Mackie d.2 Owner's Manual - Page 14

Control - crossfader

Page 14 highlights

d.2 2-channel DJ Mixer Control Section 32. MAIN LEVEL Control This knob adjusts the main output level at the MAIN OUT XLRs [9] (and to the RCA Main Outs [11] when the LIVE/RECORD switch [12] is out). (Remember, when the LIVE RECORD switch is pushed in, the RCA Main Outs are not affected by the MAIN LEVEL control.) 33. BOOTH LEVEL Control MIC OL SIG 48V +3 +50 OFF ON LEVEL EQ U HIGH -15 +15 U MID -15 +15 U LOW -15 +15 ON PAN LR PGM 1 U SOURCE MAX LEVEL LINE/ PHONO CD EQ OO HIGH KILL +10 MID KILL +10 LOW KILL +10 FX BAL LR PGM 2 SOURCE U EQ LINE/ PHONO CD OO MAX LEVEL HIGH KILL +10 MID KILL +10 LOW KILL +10 FX BAL LR OO OO OO OO OO CONTROL MAIN BOOTH STEREO MONO FX MAX LEVEL U MAX LEVEL +15 SEND +15 RETURN PHONES U PGM MAIN MAX LEVEL PGM SOURCE 1 2 This knob adjusts the output level at the BOOTH outputs [8]. 34. STEREO/MONO Switch With this switch up, the BOOTH outputs [8] provide a stereo left and right output of the main mix. Push the switch in to combine the left and right signals to mono if you only have one booth monitor speaker. 37. PHONES LEVEL Control This controls the volume of the PHONES output from off to maximum gain. Turn it to minimum before connecting and putting on headphones. Increase it slowly to a safe listening level. See page 17. 38. PGM/MAIN Switch 35. FX SEND LEVEL Control This knob controls the amount of signal being sent to FX SEND outputs [6]. Adjust this knob to provide an appropriate input signal level to your external effects processor (or whatever you have connected to the FX SENDs). It ranges from off to +13 dB at maximum. Note: The FX SENDs are affected by the TRANSFORM switches [40], so if you mute a PGM channel with the TRANSFORM switch, the FX SEND for that PGM channel is muted as well. Use this switch to select the source for the headphones signal. When the switch is up (PGM position), the signal is tapped just after the BAL control [30] on the PGM channels. You can use the PGM SOURCE crossfader [39] to fade between PGM 1 and PGM 2. When the switch is down (MAIN position), the signal is tapped from the Main Mix bus, just before the MAIN LEVEL control [32]. 39. PGM SOURCE Cue Crossfader 36. FX RETURN LEVEL Control This adjusts the signal level coming from your external effects processor via the FX RETURN jacks [7]. Use it to adjust the processed signal going to the main mix bus. It ranges from off to +13 dB at maximum. When the PGM/MAIN switch [38] is up (in the PGM position), you can use this crossfader to listen to PGM 1 and PGM 2 in the headphones. When the crossfader is all the way to the left, PGM 1 is heard in the headphones. When the crossfader is all the way to the right, PGM 2 is heard in the headphones. When the knob is in the center, the headphones get an even mix of PGM 1 and 2. Note: When the PGM/MAIN switch is down (MAIN position), this control has no effect on the PHONES output. 14 d.2 DJ Mixer

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14
d.2 DJ Mixer
d.2 2-channel DJ Mixer
Control Section
32. MAIN LEVEL
Control
This knob adjusts the
main output level at the
MAIN OUT XLRs [9]
(and to the RCA Main
Outs [11] when the
LIVE/RECORD switch
[12] is out). (Remem-
ber, when the LIVE RE-
CORD switch is pushed
in, the RCA Main Outs
are not affected by the
MAIN LEVEL control.)
33. BOOTH LEVEL
Control
This knob adjusts
the output level at the
BOOTH outputs [8].
34. STEREO/MONO Switch
With this switch up, the BOOTH outputs [8] provide
a stereo left and right output of the main mix. Push the
switch in to combine the left and right signals to mono if
you only have one booth monitor speaker.
35. FX SEND LEVEL Control
This knob controls the amount of signal being sent to
FX SEND outputs [6]. Adjust this knob to provide an
appropriate input signal level to your external effects
processor (or whatever you have connected to the FX
SENDs). It ranges from off to +13 dB at maximum.
Note:
The FX SENDs are affected by the TRANSFORM
switches [40], so if you mute a PGM channel with the
TRANSFORM switch, the FX SEND for that PGM chan-
nel is muted as well.
36. FX RETURN LEVEL Control
This adjusts the signal level coming from your exter-
nal effects processor via the FX RETURN jacks [7]. Use
it to adjust the processed signal going to the main mix
bus. It ranges from off to +13 dB at maximum.
LOW
MID
HIGH
PHONES
BOOTH
MAIN
SOURCE
EQ
FX
PAN
BAL
LOW
MID
HIGH
LINE/
PHONO
CD
EQ
SIG
OL
MIC
CONTROL
2
PGM
LEVEL
PGM
MAIN
STEREO
MONO
+50
+3
O
O
R
L
U
+15
-15
U
+15
-15
U
+15
-15
SOURCE
EQ
BAL
LOW
MID
HIGH
LINE/
PHONO
CD
1
PGM
R
L
R
L
KILL
+10
KILL
+10
KILL
+10
KILL
+10
KILL
+10
KILL
+10
OFF
ON
LEVEL
U
O
O
MAX
LEVEL
U
O
O
MAX
RETURN
+15
O
O
SEND
+15
O
O
LEVEL
MAX
LEVEL
U
O
O
MAX
LEVEL
U
O
O
MAX
PGM SOURCE
1
2
48V
FX
ON
FX
37. PHONES LEVEL Control
This controls the volume of the PHONES output from
off to maximum gain.
Turn it to minimum before connecting and
putting on headphones. Increase it slowly to
a safe listening level. See page 17.
38. PGM/MAIN Switch
Use this switch to select the source for the head-
phones signal. When the switch is up (PGM position),
the signal is tapped just after the BAL control [30] on
the PGM channels. You can use the PGM SOURCE cross-
fader [39] to fade between PGM 1 and PGM 2.
When the switch is down (MAIN position), the signal
is tapped from the Main Mix bus, just before the MAIN
LEVEL control [32].
39. PGM SOURCE Cue Crossfader
When the PGM/MAIN switch [38] is up (in the PGM
position), you can use this crossfader to listen to PGM
1 and PGM 2 in the headphones. When the crossfader
is all the way to the left, PGM 1 is heard in the head-
phones. When the crossfader is all the way to the right,
PGM 2 is heard in the headphones. When the knob is in
the center, the headphones get an even mix of PGM 1
and 2.
Note:
When the PGM/MAIN switch is down (MAIN
position), this control has no effect on the PHONES
output.