Yamaha PSR-520 Owner's Manual - Page 33

Using Auto Accompaniment q NORMAL This is the default FINGERED accompaniment mode. The NORMAL mode lets you finger your own chords on the left-hand section of the keyboard (i.e. all keys to the left of and including the split-point key - normally 54) while the PSR-520 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The FINGERED mode will accept the chord types listed below (notes in parentheses may be omitted). Example for "C" chords C C6 CM 7 CM7#11 CMadd9 CM9 C6 9 Caug Cm Cm 6 Cm 7 ( ) () () () Cm 7 b5 Cm add9 Cm 9 Cm11 CmM 7 CmM9 Cdim Cdim 7 C7 C 7 sus4 C 7 b5 () () () () () () C7 9 C 7 #11 C 7 13 C 7 b9 C 7 b13 C 7 #9 CM7 aug C 7 aug Csus 4 C 1+2+5 () () () () () () () () () () Chord Name/[Abbreviation] Major [M] Major sixth [6] Major seventh [M7] Major seventh sharp eleventh [M7#11] Major add ninth [Madd9] Major ninth [M9] Major sixth add ninth [6 9] Augmented [aug] Minor [m] Minor sixth [m6] Minor seventh [m7] Minor seventh flatted fifth [m7b5] Minor add ninth [madd9] Minor ninth [m9] Minor eleventh [m11] Minor major seventh [mM7] Minor major ninth [mM9] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh suspended fourth [7sus4] Seventh flatted fifth [7b5] Seventh ninth [7 9] Seventh sharp eleventh [7#11] Seventh thirteenth [7 13] Seventh flatted ninth [7b9] Seventh flatted thirteenth [7b13] Seventh sharp ninth [7#9] Major seventh augmented [M7aug] Seventh augmented [7aug] Suspended fourth [sus4] One plus two plus five [1+2+5] Normal Voicing 1-3-5 1-(3)-5-6 1-3-(5)-7 1-(2)-3-#4-(5)-7 1-2-3-5 1-2-3-(5)-7 1-2-3-(5)-6 1-3-#5 1-b3-5 1-b3-5-6 1-b3-(5)-b7 1-b3-b5-b7 1-2-b3-5 1-2-b3-(5)-b7 1-(2)-b3-4-5-(b7) 1-b3-(5)-7 1-2-b3-(5)-7 1-b3-b5 1-b3-b5-6 1-3-(5)-b7 1-4-5-b7 1-3-b5-b7 1-2-3-(5)-b7 1-2-3-#4-(5)-b7 or 1-(2)-3-#4-5-b7 1-3-(5)-6-b7 or 2-3-5-6-b7 1-b2-3-(5)-b7 1-3-5-b6-b7 (1)-#2-3-(5)-b7 1-3-#5-7 (1)-3-#5-b7 1-4-5 1-2-5 Chord (C) C C6 CM7 CM7#11 CMadd9 CM9 C6 9 Caug Cm Cm6 Cm7 Cm7b5 Cmadd9 Cm9 Cm11 CmM7 CmM9 Cdim Cdim7 C7 C7sus4 C7b5 C7 9 C7#11 Display C C6 CM7 CM7(#11) CM(9) CM7(9) C6(9) Caug Cm Cm6 Cm7 Cm7b5 Cm(9) Cm7(9) Cm7(11) CmM7 CmM7(9) Cdim Cdim7 C7 C7sus4 C7b5 C7(9) C7(#11) C7 13 C7(13) C7b9 C7b13 C7#9 CM7aug C7aug Csus4 C1+2+5 C7(b9) C7(b13) C7(#9) CM7aug C7aug Csus4 C • If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function). • An octave (1+8) produces accompaniment based only on the root. • A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with many major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: * 6 chords are only recognized in root position. All other inversions are interpreted as m7. * 6 9 chords are only recognized in root position. All other inversions are interpreted as m11. * m6 chords are only recognized in root position. All other inversions are interpreted as m7b5. * 1+2+5 chords are only recognized in root position. All other inversions are interpreted as sus4. * With aug and dim7 chords the lowest note played is assumed to be the root. * With 7#11 and 7b5 chords the lowest note played is assumed to be the root or b7. 32