Section |
Page |
Logic Express 9 User Manual |
1 |
Contents |
3 |
Welcome to Logic Express |
17 |
About Logic Express |
17 |
About the Logic Express Documentation |
18 |
Additional Resources |
19 |
Introducing Logic Express |
21 |
Creating Music in Logic Express |
21 |
Understanding the Basics of Projects and Regions |
23 |
Understanding the Basics of Projects |
23 |
Understanding the Basics of Regions |
24 |
Audio Regions and Audio Files |
25 |
MIDI Regions and Events |
26 |
Setting Up Your System |
27 |
Designing Your Music Production System |
27 |
Computer |
28 |
How Fast Should Your Computer Be? |
28 |
A Portable or Fixed Studio? |
28 |
Hard Disk Drives and Storage Locations |
28 |
Audio and MIDI Interfaces |
29 |
Audio Interface |
29 |
MIDI Interface |
29 |
Types of MIDI Devices |
30 |
MIDI Keyboard |
30 |
Control Surfaces |
30 |
Recording Light Plug-in |
30 |
Synthesizers and MIDI-Controlled Effects |
30 |
Ancillary Audio Devices |
31 |
Audio Playback System |
31 |
Headphones |
32 |
Audio Mixing Consoles |
32 |
Microphones |
33 |
Connecting Your Audio and MIDI Devices |
34 |
Computer Expansions |
34 |
FireWire (IEEE 1394) |
34 |
USB (Universal Serial Bus) |
35 |
PCI Express |
35 |
ExpressCard/34 |
36 |
Audio Cabling |
36 |
XLR |
36 |
1/4-inch (6.35 mm) Audio |
36 |
1/8-inch (3.5 mm) Miniplug |
37 |
RCA (Cinch) |
37 |
S/PDIF |
37 |
AES/EBU |
37 |
TOSLINK Optical and ADAT Lightpipe |
37 |
Connecting Your Audio Interface |
38 |
MIDI Cabling |
38 |
Connecting Your MIDI Keyboard and Modules |
38 |
Using Multi-Channel MIDI Devices |
40 |
Using USB MIDI Keyboards |
41 |
Separating a MIDI Keyboard from Its Sound Generator |
41 |
Using External MIDI Devices |
42 |
Using External Audio Effects |
42 |
Configuring Your Audio Hardware |
42 |
Setting Up Core Audio Devices |
44 |
Overview of the Logic Express Interface |
45 |
Opening Logic Express |
46 |
Introducing the Arrange Window |
46 |
Working in the Arrange Area |
48 |
Using the Toolbar |
49 |
Using the Transport Bar |
49 |
Using the Inspector |
50 |
Working in the Media Area |
52 |
Introducing the Audio Bin |
52 |
Introducing the Loop Browser |
55 |
Introducing the Library |
57 |
Introducing the File Browser |
58 |
Working in the Notes Area |
60 |
Introducing Project Notes |
61 |
Introducing Track Notes |
61 |
Working in the Lists Area |
62 |
Introducing the Event List |
62 |
Introducing the Marker List |
64 |
Introducing the Tempo List |
65 |
Introducing the Signature List |
65 |
Working in the Editing Area |
66 |
Introducing the Mixer |
67 |
Introducing the Sample Editor |
68 |
Introducing the Piano Roll Editor |
69 |
Introducing the Score Editor |
69 |
Introducing the Hyper Editor |
70 |
Understanding Common Elements of Logic Express Windows |
70 |
Local Menu Bars |
71 |
Tool Menus |
71 |
Catch, Link, and Hierarchy Buttons |
72 |
Scroll Bars |
72 |
Zoom Sliders |
72 |
Bar Ruler |
72 |
Global Tracks |
73 |
Understanding How Arrange Window Areas Interact |
74 |
Using Logic Express Interface Elements |
77 |
Checkboxes and Buttons |
78 |
Pull-Down and Pop-Up Menus |
78 |
Shortcut Menus |
79 |
Using the Computer Keyboard |
79 |
Customizing Your Window Setup |
81 |
Understanding the Window Types |
82 |
Working in Normal Windows |
82 |
Working in Floating Windows |
83 |
Handling Background Windows |
84 |
Opening and Closing Windows |
84 |
Moving and Resizing Windows |
87 |
Working at Different Hierarchy Levels |
91 |
Selecting the Working Area |
92 |
Zooming the Working Area |
94 |
Zooming with the Playhead |
95 |
Zooming with the Scroll Bars |
95 |
Zooming with the Trackpad |
96 |
Zooming with the Waveform Zoom Button |
96 |
Zooming In on One Section of the Screen |
98 |
Storing and Recalling Zoom Settings |
98 |
Reverting to the Previous Zoom Setting |
98 |
Using Zoom Navigation Key Commands |
98 |
Understanding Relationships Between Windows |
99 |
Working in Catch Mode |
100 |
Working in Link Mode |
100 |
Working in Content Catch Mode |
101 |
Hiding or Showing the Transport Bar |
102 |
Customizing the Arrange Toolbar |
102 |
Hiding or Revealing the Inspector |
103 |
Adjusting the Bar Ruler Display |
104 |
Displaying Global Tracks |
105 |
Hiding or Showing Global Tracks |
106 |
Resizing or Moving Global Tracks |
107 |
Using Screensets |
108 |
Creating, Recalling, and Switching Screensets |
108 |
Protecting, Copying, Renaming, and Deleting Screensets |
109 |
Importing Screensets from Another Project |
111 |
Reverting to Saved Screensets |
111 |
Navigating Your Project |
113 |
Setting the Playhead Position |
114 |
Setting the Playhead with the Position Display |
115 |
Setting the Playhead at a Marker |
116 |
Adjusting the Size of the Playhead |
116 |
Using the Transport Buttons |
117 |
Using Transport Key Commands |
118 |
Using Transport Shortcut Menus |
119 |
Using Apple Remote |
120 |
Using Cycle Mode |
121 |
Defining a Cycle in the Bar Ruler |
122 |
Defining a Cycle with Locator Positions |
123 |
Using the Shortcut Menu to Define a Cycle |
124 |
Using the Transport Bar Mode Buttons to Define Locators |
125 |
Defining a Cycle with Regions or Events |
125 |
Defining a Cycle with Markers |
126 |
Using Skip Cycle |
126 |
Using the Chase Events Function |
127 |
Customizing the Transport Bar |
129 |
Showing and Hiding Transport Bar Functions |
129 |
Getting to Know the Transport Bar Functions |
130 |
Transport Buttons |
131 |
Display Area |
131 |
Modes and Functions |
132 |
Using a Giant SMPTE or Bar Display |
133 |
Using SMPTE View Offset |
134 |
Customizing the Bar, SMPTE, and Tempo Display |
135 |
Working with Markers |
137 |
Opening Marker Areas and Windows |
138 |
Creating Markers |
140 |
Copying Markers |
143 |
Selecting Markers |
143 |
Deleting Markers |
143 |
Naming Markers |
144 |
Changing the Appearance of Marker Text |
147 |
Editing Markers |
148 |
Navigating with Markers |
150 |
Switching Between Marker Alternatives |
152 |
Customizing the Marker Display in the Marker List |
152 |
Importing, Removing, and Exporting Marker Information |
152 |
Working with Projects |
153 |
Learning About Projects |
153 |
Creating Projects |
154 |
Opening Projects |
157 |
Opening Projects Using Drag and Drop |
159 |
Opening Projects from Earlier Logic Express Versions |
159 |
Switching Between Multiple Projects |
159 |
Opening and Creating Projects Automatically |
160 |
Previewing Projects with Quick Look |
160 |
Importing Data and Settings from Other Projects |
161 |
Importing Data from Another Project |
162 |
Importing Settings from Another Project |
167 |
Checking and Repairing Projects |
168 |
Setting Project Properties |
169 |
Setting the Sample Rate |
169 |
Setting the Project Tempo |
171 |
Setting the Project Time Signature |
172 |
Setting the Start and End Points of a Project |
174 |
Setting the Basic Project Playback Volume |
175 |
Adjusting Project Settings |
176 |
Handling Project Assets |
176 |
Managing Projects |
177 |
Copying or Moving a Project Folder |
177 |
Cleaning Up Projects |
178 |
Consolidating Project Settings |
178 |
ReCycle Import Handling in Projects |
179 |
Saving Projects |
180 |
Automatic Backup Files |
180 |
Reverting to the Saved Version |
181 |
Saving a Project as a Template |
182 |
Closing and Quitting |
183 |
Basic Operations |
185 |
Using the Mouse |
185 |
Entering Numerical Values |
186 |
Entering Text |
187 |
Working with Key Commands |
188 |
Getting to Know the Key Commands Window |
188 |
Understanding Key Command Groups and Hierarchies |
190 |
Choosing Key Command Sets |
190 |
Saving Key Command Sets |
190 |
Browsing Key Commands |
191 |
Finding Key Commands |
192 |
Using Special Keys in Key Commands |
192 |
Assigning Key Commands to Computer Keys |
193 |
Assigning Key Commands to Control Surfaces |
194 |
Initializing Key Command Assignments |
195 |
Printing a Key Command List |
196 |
Working with Tools |
196 |
Assigning the Left-Click and Command-Click Tools |
197 |
Assigning the Right Mouse Button |
198 |
Setting the Pointer Tool Behavior |
200 |
Using Key Commands to Select Tools |
201 |
Learning About Common Tools |
201 |
Pointer Tool |
201 |
Pencil Tool |
202 |
Eraser Tool |
202 |
Text Tool |
202 |
Scissors Tool |
202 |
Glue Tool |
202 |
Solo Tool |
202 |
Mute Tool |
202 |
Zoom Tool |
202 |
Flex Tool |
203 |
Working with Help Tags |
203 |
Using the Shortcut Menu |
204 |
Using Selection Techniques |
205 |
Selecting Individual Elements |
205 |
Selecting Multiple Elements |
206 |
Making Horizontal Selections |
206 |
Switching the Selection Status of Elements |
207 |
Selecting Following Regions or Events |
208 |
Selecting Regions or Events Within the Locators |
208 |
Selecting Specific Regions and Events |
208 |
Selecting Similar or Identical Objects, Regions, or Events |
209 |
Selecting Events with the Same MIDI Channel |
209 |
Selecting Regions or Events with an Equal Subposition |
210 |
Accelerating Edit Operations with Selection Commands |
210 |
Working with the Clipboard |
210 |
Undoing and Redoing Edit Operations |
211 |
Working with Tracks |
215 |
Understanding Tracks and Channel Strips |
216 |
Configuring the Track Header |
218 |
Reclaiming Workspace Used by the Track Header |
220 |
Creating Tracks and Channel Strips |
221 |
Using the New Tracks Dialog |
223 |
Transferring a Channel Strip Setting to a New Track |
225 |
Creating Tracks by Adding Apple Loops |
225 |
Creating Tracks by Adding Audio Files |
226 |
Creating Tracks Only |
226 |
Creating a Track with the Same Channel Strip Assignment |
226 |
Creating a Track with the Next Channel Assignment |
227 |
Creating a Track with the Next Channel Strip/MIDI Channel |
227 |
Copying Tracks and Moving Regions |
227 |
Creating Tracks for Overlapping Regions |
228 |
Creating Tracks for Selected Regions |
228 |
Deleting Tracks in the Arrange Area |
228 |
Selecting Tracks in the Arrange Area |
229 |
Rearranging Tracks in the Arrange Area |
229 |
Naming Tracks in the Arrange Area |
230 |
Assigning Tracks in the Arrange Area |
233 |
Assigning Tracks to Environment Objects |
234 |
Assigning Tracks to Special Destinations |
234 |
Zooming Tracks in the Arrange Area |
235 |
Zooming the Selected Track Automatically |
235 |
Zooming Tracks with Key Commands |
235 |
Assigning Track Icons in the Track Parameter Box |
236 |
Muting Tracks in the Arrange Area |
237 |
Muting Tracks When the Mute Buttons Are Hidden |
237 |
Muting Multiple Tracks in the Arrange Area |
238 |
Muting Multiple Tracks with the Same Channel Strip Destination |
238 |
Identifying Muted and Unmuted Regions on Muted Tracks |
239 |
Soloing Tracks in the Arrange Area |
239 |
Connecting the Track Solo and Channel Strip Solo Buttons |
239 |
Soloing Tracks in CPU-Saving Mode |
239 |
Soloing When the Track Solo Buttons Are Hidden |
240 |
Soloing Multiple Tracks in the Arrange Area |
240 |
Record-Enabling Tracks in the Arrange Area |
240 |
Freezing Tracks in the Arrange Area |
240 |
Understanding the Freeze Function |
240 |
Knowing When to Freeze a Track |
241 |
Freezing a Track |
242 |
Understanding the Freeze Process |
243 |
Working with Frozen Tracks |
243 |
Working with Freeze Files |
244 |
Refreshing Freeze Files |
244 |
Hiding Tracks in the Arrange Area |
244 |
Protecting Tracks in the Arrange Area |
245 |
Using Track Button Slide Activation |
246 |
Drum Replacement or Doubling in the Arrange Area |
246 |
Bouncing Regions and Tracks in Place |
249 |
Bouncing Regions in Place |
250 |
Bouncing Tracks in Place |
252 |
Bounce-Replacing All Tracks |
254 |
Working with Instruments and Effects |
257 |
Getting to Know the Arrange Channel Strips |
257 |
Setting Channel Strip Input Format |
260 |
Setting Channel Strip Volume Level and Pan/Balance Position |
261 |
How Mono and Stereo Effects Are Handled |
262 |
Working with Plug-ins |
262 |
Inserting, Removing, and Replacing Plug-ins |
263 |
Moving Plug-ins |
265 |
Knowing Where Different Plug-in Types Can Be Used |
266 |
Using the Channel EQ |
266 |
Working with Channel Strip Configurations |
267 |
Loading or Removing Entire Channel Strip Configurations |
268 |
Copying, Pasting, and Saving Channel Strip Configurations |
270 |
Opening, Closing, and Resizing Plug-in Windows |
272 |
Adjusting Plug-in Parameters |
274 |
Using Common Plug-in Window Functions |
276 |
Linking Plug-ins |
276 |
Bypassing Plug-ins |
277 |
Getting to Know the Settings Area |
277 |
Using the Settings Functions |
278 |
Replacing Setting-Compatible Plug-ins |
281 |
Switching the Contents of the Plug-in Window |
281 |
Switching the Plug-in Window View Mode |
281 |
Side Chaining Plug-ins |
282 |
Hiding and Showing Extended Parameters |
283 |
Using the Library to Choose Plug-in Settings |
284 |
Understanding the Library Folder and Menu Structure |
285 |
Learning About Effect Routings |
285 |
Using Insert Effects |
286 |
Using Send Effects |
286 |
Using Pre Fader, Post Fader, and Post Pan Sends |
289 |
Making Sends Low Latency Safe |
290 |
Working with Instruments |
291 |
Setting Up External MIDI Instruments |
292 |
Setting Parameters for Instrument Channel Strips |
297 |
Common Instrument Parameters |
298 |
Setting Software Instrument Channel Strip Parameters |
299 |
Setting External MIDI Channel Strip Parameters |
299 |
Inserting Program Change, Volume, and Pan as MIDI Events |
301 |
Processing External MIDI Instruments with Effects |
301 |
Playing Software Instruments |
302 |
Understanding Live Mode |
302 |
Switching Instruments to Software Instrument Live Mode |
303 |
Saving Software Instrument Processing Resources |
303 |
Tuning Software Instruments |
304 |
Working with ReWire Applications |
305 |
Working with External Audio Effects |
307 |
Using Plug-ins from Other Manufacturers |
308 |
Loading Presets |
309 |
Working with the Audio Units Manager |
309 |
Manually Enabling Plug-ins |
310 |
Disabling Plug-ins |
312 |
Adding Prerecorded Media |
313 |
Learning About File Formats Supported by Logic Express |
313 |
Accessing Media Files in the Browser |
315 |
Navigating in the Browser |
316 |
Searching for Files in the Browser |
317 |
Refining Your Searches Using Conditions |
321 |
Finding Apple Loops in the Loop Browser |
322 |
Understanding Green and Blue Apple Loops |
323 |
Setting Limitations Before Browsing for Apple Loops |
324 |
Browsing for Apple Loops |
325 |
Auditioning Apple Loops |
329 |
Sorting Apple Loops |
330 |
Creating a Collection of Your Favorite Apple Loops |
331 |
Searching for Apple Loops |
331 |
Adding and Removing Audio Files |
332 |
Adding Audio Files to Your Arrangement |
332 |
Adding and Removing Project Audio Files |
334 |
Importing Compressed Audio Files |
336 |
Overview Calculation |
337 |
Adding ReCycle Files to Your Project |
338 |
Moving Audio Between Logic Express and ReCycle |
340 |
Adding MIDI and Project Files |
340 |
Getting to Know Regions |
341 |
What Are Regions? |
341 |
Audio Regions and Audio Files |
342 |
MIDI Regions and Events |
343 |
Folder Regions |
343 |
Alias and Cloned Regions |
344 |
MIDI and Audio Regions Compared |
344 |
Handling Regions in the Audio Bin and Sample Editor |
346 |
Managing Regions in the Audio Bin |
347 |
Creating and Removing Regions |
350 |
Auditioning Regions in the Audio Bin |
351 |
Resizing a Region |
352 |
Snapping Edits to Zero Crossings |
353 |
Moving a Region Within an Audio File |
353 |
Editing the Audio Region Anchor |
353 |
Protecting the Anchor Point When Moving the End Position |
354 |
Updating the Audio Region Arrangement Position |
355 |
Protecting Audio Regions |
355 |
Creating Your Arrangement |
357 |
Getting to Know the Arrange Area |
358 |
Snapping Region Edits to Time Positions |
360 |
Overriding the Snap Grid |
362 |
Understanding the Link Between Zoom Level and Snap Value |
362 |
Using Drag Modes |
363 |
Scrubbing Your Arrangement |
365 |
Scrubbing Particular Regions |
365 |
MIDI-Controlled Scrubbing |
365 |
Using Shortcut Menus |
366 |
Muting Regions |
366 |
Soloing Regions |
367 |
Naming Regions |
368 |
Assigning Colors to Regions |
371 |
Selecting Regions |
372 |
Selecting Parts of a Region |
373 |
Playback with an Active Marquee Selection |
375 |
Recording with an Active Marquee Selection |
375 |
Using the Marquee Selection to Create Track Automation Nodes |
376 |
Adding, Recording, and Removing Regions |
376 |
Restoring Removed Regions |
377 |
Moving Regions |
378 |
Limiting Region Movements |
378 |
Changing the Playback Position of Regions Numerically |
379 |
Moving Regions to the Current Playhead Position |
380 |
Moving Audio Regions Back to Their Original Record Positions |
380 |
Nudging Regions with Key Commands |
381 |
Shifting the Playback Position of Regions |
382 |
Moving Regions to a Track |
383 |
Moving Regions Between Projects |
383 |
Resizing Regions |
383 |
Adjusting the Start Point of Audio Regions |
384 |
Adjusting the Start or End Point of MIDI Regions |
386 |
Making Multiple Regions the Same Length |
386 |
Setting Region Start and End Points to the Playhead Position |
386 |
Adjusting Region Lengths to Fit Other Regions |
386 |
Time Stretching the Contents of a Region When Changing Length |
388 |
Time Stretching Multiple Regions |
389 |
MIDI Region-Specific Length Change Operations |
389 |
Cutting, Copying, and Pasting Regions |
389 |
Adding or Removing Arrangement Passages |
390 |
Creating Region Aliases |
394 |
Understanding the Parent-Alias Region Relationship |
395 |
Creating MIDI Region Aliases |
395 |
Reassigning MIDI Region Aliases |
396 |
Searching for Original or Alias Regions |
396 |
Selecting and Deleting Orphan Aliases |
396 |
Converting an Alias into a Real Region |
397 |
Creating Region Clones |
397 |
Converting Regions to a New Sampler Track |
398 |
Creating Multiple Copies of Regions |
400 |
Creating Region Loops |
400 |
Dividing Regions |
404 |
Handling Overlapping Notes in Divided MIDI Regions |
406 |
Dividing Audio Regions with Strip Silence |
406 |
Demixing MIDI Regions |
407 |
Merging Regions (General Tools and Commands) |
408 |
Merging MIDI Regions |
409 |
Merging Audio Regions |
409 |
Working with Folders |
411 |
Packing and Unpacking Folders |
412 |
Entering and Exiting Folders |
413 |
Adding and Removing Regions from Folders |
414 |
Creating an Alias Folder |
415 |
Creating Crossfades and Fades on Audio Regions |
415 |
Creating Fades |
416 |
Editing and Deleting Fades |
417 |
Changing an Existing Fade |
417 |
Changing the Fade Curve Shape |
418 |
Changing the Fade Type |
419 |
Changing the Fade Playback Speed |
419 |
Deleting a Fade |
420 |
Deleting Fade Files |
420 |
Fading Apple Loops |
420 |
Setting Region Parameters |
420 |
Common Audio and MIDI Region Parameters |
420 |
MIDI Thru: MIDI Region Defaults |
421 |
Editing Several Regions Simultaneously |
422 |
Audio Region Parameters |
422 |
MIDI Region Parameters |
422 |
Fixing MIDI Region Parameters |
424 |
Normalize and MIDI Channels |
424 |
Recording in Logic Express |
427 |
Checking Hardware Connections and Settings for Recording |
428 |
Setting the Project Sample Rate |
428 |
Setting the Project Bit Depth |
429 |
Setting Up the Metronome for Recording |
431 |
Enabling Software Monitoring for Recording |
433 |
Using Auto Input Monitoring for Recording |
434 |
Using the Input Monitoring Buttons Before Recording |
434 |
Avoiding Latency Issues with Input Monitoring |
435 |
Setting the Monitoring Level for Recording |
435 |
Defining the Recording Folder |
435 |
Naming Audio Recordings |
436 |
Choosing the Recording File Type |
436 |
Setting the Recording Format |
438 |
Record-Enabling Tracks |
439 |
Record-Enabling Audio Tracks |
439 |
Record-Enabling MIDI Tracks |
440 |
Record-Enabling Audio and MIDI Tracks Simultaneously |
440 |
Getting to Know Audio Recording |
440 |
Audio Take Recording |
441 |
Recording a Single Audio Take |
441 |
Recording Multiple Audio Takes |
442 |
Recording Additional Audio Takes |
445 |
Recording over an Existing Audio Region |
445 |
Recording over an Existing Audio Take Folder |
446 |
Audio Multitrack Recording |
447 |
Audio Punch Recording |
447 |
Audio Punch Recording on the Fly |
448 |
Preprogrammed Audio Punch Recording |
448 |
Combining Cycle and Autopunch Recording |
450 |
Recording with Skip Cycle |
450 |
Audio Replace Recording |
450 |
Deleting Audio Recordings |
451 |
Getting to Know MIDI Recording |
451 |
MIDI Take Recording |
452 |
Recording a Single MIDI Take |
452 |
Recording Multiple MIDI Takes |
453 |
Recording Additional MIDI Takes |
456 |
Recording over Existing MIDI Regions |
456 |
Recording over Existing MIDI Take Folders |
456 |
MIDI Multitrack Recording |
457 |
Recording Multiple MIDI Tracks Simultaneously |
457 |
Recording Multiple MIDI Tracks Successively |
458 |
MIDI Merge Recording |
461 |
MIDI Replace Recording |
462 |
Retrospective Recording of MIDI Regions |
463 |
Switching Instruments to Software Instrument Live Mode |
464 |
Filtering MIDI Events When Recording |
464 |
Turning MIDI Thru Off When Recording |
465 |
Using Advanced Recording Commands |
466 |
Coloring Takes While Recording |
466 |
Marking a Good Take While Recording |
468 |
MIDI Step Input Recording |
469 |
Activating MIDI Step Input Mode |
469 |
Using the Step Input Keyboard |
470 |
Using Step Input Keyboard Key Commands |
471 |
Note Length and Velocity |
471 |
Pitch Key Commands |
471 |
Octave Range Key Commands |
472 |
Rests, Stepping Forward and Backward, Corrections |
472 |
Triplets, Dotted Note Groups |
473 |
Interaction with Other Key Commands |
473 |
Using a MIDI Keyboard for Step Input |
473 |
Using the Caps Lock Keyboard for MIDI Step Input |
474 |
Caps Lock Keyboard Preferences |
475 |
Additional Caps Lock Keyboard Information |
475 |
Editing Audio Take Recordings |
477 |
Getting to Know Take Folders |
478 |
Previewing Take Folder Recordings |
478 |
Toggling Take Folder Editing Mode |
480 |
Creating Comps |
482 |
Editing Comps |
483 |
Resizing Take Regions |
488 |
Cutting Take Folders and Take Regions |
489 |
Moving Take Folders and Take Regions |
492 |
Duplicating Comps or Creating New Comps |
494 |
Renaming Takes or Comps |
496 |
Deleting Takes or Comps |
499 |
Exporting Takes or Comps to New Tracks |
503 |
Moving Takes or Comps to New Tracks |
507 |
Flattening and Merging Take Folders |
511 |
Unpacking Take Folders |
514 |
Packing Regions into a Take Folder |
518 |
Opening Take Folders in the Sample Editor |
519 |
Flex Time Editing |
521 |
Turning on Flex View |
522 |
Choosing Flex Modes |
522 |
Getting to Know the Flex Modes |
525 |
Getting to Know Transient, Flex, and Tempo Markers |
527 |
Working with Flex Markers |
528 |
Creating Flex Markers |
528 |
Moving Flex Markers and Time Stretching |
531 |
Moving Flex Markers Without Time Stretching |
533 |
Deleting Flex Markers |
533 |
Time Stretching Using Marquee Selections |
534 |
Time Stretching Using Region Borders |
535 |
Snapping Flex Markers to Transient Markers |
536 |
Splitting Audio Regions at Transient Marker Positions |
537 |
Using the Flex Tool |
537 |
Using Varispeed to Alter Playback Speed and Pitch |
541 |
Editing Audio in the Sample Editor |
543 |
Opening the Sample Editor |
544 |
Getting to Know the Sample Editor |
545 |
Playing Audio Files in the Sample Editor |
546 |
Using Basic Playback Commands in the Sample Editor |
546 |
Using Playback Key Commands in the Sample Editor |
548 |
Navigating Audio Files in the Sample Editor |
549 |
Navigating to a Specific Position in an Audio File |
549 |
Navigating to the Loudest Point in an Audio File |
549 |
Navigating to Silent Passages in an Audio File |
549 |
Making Selections in the Sample Editor |
550 |
Using Basic Selection Techniques in the Sample Editor |
550 |
Using Transient Markers to Make Sample Editor Selections |
552 |
Audio Editing and Processing in the Sample Editor |
554 |
Using Edit Key Commands in the Sample Editor |
554 |
Using Edit Commands in the Sample Editor |
554 |
Using Transient Markers to Edit in the Sample Editor |
555 |
Using the Pencil Tool to Edit in the Sample Editor |
559 |
Trimming Audio Files in the Sample Editor |
560 |
Silencing an Audio File Selection in the Sample Editor |
560 |
Changing the Level of Audio Files in the Sample Editor |
560 |
Normalizing Audio Files in the Sample Editor |
561 |
Fading Audio Files in the Sample Editor |
562 |
Reversing an Audio File Selection in the Sample Editor |
564 |
Reversing the Phase of an Audio File in the Sample Editor |
564 |
Removing DC Offsets in the Sample Editor |
565 |
Adjusting the Project Tempo in the Sample Editor |
565 |
Using Sample Editor Loop Functions |
565 |
Undoing Edit Steps in the Sample Editor |
566 |
Creating Manual Backups in the Sample Editor |
566 |
Customizing Waveform Amplitude Scale in the Sample Editor |
568 |
Customizing the Ruler in the Sample Editor |
568 |
Switching the Ruler Between Absolute and Relative Mode |
568 |
Changing the Sample Editor Ruler’s Time Scale Display |
570 |
Customizing Waveform Display in the Sample Editor |
570 |
Getting to Know the Sample Editor’s Digital Factory |
571 |
Using the Sample Editor’s “Time and Pitch Machine” |
572 |
Opening the Sample Editor’s “Time and Pitch Machine” |
572 |
Setting Mode and Algorithm in the “Time and Pitch Machine” |
573 |
Setting Tempo Parameters in the “Time and Pitch Machine” |
575 |
Setting Pitch Parameters in the “Time and Pitch Machine” |
575 |
Using the Sample Editor’s Groove Machine |
577 |
Opening the Sample Editor’s Groove Machine |
577 |
Setting Groove Machine Parameters |
578 |
Using the Sample Editor’s Audio Energizer |
579 |
Opening the Sample Editor’s Audio Energizer |
579 |
Setting Audio Energizer Parameters |
581 |
Using the Sample Editor’s Silencer |
582 |
Opening the Sample Editor’s Silencer |
582 |
Applying Spike Reduction in the Silencer |
583 |
Applying Noise Reduction in the Silencer |
583 |
Using the Sample Editor’s “Audio to Score” |
584 |
Opening the Sample Editor’s “Audio to Score” |
585 |
Setting “Audio to Score” Parameters |
586 |
Using the Sample Editor’s Quantize Engine |
587 |
Opening the Sample Editor’s Quantize Engine |
587 |
Setting Quantize Engine Parameters |
588 |
“Audio to MIDI Groove Template” |
589 |
Using an External Sample Editor |
589 |
Working with Tempo and Audio Regions |
591 |
Automatic Tempo Matching |
591 |
Setting the Project Tempo to Match an Audio Region |
593 |
Time Stretching Regions |
595 |
Using Beat Detection to Create Tempo Changes |
597 |
Importing, Removing, and Exporting Tempo Information |
599 |
Removing Silent Passages from Audio Regions |
601 |
Opening the Strip Silence Window |
601 |
Getting to Know the Strip Silence Window |
602 |
Removing Silent Passages from a Selected Region |
603 |
Automatic Anchor Creation |
604 |
Understanding How You Can Use Strip Silence |
604 |
Using Strip Silence to Remove Background Noises |
604 |
Using Strip Silence to Create Segments of Spoken Recordings |
604 |
Using Strip Silence to Create Segments for Drum Loops |
605 |
Using Strip Silence to Optimize Synchronization |
605 |
Using Strip Silence to Optimize Files and Regions |
605 |
Using Strip Silence to Extract Audio Files from a Disc |
605 |
Managing Audio Files |
607 |
Sorting, Grouping, and Renaming Files in the Audio Bin |
607 |
Sorting Audio Files |
608 |
Grouping Files in the Audio Bin |
609 |
Renaming Audio Files |
613 |
Moving Audio Files |
614 |
Copying or Converting Audio Files |
615 |
Deleting Audio Files |
617 |
Optimizing Audio Files |
617 |
Converting Regions into Independent Audio Files |
618 |
Exporting Tracks as Audio Files |
619 |
Exporting or Importing Region Information |
619 |
Finding and Replacing Orphaned Audio Files |
619 |
Quantizing Audio and MIDI |
623 |
Understanding Region- and Event-based Quantization |
624 |
Understanding the Quantize Grid Options |
624 |
Fine-Tuning the Quantize Grid Options |
625 |
Quantizing Audio or MIDI Regions |
627 |
Quantizing Phase-Locked Audio Tracks |
629 |
Quantizing MIDI Regions Permanently |
631 |
Quantizing MIDI Events |
632 |
Working with Groove Templates |
634 |
Using Groove Templates Across Projects |
636 |
Importing Groove Templates |
636 |
Creating an Audio-to-MIDI Groove Template |
637 |
Introduction to MIDI Editing |
641 |
Getting to Know the MIDI Editors |
641 |
Opening the MIDI Editors |
642 |
Hearing MIDI Events When Editing |
645 |
Editing MIDI Events in the Arrange Area |
645 |
Monitoring and Resetting MIDI Events |
647 |
Editing MIDI Events in the Piano Roll Editor |
649 |
Opening the Piano Roll Editor |
649 |
Getting to Know the Piano Roll Editor |
650 |
Using the Grid in the Piano Roll Editor |
651 |
Using the Info Display in the Piano Roll Editor |
651 |
Understanding Note Velocities |
652 |
Displaying Multiple MIDI Regions in the Piano Roll Editor |
652 |
Using the Shortcut Menu in the Piano Roll Editor |
653 |
Creating and Editing Note Events in the Piano Roll Editor |
653 |
Snapping Edits to Time Positions in the Piano Roll Editor |
653 |
Selecting Notes in the Piano Roll Editor |
655 |
Creating Notes in the Piano Roll Editor |
656 |
Deleting Notes in the Piano Roll Editor |
657 |
Restoring Deleted Notes in the Piano Roll Editor |
658 |
Moving Notes in the Piano Roll Editor |
659 |
Moving Events via Key Commands |
660 |
Including Non-Note MIDI Events |
661 |
Changing Note Length in the Piano Roll Editor |
661 |
Altering the Lengths of Several Notes Simultaneously |
662 |
Setting Note Start and End Points to the Playhead Position |
662 |
Advanced Note Length Functions |
662 |
Copying or Moving Notes in the Piano Roll Editor |
664 |
Advanced Note Copy and Move Options |
664 |
Using the Copy MIDI Events Settings |
665 |
Protecting the Position of Events in the Piano Roll Editor |
666 |
Changing Note Velocity in the Piano Roll Editor |
666 |
Muting Notes in the Piano Roll Editor |
667 |
Changing Note Color in the Piano Roll Editor |
667 |
Splitting Chords in the Piano Roll Editor |
668 |
Using Hyper Draw in the Piano Roll Editor |
669 |
Customizing the Piano Roll Editor |
671 |
Using Piano Roll Editor Shortcuts |
671 |
Editing MIDI in the Hyper Editor |
673 |
Opening the Hyper Editor |
673 |
Getting to Know the Hyper Editor |
675 |
Creating and Editing Events in the Hyper Editor |
675 |
Changing the Grid and Beam Display |
676 |
Creating Events |
678 |
Selecting Events |
681 |
Deleting Events |
681 |
Restoring Deleted Events |
682 |
Changing Event Values |
683 |
Moving and Copying Events |
683 |
Moving Events via Key Commands |
684 |
Using the Clipboard to Copy and Move Events |
685 |
Protecting the Position of Events |
685 |
Working with Event Definitions |
685 |
Selecting and Creating Event Definitions |
686 |
Copying, Deleting, and Rearranging Event Definitions |
688 |
Converting Event Definitions |
689 |
Using the Event Definition Parameter Box |
690 |
Altering the Event Status |
690 |
Using the First Data Byte Parameter |
691 |
Naming an Event Definition |
692 |
Delaying an Event Definition |
692 |
Setting the MIDI Channel Number |
693 |
Adjusting Multiple Event Definitions Simultaneously |
693 |
Working with Hyper Sets |
693 |
Using the Default Hyper Sets |
693 |
Creating a Hyper Set |
695 |
Creating a GM Drum Hyper Set |
695 |
Using Hi-Hat Mode |
695 |
Naming a Hyper Set |
696 |
Clearing or Deleting a Hyper Set |
696 |
Loading a Hyper Set |
697 |
Editing MIDI Events in the Event List |
699 |
Getting to Know the Event List |
700 |
Changing the Event List View Level |
701 |
Filtering Event Types |
702 |
Enhancing the Display of Events |
703 |
Viewing Events Outside the Display Area |
704 |
Using the Shortcut Menu |
705 |
Selecting and Creating Events |
705 |
Refining Event Selection |
705 |
Creating Events |
706 |
Copying and Moving Events |
707 |
Protecting the Position of Events |
708 |
Editing Events |
708 |
Changing the Position and Length of Events |
709 |
Changing the Appearance of the Position and Length Columns |
710 |
Altering Event Values |
710 |
Deleting and Muting Events |
711 |
Soloing and Renaming Regions or Folders |
712 |
Learning About Event Types |
712 |
Note Events |
713 |
Mapped Instrument Notes |
714 |
Viewing and Changing Note Release Velocity |
714 |
Control Change Events |
714 |
Pitch Bend Events |
715 |
Program Change Events |
715 |
Aftertouch Events |
716 |
Poly Pressure Events |
717 |
SysEx Events |
717 |
SysEx Data in Hex Format |
717 |
Meta Events |
718 |
The Event Float Window |
719 |
Editing MIDI Events in the Transform Window |
721 |
Getting to Know the Transform Window |
721 |
Choosing and Using Transform Sets |
722 |
Learning About the Transform Presets |
723 |
Random Pitch |
724 |
Random Velocity |
724 |
Random Pitch, Velocity, Length |
725 |
Crescendo |
725 |
Scale 14 Bit PitchBd |
726 |
Double Speed |
726 |
Half Speed |
727 |
Humanize |
728 |
Reverse Position |
728 |
Reverse Pitch |
729 |
Transposition |
729 |
Exponential Velocity |
730 |
Velocity Limiter |
731 |
Fixed Note Length |
731 |
Maximum Note Length |
732 |
Minimum Note Length |
732 |
Quantize Note Length |
733 |
Using the Transform Window Parameters |
734 |
Defining Global Parameters |
734 |
Defining Selection Conditions |
735 |
Defining Operations |
736 |
Using the Map |
739 |
Exchanging Parameter Values |
740 |
Creating Your Own Transform Sets |
740 |
Importing Transform Sets From Other Projects |
741 |
Usage Examples |
741 |
Mixing |
747 |
Opening the Mixer |
748 |
Getting to Know the Mixer |
750 |
Understanding Channel Strip Types in the Mixer |
751 |
Understanding Channel Strip Controls in the Mixer |
752 |
Understanding the Basic Mixing Stages |
753 |
Working with Mixer Groups |
754 |
Getting to Know the Mixer Group Settings |
755 |
Editing Mixer Group Membership |
756 |
Assigning Channel Strips to Mixer Groups |
757 |
Removing Channel Strips from Mixer Groups |
757 |
Disabling Mixer Groups |
758 |
Automating Mixer Groups |
758 |
Muting Channel Strips |
758 |
Soloing Channel Strips |
759 |
Setting Channel Strip Levels |
760 |
Understanding a Channel Strip’s Peak Level Display |
761 |
Using a Channel Strip’s Volume Fader |
762 |
Understanding a Channel Strip’s Level Meter |
764 |
Customizing a Channel Strip’s Level Meter Scale |
764 |
Switching Between Channel Strip Volume Levels |
765 |
Setting Pan or Balance in the Mixer |
765 |
Adding and Routing Effects in the Mixer |
766 |
Routing Audio in the Mixer via Insert Effects |
767 |
Routing Audio in the Mixer via Send Effects |
767 |
Controlling Signal Flow in the Mixer |
769 |
Creating Aux Channel Strips in the Mixer |
769 |
Using Aux Channel Strips in the Mixer |
769 |
Creating Mix Subgroups |
770 |
Sending Signals to Multiple Destinations |
770 |
Using Multi-Output Instruments in the Mixer |
771 |
Using Output Channel Strips in the Mixer |
774 |
Defining a Channel Strip’s Stereo Output |
775 |
Defining a Channel Strip’s Mono Output |
776 |
Working with MIDI Channel Strips in the Mixer |
777 |
Adjusting Elements of MIDI Channel Strips |
779 |
Saving and Restoring MIDI Channel Strip Settings |
780 |
Using Extended GM: GS and XG Functions in the Mixer |
780 |
Customizing the Mixer |
781 |
Switching Between Mixer Views |
781 |
Using Single View |
781 |
Using Arrange View |
782 |
Using All View |
782 |
Using Filter Buttons in the Mixer |
783 |
Viewing Mixer Channel Strips Associated with Folder Tracks |
783 |
Viewing Track Notes in the Mixer |
785 |
Viewing Control Surface Bars in the Mixer |
785 |
Using Link Modes in the Mixer |
786 |
Using the I/O Labels Window |
786 |
Adjusting Mixer Channel Strips in Record or Playback Mode |
787 |
Copying Entire Mixer Setups |
787 |
Adjusting Elements of Multiple Mixer Channel Strips |
788 |
Adjusting Mixer Parameter Controls |
789 |
Adjusting Mixer Plug-in Settings |
789 |
Adjusting Mixer Routing, Automation, and Group Settings |
790 |
Navigating Within the Mixer |
791 |
Assigning Colors to Channel Strips in the Mixer |
792 |
Renaming Tracks in the Mixer |
792 |
Linking Control Surfaces to the Mixer |
793 |
Working with Automation |
795 |
Displaying Track Automation |
796 |
Displaying Different Automation Parameters |
797 |
Viewing the Automation Data of Multiple Parameters |
798 |
Setting an Automation Mode |
800 |
Setting the Automation Mode via Key Commands |
801 |
Choosing Automation Modes |
801 |
Off |
801 |
Read |
801 |
Touch |
801 |
Latch |
802 |
Write |
802 |
Writing Track Automation Data |
803 |
Selecting Automation Nodes and Lines |
804 |
Creating Automation Nodes |
805 |
Deleting Track Automation Data |
806 |
Copying and Moving Automation Data |
807 |
Editing Track Automation Data in the Track Header |
809 |
Snapping Automation to Grid Positions |
810 |
Offsetting Automation |
810 |
Editing Track Automation Data in the Event List |
812 |
Writing Track Automation with External Controllers |
812 |
Using Automation Quick Access |
813 |
Enabling and Disabling Automation Quick Access |
814 |
Using Hyper Draw in the Arrange Area |
814 |
Using the Autodefine Mode |
816 |
Recording MIDI Automation Data |
816 |
Editing MIDI Automation Data |
816 |
Using the Note Velocity Mode |
816 |
Using Hyper Draw Key Commands |
817 |
Conversion of Automation Data |
818 |
Bouncing Your Project |
819 |
Creating a Bounce |
819 |
Routing Channel Strips to an Output |
820 |
Defining the Bounce Range |
821 |
Defining Parameters in the Bounce Window |
822 |
Setting Global Parameters in the Bounce Window |
823 |
Setting PCM Options in the Bounce Window |
825 |
Setting MP3 Options in the Bounce Window |
826 |
Setting M4A: AAC Format Options in the Bounce Window |
829 |
Setting Burn Options in the Bounce Window |
830 |
Setting the Bounce Filename and Folder |
831 |
Bouncing and Dithering |
832 |
Creating Apple Loops |
835 |
Creating Apple Loops in Logic Express |
836 |
Adjusting the Project Tempo to an Audio file |
838 |
Re-creating Effects in Software Instrument Apple Loops |
838 |
Reindexing the Apple Loops User Library |
839 |
Creating Apple Loops in the Apple Loops Utility |
839 |
Converting ReCycle Files into Apple Loops |
840 |
Adding Apple Loops to the Loop Browser |
842 |
Adding Acid Loops to the Loop Browser |
843 |
Using Global Tracks with Apple Loops |
843 |
Using the Signature Track with Apple Loops |
843 |
Using the Chord Track with Apple Loops |
843 |
Using the Transposition Track with Apple Loops |
844 |
Apple Loops Transpose to the Wrong Octave |
845 |
Converting Apple Loops to Audio Files |
845 |
Converting the Sample Rate of Apple Loops |
846 |
Working with Notation |
847 |
Opening the Score Editor |
848 |
Getting to Know the Score Editor |
850 |
Understanding the Basic Scoring Stages |
850 |
Stage 1: Getting Notes into the Score |
851 |
Stage 2: Using Display Settings to Create Readable Notation |
851 |
Stage 3: Editing Note Events |
852 |
Stage 4: Inputting Events, Symbols, and Text |
853 |
Stage 5: Editing the Whole Score |
853 |
Stage 6: Printing a Score |
854 |
Entering Notes and Symbols in the Score Editor |
854 |
Entering Notes and Symbols Using Real-Time Recording |
855 |
Entering Notes and Symbols Using Step Input |
855 |
Entering Notes and Symbols Using Mouse Input |
856 |
MIDI Channel and Velocity of Inserted Objects |
857 |
Insert Quantization |
858 |
Simultaneous Input of Objects into Several Regions |
858 |
Creating and Editing Controller Events Using Hyper Draw |
859 |
Working with the Part Box |
860 |
Selecting Part Box Objects |
861 |
Selecting Part Box Objects with Key Commands |
862 |
Learning About Part Box Groups |
863 |
Note Objects in the Part Box |
864 |
Sustain Pedal Symbols in the Part Box |
865 |
Clef Objects in the Part Box |
865 |
Dynamic Symbols in the Part Box |
866 |
Note Head Symbols in the Part Box |
866 |
Symbols Attached to Notes in the Part Box |
867 |
Slurs and Crescendi Objects in the Part Box |
868 |
Key Signature Symbols in the Part Box |
869 |
Time Signature Symbols in the Part Box |
869 |
Repeat Signs and Bar Lines in the Part Box |
870 |
Trills and Tremolo Symbols in the Part Box |
870 |
Rests and Bar Repeat Signs in the Part Box |
871 |
Text Objects and Chord Symbols in the Part Box |
871 |
D.S., D.C., Segno, and Coda Signs in the Part Box |
872 |
Tempo and Swing Symbols in the Part Box |
872 |
Jazz Symbols in the Part Box |
873 |
Page and Line Break Symbols in the Part Box |
874 |
Chord Grid and Tablature Symbols in the Part Box |
874 |
General Editing in the Score Editor |
875 |
Using Shortcut Menus in the Score Editor |
875 |
Changing Multiple Objects in the Score Editor |
875 |
Moving or Copying Objects in the Score Editor with the Mouse |
876 |
The Impact of the Display Quantization Parameter |
877 |
Moving Global Symbols and Symbols Attached to Notes |
877 |
Moving Objects in the Score Editor with Key Commands |
877 |
Copying Objects in the Score Editor via the Clipboard |
877 |
Automatic Insert Quantization |
878 |
Pasting Passages at the Same Time Position |
878 |
Deleting Objects in the Score Editor |
878 |
Repeating Events in the Score Editor |
879 |
Working with Aliases in the Score Editor |
879 |
Displaying Aliases |
879 |
Editing Aliases |
880 |
Changing the Graphical Position of Objects in the Score Editor |
880 |
Using the Layout Tool |
881 |
Using the Event Parameter Box |
881 |
Using Key Commands |
881 |
Resizing Notes and Symbols in the Score Editor |
882 |
Editing Notes in the Score Editor |
882 |
Editing Note Velocity, Length, or Pitch in the Score Editor |
882 |
Allowing Diatonic Input in the Score Editor |
883 |
Creating and Editing Tied Notes in the Score Editor |
884 |
Creating and Editing N-Tuplets in the Score Editor |
885 |
Using Artificial N-Tuplets to Bypass Display Quantization |
887 |
Creating Grace and Independent Notes in the Score Editor |
887 |
Creating and Inserting Rests in the Score Editor |
888 |
Using Multi Bar Rests in the Score Editor |
889 |
Using Beat Slashes in the Score Editor |
890 |
Editing Clefs in the Score Editor |
890 |
Editing Slurs and Crescendi in the Score Editor |
891 |
Fast Slur and Crescendo Input with Key Commands |
891 |
Changing the Position of Objects in the Score Editor |
892 |
Changing the Length of Symbols in the Score Editor |
892 |
Particular Attributes of Certain Symbols |
893 |
Editing Repeat Signs and Bar Lines in the Score Editor |
894 |
Hidden Bar Lines |
894 |
1st and 2nd Endings |
895 |
Bar Repeat Signs |
895 |
Double Repeat Sign |
895 |
Working with Standard Text |
895 |
Inserting Text |
895 |
Editing Text |
897 |
Setting Special Text Object Parameters |
898 |
Using Musical Symbol Fonts |
898 |
Learning About Text Styles |
898 |
About the Text Styles Window |
898 |
About the Default Text Styles |
899 |
Working with Text Styles |
900 |
Working with Global Text |
900 |
Working with Automatic Text |
902 |
Working with Lyrics |
903 |
Creating Lyrics |
903 |
Setting All Words and Syllables to the Same Height |
904 |
Assigning Multiple Lyric Objects to the Same Note |
904 |
Working in Single MIDI Region Display Mode |
904 |
Working with Chords |
904 |
Inputting Several Chord Symbols |
906 |
Enharmonically Changing Chord Symbols |
906 |
Transposing Chord Symbols |
907 |
Displaying German Chord Symbols: H Instead of B |
907 |
Setting the Graphical Position of Chord Symbols |
907 |
Creating Rhythm Section Parts |
907 |
Working with Chord Grids |
907 |
Getting to Know the Instrument Editor |
909 |
Getting to Know the Chord Grid Selector |
910 |
Getting to Know the Chord Grid Editor |
911 |
Inserting and Editing Chord Grid Symbols in the Score Editor |
912 |
Creating and Editing Chord Grids in the Chord Grid Editor |
916 |
Creating, Editing, and Deleting Fingering Dots |
917 |
Creating, Editing, and Deleting Barres |
921 |
Muting and Unmuting Strings |
923 |
Creating, Renaming, and Deleting Chord Grid Libraries |
925 |
Importing and Exporting Chord Grid Libraries |
928 |
Working with Tablature Markings |
929 |
Working with Time and Key Signatures |
930 |
Creating Time Signatures |
931 |
Creating Key Signatures |
932 |
Selecting Signatures |
933 |
Copying Signatures |
934 |
Editing Signatures |
934 |
Deleting Signatures |
935 |
Creating and Choosing Signature Alternatives |
935 |
Transcribing MIDI Recordings |
937 |
Default Settings for New MIDI Regions |
937 |
Selecting Multiple Regions in the Score Editor |
938 |
Display Parameters |
939 |
Quantize |
939 |
Quantize Default Setting |
940 |
Choosing a Quantize Value for Swing Notation |
940 |
Fixing the Score Quantize Value |
941 |
Interpretation |
941 |
Syncopation |
942 |
No Overlap |
942 |
Max Dots |
943 |
Score |
944 |
Hidden MIDI Regions |
944 |
Using Note Attributes to Change Individual Notes |
944 |
Changing Note Heads |
945 |
Changing Note Sizes |
945 |
Changing the Horizontal Position of Notes |
946 |
Changing the Position of Accidentals |
946 |
Changing the Display of Accidentals |
946 |
Changing the Stem Direction and Length |
947 |
Changing the Beaming of Notes |
948 |
Changing the Voice or Staff Assignment |
948 |
Changing the Tie Direction |
948 |
Changing the Syncopation of Notes |
949 |
Changing the Interpretation of Notes |
949 |
Changing the Independent Status of a Note |
949 |
Changing the Color of a Note |
950 |
Resetting Note Attributes |
950 |
Working with Staff Styles |
950 |
Assigning Staff Styles to MIDI Regions |
951 |
Assigning Staff Styles Automatically |
951 |
Knowing the Predefined Staff Styles |
952 |
Getting to Know the Staff Style Window |
953 |
Creating Staff Styles |
954 |
Creating Staff Styles Based on Existing Ones |
955 |
Adding Staffs to a Staff Style |
956 |
Adding Voices to a Staff Style |
956 |
Copying Voices or Staffs into Other Staff Styles |
957 |
Copying Staff Styles Between Projects |
957 |
Deleting Voices or Staffs from a Staff Style |
958 |
Deleting Staff Styles |
958 |
Changing Staff Style Parameters |
958 |
Assigning Notes to Voices and Staffs |
962 |
Using a Split Point |
962 |
Using MIDI Channels |
962 |
Splitting MIDI Channels Automatically |
963 |
Using the Voice Separation Tool |
963 |
Staff Style Examples |
964 |
Creating a Staff Style for Two Independent Voices |
964 |
Creating a Single Staff Style with Optional Polyphony |
964 |
Using Mouse Input in Polyphonic Staff Styles |
965 |
Changing the Staff Assignment of Symbols |
966 |
Cross Staff Beaming |
966 |
Using Drum Notation with Mapped Staff Styles |
968 |
Using Score Sets to Create Scores and Parts |
971 |
The Relationship Between Score Sets and Display Modes |
971 |
Choosing a Score Set |
971 |
Getting to Know the Score Set Window |
972 |
Creating and Deleting Score Sets |
974 |
Editing Score Sets |
975 |
Scaling Score Sets |
975 |
Creating Separate Layouts for Full Score and Parts |
976 |
Filtering Single Instruments from the Score |
977 |
Importing Score Sets from Other Projects |
977 |
Preparing the Score Layout for Printing |
977 |
Understanding the Page Display Options |
977 |
Setting Line Breaks |
978 |
Setting Page Breaks |
979 |
Editing Local Margins |
980 |
Changing the Margin and Header Values (Page Print View) |
980 |
Using External Symbol Fonts for Display and Printout |
981 |
Printing the Score |
981 |
Exporting the Score as a Graphic File |
982 |
Preparing the Score for Export |
982 |
Exporting the Score |
982 |
Customizing the Score Editor’s Appearance |
983 |
Choosing a Color Mode |
983 |
Displaying Folders |
984 |
Displaying Global Tracks |
984 |
Displaying Instrument Names |
984 |
Displaying Duration Bars |
984 |
Changing the Length of Duration Bars |
985 |
Displaying Guide Lines |
985 |
Project and File Interchange |
987 |
Sharing Logic Express Data over a Network |
988 |
Setting Sharing Preferences |
988 |
Sharing Settings Data in the Library |
990 |
Sharing Key Commands |
992 |
Backing Up Audio Files |
992 |
Backing Up and Sharing Projects |
993 |
Working with Standard MIDI Files |
994 |
Importing Standard MIDI Files |
995 |
Opening Standard MIDI Files |
995 |
Saving Standard MIDI Files |
996 |
Working with GarageBand Projects |
997 |
Working with OMF Files |
998 |
Exporting OMF Files |
998 |
Importing and Opening OMF Files |
999 |
Working with OpenTL Files |
999 |
Exporting OpenTL Files |
999 |
Opening and Importing OpenTL Files |
1000 |
Working with AAF Files |
1001 |
Working with Final Cut Pro XML Files |
1002 |
Working with Soundtrack Pro STAP Files |
1003 |
Exporting Individual Regions as Audio Files |
1004 |
Exporting Individual or Multiple Tracks as Audio Files |
1006 |
Advanced Tempo Operations |
1011 |
Using the Tempo Display in the Transport Bar |
1011 |
Using the Tempo Track |
1012 |
Creating and Deleting Events in the Tempo Track |
1013 |
Creating Tempo Curves in the Tempo Track |
1014 |
Moving, Altering, and Copying Events in the Tempo Track |
1014 |
Adjusting the Display Range in the Tempo Track |
1015 |
Switching Between Tempo Alternatives in the Tempo Track |
1016 |
Relationship Between Tempo and Beat Mapping Tracks |
1016 |
Recording Tempo Changes in Logic Express |
1017 |
Adjusting the Tempo to Fit Audio Regions |
1017 |
Using the Tempo List |
1018 |
Creating and Editing Events in the Tempo List |
1019 |
Displaying Additional Tempo Information in the Tempo List |
1020 |
Using the Shortcut Menu in the Tempo List |
1020 |
Switching Between Tempo Alternatives in the Tempo List |
1020 |
Using the Tempo Operations Window |
1021 |
Creating Tempo Curves in the Tempo Operations Window |
1022 |
Creating Constant Tempo in the Tempo Operations Window |
1022 |
Scaling Tempo Changes in the Tempo Operations Window |
1023 |
Stretching Tempo Curves in the Tempo Operations Window |
1023 |
Reducing Tempo Changes in the Tempo Operations Window |
1023 |
Randomizing Tempo in the Tempo Operations Window |
1023 |
Using the Tempo Interpreter Window |
1023 |
Using the Tempo Fader |
1026 |
Beat Mapping Regions |
1027 |
Understanding the Concept of Beat Mapping |
1027 |
Beat Mapping MIDI Regions |
1028 |
Beat Mapping Audio Regions |
1030 |
Automatic Beat Mapping of Regions |
1031 |
Beat Mapping to Scene Markers |
1033 |
Beat Mapping to Markers |
1033 |
Editing Transposition with the Chord and Transposition Tracks |
1035 |
Opening the Chord and Transposition Tracks |
1036 |
Understanding How MIDI Events and Apple Loops Are Transposed |
1037 |
Creating and Editing Transposition and Chord Events |
1038 |
Using the Chord Track to Analyze MIDI Regions |
1040 |
Working in the Change Display Only Mode |
1040 |
Inserting Chord Symbols in the Score |
1040 |
Working in the Environment |
1043 |
Opening the Environment |
1043 |
Getting to Know the Environment |
1044 |
Working with Layers |
1045 |
Understanding Protected Layers |
1046 |
Creating, Naming, and Deleting Layers |
1046 |
Switching Between Layers |
1047 |
Working with Objects |
1048 |
Creating and Deleting Objects |
1048 |
Moving Objects |
1049 |
Copying Objects |
1050 |
Adjusting the Position of Objects |
1050 |
Adjusting the Size of Objects |
1051 |
Using Advanced Selection Commands |
1052 |
Creating Your MIDI Signal Path |
1052 |
Creating Direct Output Assignments |
1054 |
Cabling Environment Objects |
1056 |
Making Multiple Cable Connections |
1058 |
Cabling Objects Serially and in Parallel |
1059 |
Exchanging Environments |
1060 |
Importing Single Purpose Environments |
1060 |
Updating an Older Environment |
1061 |
Swapping Environments |
1061 |
Replacing Environments by Assignment |
1062 |
Import Options |
1062 |
Automatic Assignment Functions |
1062 |
Customizing the Environment Display |
1063 |
Customizing the Display of Cables |
1063 |
Viewing a Frameless Environment Window |
1064 |
Environment Objects Reference |
1067 |
Opening the Object Parameter Box |
1068 |
Getting to Know Common Object Parameters |
1068 |
Standard Instrument Objects |
1070 |
The Standard Instrument Parameter Box |
1070 |
Multi-Instrument Objects |
1072 |
The Multi-Instrument Parameter Box |
1073 |
The Multi-Instrument Window |
1073 |
Working with Sub-Channels |
1075 |
The Sub-Channel Parameter Box |
1075 |
Cabling Directly to a Sub-Channel |
1076 |
Mapped Instrument Objects |
1076 |
The Mapped Instrument Parameter Box |
1077 |
The Mapped Instrument Window |
1077 |
Custom Bank Selects |
1080 |
Touch Track Objects |
1081 |
The Touch Tracks Window |
1083 |
Fader Objects |
1085 |
Using Faders |
1086 |
Recording and Playback of Fader Movements |
1086 |
Recording Fader Movements |
1087 |
Playing Back Fader Movements |
1087 |
Working with Object Groups |
1087 |
Fader Styles |
1088 |
Fader Functions: MIDI Events |
1090 |
Input and Output Definition Parameters |
1090 |
Setting the -1- Parameter and Fader Position |
1091 |
Fader Functions: Range, Value As |
1091 |
Range |
1091 |
Value As |
1092 |
Fader Functions: Filter |
1092 |
Vector Fader |
1093 |
4-Channel Vector Mode |
1094 |
Special Faders Overview |
1094 |
Cable Switchers |
1095 |
Meta Event Faders |
1096 |
Go to Marker |
1097 |
Go to Screenset |
1097 |
Working with SysEx Faders |
1097 |
Working with SysEx Messages |
1098 |
Special Functions |
1101 |
Temporarily Grouping Faders |
1101 |
Sending Fader Values |
1102 |
Resetting Fader Values |
1102 |
Alias Objects |
1102 |
Alias Parameters |
1103 |
Ornament Objects |
1104 |
GM Mixer Objects |
1104 |
The Parameter Box of the GM Mixer |
1105 |
Working with the GM Mixer Channel Strips |
1106 |
Choosing a Program or Bank |
1106 |
Adjusting the Level of a Channel |
1106 |
Muting a Channel |
1106 |
Assigning the Knobs to Controllers |
1106 |
Extended GM, GS, and XG Functions |
1107 |
Reseting All Controllers |
1107 |
MMC Record Buttons Objects |
1107 |
Keyboard Objects |
1108 |
Monitor Objects |
1108 |
Macro Objects |
1109 |
Defining a Macro’s Input and Output |
1110 |
Macro Parameters |
1111 |
Arpeggiator Objects |
1111 |
The Arpeggiator Parameter Box |
1112 |
Transformer Objects |
1113 |
How the Transformer Object Works |
1113 |
Configuring a Transformer Object |
1115 |
Setting the Operation Mode |
1115 |
Defining Conditions and Operations |
1117 |
Editing Pitch Bend Events |
1117 |
Using Meta Events to Control Condition and Operation Values |
1117 |
Delay Line Objects |
1119 |
The Delay Line’s Parameter Box |
1119 |
Voice Limiter Objects |
1120 |
The Voice Limiter Parameter Box |
1120 |
Channel Splitter Objects |
1121 |
Chord Memorizer Objects |
1121 |
The Chord Memorizer Parameter Box |
1122 |
Working in the Chord Memorizer Window |
1123 |
Physical Input Objects |
1124 |
Sequencer Input Objects |
1125 |
MIDI Click Objects |
1126 |
Internal Objects |
1128 |
Apple QuickTime |
1128 |
ReWire |
1128 |
Channel Strip Objects |
1130 |
Channel Strip Parameters |
1131 |
Input Channel Strip |
1132 |
Bus Channel Strip |
1133 |
Prelisten Channel Strip |
1133 |
Working with Video |
1135 |
Opening a Movie |
1135 |
Using the Movie Window |
1137 |
Using the Video Track |
1138 |
Working with Movie Scene Markers |
1139 |
Creating and Deleting Movie Scene Markers |
1139 |
Converting Movie Scene Markers |
1140 |
Handling QuickTime Movie Audio Tracks |
1141 |
Importing Audio Tracks From QuickTime Movies |
1141 |
Exporting Audio Tracks to QuickTime Movies |
1141 |
Synchronizing Logic Express |
1143 |
Understanding the Synchronization Protocols |
1143 |
The Synchronization Master and Slave Relationship |
1144 |
Using External Synchronization |
1144 |
Using the Sync Button |
1145 |
When Logic Express Is Running as a Slave |
1145 |
Accessing Synchronization Settings with the Sync Button |
1145 |
MTC Interpretation |
1145 |
Displaying and Using SMPTE Positions |
1146 |
Positioning Objects to Frames (Pickup Clock) |
1146 |
Fixing Objects to Frames |
1147 |
Positioning Bars to Frames |
1147 |
MIDI Machine Control |
1148 |
Synchronization Problems and Solutions |
1150 |
Faulty Digital Synchronization |
1150 |
Faulty Synchronization to an External Tape Machine |
1150 |
If MIDI and Audio Are Not Synchronized |
1151 |
If MIDI and SMPTE Are Not Synchronized |
1151 |
Working with Plug-in Latencies |
1153 |
Understanding Plug-in Latency in Logic Express |
1153 |
Working in Low Latency Mode |
1154 |
Working with Plug-in Latency Compensation |
1155 |
Understanding Plug-in Latency Compensation |
1155 |
Knowing the Limitations of Plug-in Latency Compensation |
1156 |
Dealing with Latency Issues |
1157 |
Working with Split Channel Audio File Formats |
1159 |
Importing Split Channel Files |
1159 |
Working with Split Stereo Files |
1160 |
Disconnecting Split Stereo Files |
1160 |
Converting Split Stereo Files to Interleaved Stereo |
1161 |
Exporting Split Channel Files |
1161 |
Project Settings in Logic Express |
1163 |
Accessing Project Settings |
1163 |
Saving Project Settings |
1165 |
Synchronization Project Settings |
1165 |
General Synchronization Settings |
1166 |
Audio Synchronization Settings |
1169 |
MIDI Synchronization Settings |
1171 |
Unitor Synchronization Settings |
1173 |
Metronome Settings |
1175 |
Recording Settings |
1177 |
Tuning Settings |
1180 |
About Tuning |
1182 |
About Alternate Tunings |
1182 |
The Comma |
1183 |
About Equal Temperament |
1184 |
What Is Hermode Tuning? |
1184 |
How Hermode Tuning Works |
1184 |
Audio Settings |
1186 |
MIDI Settings |
1188 |
General MIDI Settings |
1189 |
Input Filter Settings |
1190 |
Chase Settings |
1191 |
Score Settings |
1192 |
Global Score Settings |
1193 |
Numbers & Names Settings |
1196 |
Tablature Settings |
1199 |
Determining the Assign Method |
1201 |
Further Information on Tablature Notation |
1202 |
Chords & Grids Settings |
1204 |
Clefs & Signatures Settings |
1206 |
Layout Settings |
1209 |
MIDI Meaning Settings |
1211 |
Color Settings |
1213 |
Video Project Settings |
1215 |
Assets Project Settings |
1217 |
Preferences in Logic Express |
1219 |
Accessing Preferences |
1219 |
Saving Preferences |
1220 |
General Preferences in Logic Express |
1221 |
General Project Handling Preferences |
1222 |
General Editing Preferences |
1224 |
General Cycle Preferences |
1226 |
General Catch Preferences |
1227 |
General Caps Lock Keys Preferences |
1228 |
Audio Preferences in Logic Express |
1229 |
Core Audio Device Preferences |
1230 |
Audio General Preferences |
1233 |
Audio I/O Assignment Preferences |
1235 |
Output Pane |
1236 |
Bounce Extensions Pane |
1237 |
Audio Sample Editor Preferences |
1238 |
Audio MP3 Preferences |
1240 |
Audio Reset Preferences |
1241 |
MIDI Preferences in Logic Express |
1242 |
MIDI Reset Message Preferences |
1242 |
MIDI General Preferences |
1244 |
MIDI Sync Preferences |
1245 |
Display Preferences in Logic Express |
1247 |
General Display Preferences |
1248 |
Arrange Display Preferences |
1249 |
Mixer Display Preferences |
1250 |
Piano Roll Display Preferences |
1251 |
Score Preferences in Logic Express |
1252 |
Video Preferences in Logic Express |
1254 |
Automation Preferences in Logic Express |
1255 |
Control Surface Preferences in Logic Express |
1257 |
Sharing Preferences in Logic Express |
1259 |