Harman Kardon AVR 347 Owners Manual - Page 50

Table 8 - Surround Modes - dimensions

Page 50 highlights

ADVANCED FUNCTIONS Table 8 - Surround Modes Surround Mode Description Incoming Bitstream or Signal Dolby Digital Provides up to five separate main audio channels and a dedicated low-frequency effects (LFE) channel. May be encoded for Night mode, which allows the user to apply a compression setting that maintains intelligibility of softer passages while reducing the loudness of dynamic passages to avoid disturbing others. • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1 • Dolby Digital EX (played as 5.1) Dolby Digital EX An expansion of Dolby Digital 5.1 that adds a surround back channel which may be played through one or two surround back speakers. May be manually selected when a non-EX Dolby Digital stream is detected. • Dolby Digital EX • Dolby Digital 2/2/.0 or .1, 3/2/.0 or .1 Dolby Digital Stereo Delivers a 2-channel downmix of Dolby Digital materials. • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1 • Dolby Digital EX Dolby Pro Logic II Mode Group Analog decoder that derives five full-range, discrete main audio channels from matrix surround-encoded or 2-channel analog sources. Four variants are available. See below. Dolby Pro Logic II Movie Variant of Dolby Pro Logic II that is optimized for movie and television programs. • Dolby Digital 2.0 or 2.1 • Analog (2-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Dolby Pro Logic II Music Variant of Dolby Pro Logic II that is optimized for music selections. Allows adjustment of sound field presentation in three dimensions: • Center Width (adjusts width of vocal soundstage) • Dimension (adjusts depth of soundstage) • Panorama (adjusts wraparound surround effect) • Dolby Digital 2.0 or 2.1 • Analog (2-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Dolby Pro Logic II Game Variant of Dolby Pro Logic II that emphasizes use of the surround channels and subwoofer for total immersion in the video gaming experience. • Dolby Digital 2.0 or 2.1 • Analog (2-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Dolby Pro Logic Original version of Dolby Pro Logic that steered a mono signal containing information below 7kHz to the surround channels. • Dolby Digital 2.0 or 2.1 • Analog (2-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Dolby Pro Logic IIx Mode Group An expansion of Dolby Pro Logic II that adds a surround back channel which may be played through one or two surround back speakers. The Dolby Pro Logic IIx modes may be selected not only with Dolby Digital bitstreams, but thanks to the AVR 347's post-processor, they may also be used with some DTS bitstreams to add a surround back channel to 5.1 modes. Dolby Pro Logic IIx Movie This mode is similar to Dolby Pro Logic II Movie, with an added surround back channel. In addition, it may be selected even when some types of DTS signals are present for a somewhat different presentation. • Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1, EX • DTS 2/2/.0 or .1, 3/2/.0 or .1 • DTS 96/24 • DTS-ES Matrix • DTS-ES Discrete • Analog (2-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) 50

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Table 8 – Surround Modes
Surround Mode
Description
Incoming Bitstream or Signal
Dolby Digital
Provides up to five separate main audio channels and a dedicated
• Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,
low-frequency effects (LFE) channel. May be encoded for Night mode,
3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1,
which allows the user to apply a compression setting that maintains
3/2/.0 or .1
intelligibility of softer passages while reducing the loudness of dynamic
• Dolby Digital EX (played as 5.1)
passages to avoid disturbing others.
Dolby Digital EX
An expansion of Dolby Digital 5.1 that adds a surround back channel
• Dolby Digital EX
which may be played through one or two surround back speakers. May
• Dolby Digital 2/2/.0 or .1, 3/2/.0 or .1
be manually selected when a non-EX Dolby Digital stream is detected.
Dolby Digital Stereo
Delivers a 2-channel downmix of Dolby Digital materials.
• Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,
3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1,
3/2/.0 or .1
• Dolby Digital EX
Dolby Pro Logic II
Analog decoder that derives five full-range, discrete main audio channels
See below.
Mode Group
from matrix surround-encoded or 2-channel analog sources. Four
variants are available.
Dolby Pro Logic II
Variant of Dolby Pro Logic II that is optimized for movie and
• Dolby Digital 2.0 or 2.1
Movie
television programs.
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Dolby Pro Logic II
Variant of Dolby Pro Logic II that is optimized for music selections.
• Dolby Digital 2.0 or 2.1
Music
Allows adjustment of sound field presentation in three dimensions:
• Analog (2-channel)
• Center Width (adjusts width of vocal soundstage)
• Tuner
• Dimension (adjusts depth of soundstage)
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Panorama (adjusts wraparound surround effect)
Dolby Pro Logic II
Variant of Dolby Pro Logic II that emphasizes use of the surround
• Dolby Digital 2.0 or 2.1
Game
channels and subwoofer for total immersion in the video gaming
• Analog (2-channel)
experience.
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Dolby Pro Logic
Original version of Dolby Pro Logic that steered a mono signal
• Dolby Digital 2.0 or 2.1
containing information below 7kHz to the surround channels.
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Dolby Pro Logic IIx
An expansion of Dolby Pro Logic II that adds a surround back channel
Mode Group
which may be played through one or two surround back speakers. The
Dolby
Pro Logic IIx modes may be selected not only with Dolby Digital bit-
streams, but thanks to the AVR 347’s post-processor, they may also be used
with some DTS bitstreams to add a surround back channel to 5.1 modes.
Dolby Pro Logic IIx
This mode is similar to Dolby Pro Logic II Movie, with an added surround
• Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1,
Movie
back channel. In addition, it may be selected even when some types of
3/2/.0 or .1, EX
DTS signals are present for a somewhat different presentation.
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• DTS-ES Matrix
• DTS-ES Discrete
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
ADVANCED FUNCTIONS