPE IN OUT L INSERT INSERT L (MONO) BAL/UNBAL 2 LINE IN 5-6 R LINE IN 7-8 R R 1 LINE BAL/UNBAL LINE HI-Z 48V 2 LINE BAL/UNBAL LINE HI-Z LINE 48V R +4dB -10dB 48V L (MONO) BAL/UNBAL R L (MONO) BAL/UNBAL R PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE 30 U 20 30 U 40 20 GAIN 40 20 GAIN U 60 U 60 U -20dB +40dB -20dB +40dB 30 40 MIC GAIN U GAIN 60 -20dB +20dB U GAIN -20dB +20dB SEND U PRE POST EQ -15 +15 1k HIGH 12kHz SEND U PRE POST EQ -15 +15 1k HIGH 12kHz FREQ FREQ 100 8k U 100 8k U MID MID -15 +15 U -15 +15 U SEND U PRE POST EQ -15 +15 U -15 +15 U -15 +15 U HIGH 12kHz HIGH MID 2.5KHz LOW MID 400Hz SEND U PRE POST EQ SEND U INPUT LINE FW 1-2 -15 +15 HIGH 12kHz -15 +15 HIGH 12kHz U -15 +15 MID 2.5kHz U -15 +15 MID 2.5kHz U U -15 +15 LOW 80Hz AUX -15 +15 LOW 80Hz AUX -15 +15 LOW 80Hz AUX -15 +15 LOW 80Hz AUX -15 +15 LOW 80Hz AUX CTRL ROOM/PHONES SOURCE MAIN MIX TAPE FW 1-2 ALT 3-4 ASSIGN TO MAIN MIX OO MAX CONTROL ROOM OO MAX PHONES 0dB=0dBu LR 20 CLIP 15 10 6 3 0 2 LEVEL 4 SET 7 10 20 30 RUDE SOLO AUX MASTER SEND RETURN OO OO 1 MAX 2 MAX PAN L R OO OO 1 MAX 2 MAX PAN L R OO OO 1 MAX 2 MAX PAN L R OO OO 1 MAX 2 MAX PAN L R OO OO 1 MAX 2 MAX PAN L R PRE POST PRE POST OO OO 1 +15 RTN TO AUX1 2 +15 OO OO 1 +10 2 +10 AUX SEND 1-2 TO FW 5-6 POWER OO OO MUTE MUTE MUTE MUTE MUTE ALT 3-4 OL ALT 3-4 OL ALT 3-4 OL ALT 3-4 OL ALT 3-4 OL U - 20 U - 20 U - 20 U - 20 U - 20 MIC MAX LEVEL DESTINATION ASSIGN TO FW 7-8 U OO +10dB LEVEL SOLO 1 OO +10dB LEVEL SOLO 2 OO +10dB LEVEL SOLO 3-4 OO +10dB LEVEL SOLO 5-6 OO +10dB LEVEL SOLO 7-8 PHONES AUX 1-2 TALKBACK +10dB MAIN MIX Headphones Keyboard HD1531 Powered Speaker Main Left HD1801 Powered Subwoofers POWER ON FIREWIRE DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE "MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008 MAIN OUT BALANCED R L CNTL - RM OUT R BAL/UNBAL L MAIN OUTPUT LEVEL +4dB MIC ALT 3-4 OUT R/4 BAL/UNBAL L/3 HD1801 Powered Subwoofers Laptop Computer with audio production software This diagram shows an acoustic-electric guitar connected to the channel 1 input (with the hi-z switch pressed in), a microphone connected to the channel 2 mic input, a drum machine connected to channel 3-4, and a keyboard connected to channel 7-8. Engage the +4dBu/-10dBV switch on channels 3-4 if your drum machine runs at -10 dBV. A dynamics processor is connected to the insert jack of channel 1 to work its magic on your guitar. An effects processor receives a mono input from aux 1 send (in post-fader mode), and its stereo outputs connect to the stereo aux 1 return inputs. A plethora of SRM450v2 powered speakers are strewn across the stage as monitors for the band; they are connected to the aux 2 send jack (in pre-fader mode). Headphones are used to monitor all levels. The club is driven by connecting quad HD1801 powered subwoofers and a pair of HD1531 powered speakers to the main left and right outputs. A laptop computer connects to the FireWire port, allowing the 2-channel main mix, individual channels, and the aux sends to be recorded, and two channels to be played back using audio production software. 6 Onyx 820i

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6
Onyx 820i
MUTE
SOLO
48V
MUTE
SOLO
48V
MUTE
SOLO
48V
LINE
MUTE
SOLO
MUTE
SOLO
TAPE
PAN
2
1
MID
FREQ
MID
FREQ
BAL/UNBAL
BAL/UNBAL
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
LOW
MID
400Hz
O
N
Y
X
M
I
C
P
R
E
HIGH
12kHz
LOW
80Hz
EQ
INSERT
INSERT
O
N
Y
X
M
I
C
P
R
E
HIGH
12kHz
LOW
80Hz
EQ
O
N
Y
X
M
I
C
P
R
E
HIGH
12kHz
HIGH
MID
2.5KHz
LOW
80Hz
EQ
2
1
SEND
RETURN
2
1
EQ
MAIN MIX
(MONO)
L
R
L
R
L
(MONO)
R
BAL/UNBAL
L
(MONO)
R
BAL/UNBAL
L
(MONO)
R
BAL/UNBAL
TAPE
IN
OUT
L
R
AUX RETURN
1
2
1
2
AUX SEND
MAIN OUT
CTRL ROOM/PHONES
SOURCE
MID
2.5kHz
LOW
80Hz
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
U
15
-15
HIGH
12kHz
MID
2.5kHz
LOW
80Hz
HIGH
12kHz
20
15
10
6
3
0
2
4
7
L
R
0dB=0dBu
CLIP
MIC
PRE
POST
PRE
POST
R/4
L/3
BAL/UNBAL
BAL/UNBAL
ALT 3-4 OUT
R
L
CNTL - RM OUT
POWER
ON
FW 1-2
LINE
HI-Z
LINE
-10dB
4dB
HI-Z
LINE
PREMIUM ANALOG MIXER
PRE
POST
PRE
POST
PRE
POST
PRE
POST
LEVEL
LEVEL
LEVEL
LEVEL
LEVEL
+10dB
U
+10dB
U
+10dB
U
+10dB
U
+10dB
U
+10dB
U
1
2
3-4
LINE IN 5-6
LINE IN 7-8
AUX
PAN
2
1
AUX
PAN
2
1
AUX
PAN
2
1
AUX
PAN
2
1
AUX
RTN TO
AUX1
AUX SEND 1-2
TO FW 5-6
ASSIGN TO
FW 7-8
MAIN MIX
AUX
1-2
PHONES
DESTINATION
LEVEL
MAX
OL
- 20
OL
-
20
-
20
OL
OL
-
20
OL
-
20
1
2
TALKBACK
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
SEND
SEND
SEND
SEND
SEND
INPUT
MAIN OUT
L
R
BALANCED
POWER
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE
"MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008
FIREWIRE
ALT 3-4
FW 1-2
3-4
5-6
7-8
GAIN
20dB
-
20dB
U
GAIN
MIC
GAIN
GAIN
20dB
-
20dB
U
U
20
30
40
60
40dB
U
-
20dB
U
20
30
40
60
GAIN
40dB
U
-
20dB
U
20
30
40
60
1
LINE
2
LINE
1k
100
8k
1k
100
8k
MAX
MAX
15
15
10
10
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
L
R
L
R
L
R
L
R
L
R
MAIN OUTPUT
LEVEL
MIC
+
4dB
HD1531
Powered Speaker
Main Left
HD1531
Powered Speaker
Main Right
Mackie SRM450v2
Powered Speakers
(Stage Monitors)
iPod
Docking Station
Headphones
Microphone
press HI-Z
button
Acoustic
Guitar with
pickup
Keyboard
Drum
Machine
Stereo Effects Processor
Dynamics
Processor
Laptop Computer
with audio
production software
HD1801
Powered
Subwoofers
HD1801
Powered
Subwoofers
This diagram shows an acoustic-electric guitar connected to the channel 1 input (with the hi-z switch
pressed in), a microphone connected to the channel 2 mic input, a drum machine connected to channel
3-4, and a keyboard connected to channel 7-8. Engage the +4dBu/–10dBV switch on channels 3-4 if
your drum machine runs at –10 dBV.
A dynamics processor is connected to the insert jack of channel 1 to work its magic on your guitar.
An effects processor receives a mono input from aux 1 send (in post-fader mode), and its stereo outputs
connect to the stereo aux 1 return inputs.
A plethora of SRM450v2 powered speakers are strewn across the stage as monitors for the band; they
are connected to the aux 2 send jack (in pre-fader mode). Headphones are used to monitor all levels.
The club is driven by connecting quad HD1801 powered subwoofers and a pair of HD1531 powered
speakers to the main left and right outputs.
A laptop computer connects to the FireWire port, allowing the 2-channel main mix, individual
channels, and the aux sends to be recorded, and two channels to be played back using audio
production software.
Setting up a system
The following diagram shows how you can use the Onyx 820i in a typical club system. This may not be exactly
what you want, but it shows most of the features of the mixer that you can apply to your own musical purposes.