Yamaha FX500 FX500 Owners Manual Image - Page 5

FX500 - soft focus

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2. The FX500: What It Is and What It Does II Effects The FX500 SIMUL-EFFECT PROCESSOR is a highperformance digital signal processor intended for use with electric guitars, electronic keyboards or other instruments. It employs leading-edge Yamaha digital signal processing technology to provide a "chain" of up to six independent effects thatcan be independently controlled to produce precisely the required overall sound. As shown below, the FX500 includes five effect (compressor, distortion, equalizer, modulation and reverb) stages. Stages can be turned on or off as required, and the order of the modulation and reverb stages can be reversed. The compressor, distortion and equalizer stages are basically single-function processors. The modulation and reverb stages each incorporate a number of separate effects which can be selected and used as required. Several of the reverb effects actually combine both delay and reverb, effectively giving you a total of six effects in the chain! Each effect has a number of parameters which can be adjusted to tailor its sound to your specific musical needs. 01COMPRESSOR DISTORTION EQUALIZER MODULATION REVERS • CHORUS • FLANGER • SYMPHONIC • TREMOLO • REVERB Hall, Ream, Vocal, Plata • EARLY REF. Hall, Random, Reverse, Plate • DELAY • ECHO • REVERBIOELAY • REVERB-•DELAY • DELAY-•REVERB IN Memory Configuration The FX500 has a total of 91 memory locations. Memory locations 1 through 60 are ROM (Read Only Memory) containing 60 pre-programmed effects that you can simply select and use. Memory locations 61 through 90 are RAM (Random Access Memory), and can be used to store original effect programs that you create by editing the presets. The 30 RAM memory locations (61 - 90) originally contain a selected group of the preset programs. The last memory location - memory location number 0 - contains Initialized data" that can be used as a basis for creating your own original effects programs from scratch. ROM MEMORY 1 - 60 • Preset effect programs RAM MEMORY 61 - 90 • User-edited programs ROM MEMORY 0 • Initial Data Prio,grOk Program Title t it Broad Dist. Warm Strings -Pri5(jiaril'::. A Program Title ;' 3A ' Clisp Chords r Sharp Chops '+-4,, .1F• . Standard Jazz Soft Echo Power Pan Tremolo Sweet Flange Chord-Clouds k l,4t„ .p Trad. Dist. , Light Symphonic '-`r Tg., P. Dark Dist. Ring Dist. !''"°:4.47,,,V Clean Acoustic Acoustic Solo Metal Overdrive Lush Strings V Echo Dist. :.4,4g, Tight Dist. Soft Focus - ' ..1.. Brass Room '~ a Blue Dist. ''N r Brass Burst , ''. :t Fuzz Slap Dist. Trumpet Flange Brass Energizer Power Leads r`-' Echo Rhythm Chasing Leads 00at t Symphonic Hall '414)„7,* Power Stack .k.. 4, Symphonic Dist. '4 Horror House Sitar Turbo Drive 4 Staccato Vibe .... Chasing Rhythm Stereo Dist. Sweep Gate Monk Akka! , Fusion Dist. ., Straight Bass • t 4 Boogie Room - Slap Bass . ,...., Buzz Backer c..,, Liquid Dist. Fretless Bass Trad. Bass - • . Electric Chords tat.AV10 Sax Solo Clean Repeat '''''• Vocal Reverb t ',, 4*.:!tt.' Sweet Swirl .:. Drum Gate/Rev ! Mild Motion ,... Tight Snare ft. : ,.. Pearly Chords Eaftgrt Rock Drums User Programs Initial Data • MIDI Control For further versatility and smooth integration with MIDIbased music systems, the FX500 offers broad MIDI control capabilities. Any of its 90 memory locations may be directly selected from a remote MIDI device such as a keyboard or MIDI foot controller'. It is also possible to directly control up to two different effect parameters simultaneously in real time. This means that two MIDI controllers (a MODULATION WHEEL and DATA ENTRY slider on a keyboard, for example) could be used to control, say, the modulation depth of the flanger effects and the reverb time of a reverb effect in real time as you play! Any two MIDI controllers can be assigned to any two effect parameters (See "MIDI Parameter Control: Control Change 1 Table Edit and Control Change 2 Table Edit" on page 20 for operational details). * Extensive MIDI control is also possible with the MFC1 MIDI Foot Controller. Consult the MFC1 operation Manual for details. 4

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2.
The
FX500:
What
It
Is
and
What
It
Does
II
Effects
The
FX500
SIMUL-EFFECT
PROCESSOR
is
a
high-
performance
digital
signal
processor
intended
for
use
with
electric
guitars,
electronic
keyboards
or
other
instruments.
It
employs
leading
-edge
Yamaha
digital
signal
processing
technology
to
provide
a
"chain"
of
up
to
six
independent
effects
that
can
be
independently
controlled
to
produce
precisely
the
required
overall
sound.
As
shown
below,
the
FX500
includes
five
effect
(compressor,
distortion,
equalizer,
modulation
and
reverb)
stages.
Stages
can
be
turned
on
or
off
as
required,
and
the
order
of
the
modulation
and
reverb
stages
can
be
reversed.
The
compressor,
distortion
and
equalizer
stages
are
basically
single
-function
processors.
The
modulation
and
reverb
stages
each
incorporate
a
number
of
separate
effects
which
can
be
selected
and
used
as
required.
Several
of
the
reverb
effects
actually
combine
both
delay
and
reverb,
effectively
giving
you
a
total
of
six
effects
in
the
chain!
Each
effect
has
a
number
of
parameters
which
can
be
adjusted
to
tailor
its
sound
to
your
specific
musical
needs.
01
COMPRESSOR
DISTORTION
EQUALIZER
MODULATION
CHORUS
F
LANGER
SYMPHONIC
TREMOLO
IN
Memory
Configuration
REVERS
REVERB
Hall,
Ream,
Vocal,
Plata
EARLY
REF.
Hall,
Random,
Reverse,
Plate
DELAY
ECHO
REVERBIOELAY
REVERB—•DELAY
DELAY—•REVERB
The
FX500
has
a
total
of
91
memory
locations.
Memory
locations
1
through
60
are
ROM
(Read
Only
Memory)
containing
60
pre-programmed
effects
that
you
can
simply
select
and
use.
Memory
locations
61
through
90
are
RAM
(Random
Access
Memory),
and
can
be
used
to
store
original
effect
programs
that
you
create
by
editing
the
presets.
The
30
RAM
memory
locations
(61
-
90)
originally
contain
a
selected
group
of
the
preset
programs.
The
last
memory
location
memory
location
number
0
contains
Initialized
data"
that
can
be
used
as
a
basis
for
creating
your
own
original
effects
programs
from
scratch.
ROM
MEMORY
1
-
60
Preset
effect
programs
RAM
MEMORY
61
90
User
-edited
programs
ROM
MEMORY
0
Initial
Data
ProgrOk
i
,
Program
Title
-Pri5(jiaril'::.
A
Program
Title
t
it
Broad
Dist.
;'
3A
'
Clisp
Chords
Warm
Strings
r
Sharp
Chops
Standard
Jazz
Tremolo
'+
-
4,,
.
1F
Soft
Echo
Sweet
Flange
.
Power
Pan
Chord
-Clouds
kl
,
4t„
.p
Trad.
Dist.
,
Light
Symphonic
'-`r
Tg.,
Dark
Dist.
!''"°:4.47
,
,,V
Clean
Acoustic
P.
Ring
Dist.
Acoustic
Solo
Metal
Overdrive
Lush
Strings
V
Echo
Dist.
Soft
Focus
.
:
4,4g
,
Tight
Dist.
-
'
...
1
.
Brass
Room
'~
a
Blue
Dist.
''N
r
Brass
Burst
''.
:t
Fuzz
Trumpet
Flange
,
Slap
Dist.
Brass
Energizer
Power
Leads
r
`
-
'
Echo
Rhythm
Chasing
Leads
00at
t
Symphonic
Hall
'414)„7,*
Power
Stack
Horror
House
...
k
4
,
Symphonic
Dist.
'
4
Sitar
Turbo
Drive
4
Staccato
Vibe
Chasing
Rhythm
Sweep
Gate
....
Stereo
Dist.
Monk
Akka!
,
Fusion
Dist.
.,
Straight
Bass
t
4
Boogie
Room
-
Slap
Bass
.
,
....
,
Buzz
Backer
Fretless
Bass
c
..,,
Liquid
Dist.
Trad.
Bass
-
.
Electric
Chords
tat.
A
V10
Sax
Solo
Clean
Repeat
'''''
Vocal
Reverb
t
',,
4
.
*:!tt.'
Sweet
Swirl
.:.
Drum
Gate/Rev
!
Mild
Motion
,...
Tight
Snare
ft.
:
,..
Pearly
Chords
Eaftgrt
Rock
Drums
User
Programs
Initial
Data
MIDI
Control
For
further
versatility
and
smooth
integration
with
MIDI
-
based
music
systems,
the
FX500
offers
broad
MIDI
control
capabilities.
Any
of
its
90
memory
locations
may
be
directly
selected
from
a
remote
MIDI
device
such
as
a
keyboard
or
MIDI
foot
controller'.
It
is
also
possible
to
directly
control
up
to
two
different
effect
parameters
simultaneously
in
real
time.
This
means
that
two
MIDI
controllers
(a
MODULATION
WHEEL
and
DATA
ENTRY
slider
on
a
keyboard,
for
example)
could
be
used
to
control,
say,
the
modulation
depth
of
the
flanger
effects
and
the
reverb
time
of
a
reverb
effect
in
real
time
as
you
play!
Any
two
MIDI
controllers
can
be
assigned
to
any
two
effect
parameters
(See
"MIDI
Parameter
Control:
Control
Change
1
Table
Edit
and
Control
Change
2
Table
Edit"
on
page
20
for
operational
details).
*
Extensive
MIDI
control
is
also
possible
with
the
MFC1
MIDI
Foot
Controller.
Consult
the
MFC1
operation
Manual
for
details.
4