Mackie ProFX22 Owner's Manual - Page 8

Bass Guitar Condenser microphones for vocals Electric Guitar Headphones Mono Effects Amplifier Modeler Headphone Amp Electronic Drum Kit BAL /UNBAL 1 BALANCED BALANCED L BAL /UNBAL FOOTSWITCH BAL /UNBAL MIC MIC 1 2 BAL /UNBAL BAL /UNBAL MIC 3 BAL /UNBAL MIC 4 BAL /UNBAL MIC 5 BAL /UNBAL MIC 6 BAL /UNBAL MIC 7 BAL /UNBAL MIC 8 BAL /UNBAL MIC 9/10 BAL /UNBAL MIC 11/12 BAL /UNBAL 2 MON SEND 13/14 BAL /UNBAL FX SEND 15/16 BAL /UNBAL LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN L (MONO) L (MONO) L (MONO) L (MONO) LINE IN 9 LINE IN 11 LINE IN 13 LINE IN 15 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) INSERT INSERT INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX -20 +20 GAIN U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX -20 +20 GAIN LINE USB SOURCE U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX MON 1 2K 4K EQ IN BYPASS 15 10 5 0 5 10 15 8K MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R U LOW 80Hz -15 +15 U AUX 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS 10 CHORUS + REV 11 DOUBLER 12 TAPE SLAP 13 DELAY 1 (300ms) 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) 16 REVERB + DLY (250ms) LEVEL SET AUX MASTER U AUX U RETURN INTERNAL FX U RUDE SOLO OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 1 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 2 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 3 OO OO OO OO OO OO OO OO OO +15 U MON 1 +15 U MON 2 +15 U MON 1 +15 U MON 2 +15 U MON 1 +15 U MON 2 FX FX FX +15 +15 +15 Keyboard PAN PAN PAN LR LR LR OL OL OL MUTE MUTE MUTE 4 5 6 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 7 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 8 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 9/10 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 11/12 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 13/14 OO OO OO +15 U MON 1 +15 U MON 1 TO MON 1 +15 U OO OO OO OO OO OO +15 U MON 2 FX +15 PAN LR OL MUTE 15/16 +15 U MON 2 FX +15 +15 U +10 USB OUT MAIN SUB 1-2 TAPE USB 2-TRACK RETURN L R SUB 1 L R SUB 2 TO MON 2 TO MAIN L-R U OO +15 LEVEL L R SUB 3 OO OO OO +15 U +15 U +10 TO MON 1 TO MON 2 TO MAIN L-R SIG/OL INT FX MUTE BREAK (MUTES ALL CH) L R SUB 4 OO MAX CR /PHONES MAIN dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 10 10 10 10 dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U U U U U U U U U U U 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 MR8mk2 Powered Reference Monitors PROFESSIONAL MIC/LINE MIXER WITH FX POWER WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. SERIAL NUMBER REVISION THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. USB Desktop Mac or PC with Tracktion 3 for Recording This diagram shows a bass and effects processor attached to the channel 5 line-level input, microphones attached to channels 6, 7 and 8, a guitar amplifier modeler connected to the line-level inputs of channel 9/10, an electronic drum kit connected to channel 13/14 and a keyboard attached to channel 15/16. Mackie MR8mk2 powered reference monitors are connected to the left and right control room outputs for careful and accurate monitoring of the performance. Headphones connected to mon send 1 via a headphone amp are available for the talent to utilize when tracking. A desktop computer connects to the USB port to record the 2-channel main mix to the DAW, as well as play back two channels from the DAW. Typical Recording System 8 ProFX16 and ProFX22