Adobe 12040118 Tutorial - Page 335

matte layer, and adds a track matte icon next to the name of the track matte layer in the Timeline panel. Note: Although the video is turned off for the matte layer, you can still select the layer to reposition, scale, or rotate it. Select the layer in the Timeline panel, and then drag the center (indicated by a circle with an X) of the layer in the Composition panel. Using a track matte is similar to using the Preserve Underlying Transparency option, which causes a layer to get its transparency from the transparency of the composite of the layers below it in the layer stacking order. (See Preserve underlying transparency during compositing.) Tips for working with track mattes Use the Levels effect to increase the contrast between light and dark parts of the matte layer. This reduces the problem of having a lot of mid-range values, which translate to partial transparency. (Usually, mattes are most useful when they define areas as entirely transparent or entirely opaque, except at the edges.) To use a channel other than the alpha channel of the matte layer as a matte, use one of the Channel effects (such as the Shift Channels effect) to route the desired channel's value into the alpha channel. To animate a track matte to move with the layer that it's matting, make the track matte a child of the layer that it's matting. (See Parent and child layers.) Online resources about track mattes Trish and Chris Meyer provide an introduction to mattes in a PDF excerpt from the "All About Track Mattes" chapter of their book Creating Motion Graphics with After Effects (4th Edition). Harry Frank provides a video tutorial on his graymachine website in which he demonstrates how to use effects on track matte layers to create custom fade-on transitions. Preserve underlying transparency during compositing To the top The Preserve Underlying Transparency option causes a layer to get its transparency from the transparency of the composite of the layers below it in the layer stacking order. In other words, the opaque areas of the layer with this option selected appear only when positioned over opaque areas in underlying layers. This behavior is similar to the behavior of a track matte, except that a track matte can only be a single layer and a track matte must be above the layer in the layer stacking order. (See Track mattes and traveling mattes.) This option is useful for creating results such as glints or light reflecting off a polished surface. The behavior of a layer with the Preserve Underlying Transparency option selected is similar to the behavior of a clipping mask in Adobe Photoshop. Select the T option in the Modes column for the layer. Aharon Rabinowitz provides a short video tutorial about the Preserve Underlying Transparency option on the Creative COW website. Tim Clapham provides an explanation and demonstration on his website of the Preserve Underlying Transparency switch. Resources for Imagineer mocha shape for After Effects To the top After Effects includes Imagineer Systems mocha for After Effects (mocha-AE), a stand-alone planar tracking application that can export tracking data for use in compositions in After Effects. (See Resources for mocha for After Effects (mocha-AE).) After Effects also includes the mocha shape for After Effects (mocha shape) plug-in, which converts paths from mocha-AE into mattes in After Effects. Note: The free trial version of Adobe After Effects software does not include some features that depend upon software licensed from parties other than Adobe. For example, mocha shape for After Effects, and some effect plug-ins are available only with the full version of Adobe After Effects software. (See Setup and installation.). You don't apply the mocha shape effect to a layer directly. Rather, you copy path data to the clipboard in the mocha-AE application and then paste it onto a layer in After Effects. The paths from mocha-AE are converted to instances of the mocha shape effect to create a matte. The Imagineer website provides several video tutorials and other resources for learning to use mocha-AE and mocha shape with After Effects. Chris and Trish Meyer provide tips about mocha-AE and mocha shape, including tips about variable-width feather, in an article on the ProVideo Coalition website. Alpha channel interpretation: premultiplied or straight Split a layer Set Matte effect Twitter™ and Facebook posts are not covered under the terms of Creative Commons.