Mackie ProFX22 Owner's Manual - Page 7

Hookup Diagrams Drums Footswitch Microphones iPod Docking Station Bass Guitar Electric Guitar BAL /UNBAL 1 BALANCED BALANCED L BAL /UNBAL FOOTSWITCH BAL /UNBAL MIC MIC 1 2 BAL /UNBAL BAL /UNBAL MIC 3 BAL /UNBAL MIC 4 BAL /UNBAL MIC 5 BAL /UNBAL MIC 6 BAL /UNBAL MIC 7 BAL /UNBAL MIC 8 BAL /UNBAL MIC 9/10 BAL /UNBAL MIC 11/12 BAL /UNBAL 2 MON SEND 13/14 BAL /UNBAL FX SEND 15/16 BAL /UNBAL LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN L (MONO) L (MONO) L (MONO) L (MONO) LINE IN 9 LINE IN 11 LINE IN 13 LINE IN 15 INSERT INSERT INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U LOW 80Hz -15 +15 U AUX +15 U MON 1 LOW 80Hz -15 +15 U AUX +15 U MON 1 LOW 80Hz -15 +15 U AUX +15 U MON 1 LOW 80Hz -15 +15 U AUX +15 U MON 1 LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz -15 +15 -15 +15 -15 +15 -15 +15 U AUX U AUX U AUX U AUX Mono Effects MON 1 +15 MON 1 +15 MON 1 +15 MON 1 +15 U U U U +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO FX +15 PAN FX +15 PAN FX +15 PAN FX +15 PAN FX +15 PAN FX +15 PAN FX +15 PAN FX +15 PAN LR OL MUTE 1 LR OL MUTE 2 LR OL MUTE 3 LR OL MUTE 4 LR OL MUTE 5 LR OL MUTE 6 LR OL MUTE 7 LR OL MUTE 8 OO OO OO U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 9/10 OO OO OO U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 11/12 OO OO OO -20 +20 GAIN U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 13/14 OO OO OO -20 +20 GAIN LINE USB SOURCE U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX MON 1 2K 4K EQ IN BYPASS 15 10 5 0 5 10 15 8K MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R U LOW 80Hz -15 +15 U AUX 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS 10 CHORUS + REV 11 DOUBLER 12 TAPE SLAP 13 DELAY 1 (300ms) 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) 16 REVERB + DLY (250ms) LEVEL SET AUX MASTER U AUX U RETURN INTERNAL FX U RUDE SOLO +15 U MON 1 +15 U MON 1 +15 U TO MON 1 OO OO OO OO OO OO +15 U MON 2 FX +15 PAN LR OL MUTE 15/16 +15 U MON 2 FX +15 +15 U +10 USB OUT MAIN SUB 1-2 TAPE USB 2-TRACK RETURN L R SUB 1 L R SUB 2 TO MON 2 TO MAIN L-R U OO +15 LEVEL L R SUB 3 OO OO OO +15 U +15 U +10 TO MON 1 TO MON 2 TO MAIN L-R SIG/OL INT FX MUTE BREAK (MUTES ALL CH) L R SUB 4 OO MAX CR /PHONES MAIN dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 10 10 10 10 dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U U U U U U U U U U U 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 Monitor EQ Headphones SRM450v2 Powered Speakers PROFESSIONAL MIC/LINE MIXER WITH FX POWER SRM450v2 Powered Monitors WARNING:TOREDUCETHERISKOFFIREORELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR USB MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. SERIAL NUMBER REVISION THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. Laptop Computer with iTunes for playback in between bands This diagram shows a mic'd up drum kit utilizing the first seven channels of the mixer. Microphones are connected to the next three channels for lead and background vocals. A guitar and bass are attached to the next two channels' line-level inputs, each via a mono effects processor. An iPod docking station is attached to the stereo tape inputs. Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these speakers are also set up as stage monitors and connect to the mixer's monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage monitor mix as desired. Headphones are used for monitoring and a footswitch allows you to mute/unmute the internal effects as desired. A laptop connects to the USB port and allows the 2-channel main mix of the performance to be recorded to a DAW. Two channels of audio can also play from your computer to the main mix. Typical Live Sound System Owner's Manual 7