Mackie 1402-VLZ Pro Owner's Manual - Page 20

Aux Send, Moderation during EQ - reverb

Page 20 highlights

OO OO OO U +15 U +15 U -15 +15 U -12 +12 U -15 +15 AUX 1 MON/ EFX 2 EFX EQ HI 12kHz MID 2.5kHz LOW 80Hz PAN LR 1 MUTE ALT 3-4 dB 10 SOLO 5 U 5 10 20 30 40 50 60 Moderation during EQ With EQ, you can also screw things up royally. We've designed a lot of boost and cut into each equalizer circuit, because we know everyone will occasionally need that. But if you max the EQs on every channel, you'll get mix mush. Equalize subtly and use the left sides of the knobs (cut), as well as the right (boost). Very few gold-record-album engineers ever use more than about 3dB of EQ. If you need more than that, there's usually a better way to get it, such as placing a mic differently (or using a different kind of mic entirely). AUX SEND These tap a portion of each channel signal out to another source for parallel effects processing or stage monitoring. AUX send levels are controlled by the channel's AUX 1 and AUX 2 knobs and by the AUX 1 MASTER . These are more than just effects and monitor sends. They can be used to generate separate mixes for recording or "mix-minuses" for broadcast. By using AUX 1 in the PRE mode , these mix levels can be obtained independently of the channel's GAIN control. AUX 1 in POST-mode and AUX 2 are post-LOW CUT, post-EQ and post-FADER. That is, the sends obey the settings of these controls. AUX 1 in PRE mode follows the EQ and LOW CUT settings only. PAN and FADER have no effect on the PRE send (see diagram below). All AUX send levels range from off through unity (with their channel gain controls at the center detent position) on up to 15dB of extra gain (when turned fully clockwise). Chances are you'll never need this extra gain, but it's nice to know it's there if you do. Channel 7-14 AUX pots control the mono sum of the channel's stereo signals for each AUX send. For instance, Channel 7 (left) and 8 (right) mix together to feed that channel's AUX send knobs. We recommend going into a stereo reverb in mono and returning in stereo. We have found that most "stereo" reverbs' second input just ties up an extra AUX send and adds nothing to the sound. There are exceptions, so feel free to try it both ways. If your effects device is true stereo all the way through, use AUX 1 to feed its LEFT input and AUX 2 to feed the RIGHT input. INPUT TRIM LOW CUT INSERT EQ FADER PAN MUTE / ALT "Pre vs. Post" Signal Flow Diagram "POST" SIGNAL "PRE" SIGNAL "POST" SIGNAL OBEYS MUTE STATUS AUX SEND 2 KNOB AUX SEND 1 KNOB 20 TO AUX SEND 2 OUTPUT TO AUX SEND 1 OUTPUT AUX SEND 1 PRE/POST SWITCH (IN MASTER SECTION)

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20
AUX 1
in
POST
-mode
and
AUX 2
are
post-
LOW CUT
, post-
EQ
and post-
FADER
. That
is, the sends obey the settings of these controls.
AUX 1
in
PRE
mode follows the
EQ
and
LOW
CUT
settings only.
PAN
and
FADER
have no ef-
fect on the
PRE
send (see diagram below).
All
AUX
send levels range from
off
through
unity
(with their channel gain controls at the
center detent position) on up to 15dB of extra
gain (when turned fully clockwise). Chances
are you’ll never need this extra gain, but it’s
nice to know it’s there if you do.
Channel 7–14
AUX
pots control the mono
sum of the channel’s stereo signals for each
AUX
send. For instance, Channel 7 (left) and
8 (right) mix together to feed that channel’s
AUX
send knobs.
We recommend going into a stereo reverb in
mono and returning in stereo. We have found
that most “stereo” reverbs’ second input just ties
up an extra
AUX
send and adds nothing to the
sound. There are exceptions, so feel free to try it
both ways. If your effects device is true stereo
all the way through, use
AUX 1
to feed its
LEFT
input and
AUX 2
to feed the
RIGHT
input.
“Pre vs. Post”
Signal Flow Diagram
Moderation during EQ
With
EQ
, you can also screw things up roy-
ally. We’ve designed a lot of boost and cut into
each equalizer circuit, because we know
everyone will occasionally need that. But if you
max the
EQ
s on every channel, you’ll get mix
mush. Equalize subtly and use the left sides of
the knobs (cut), as well as the right (boost).
Very few gold-record-album engineers ever use
more than about 3dB of
EQ
. If you need more
than that, there’s usually a better way to get it,
such as placing a mic differently (or using a
different kind of mic entirely).
AUX SEND
These tap a portion of each channel signal
out to another source for parallel effects pro-
cessing or stage monitoring.
AUX
send levels
are controlled by the channel’s
AUX 1
and
AUX
2
knobs
and by the
AUX 1 MASTER
.
These are more than just effects and moni-
tor sends. They can be used to generate
separate mixes for recording or “mix-minuses”
for broadcast. By using
AUX 1
in the
PRE
mode
, these mix levels can be obtained in-
dependently of the channel’s
GAIN
control.
TRIM
INSERT
LOW CUT
EQ
FADER
PAN
MUTE / ALT
AUX SEND 2 KNOB
"POST" SIGNAL
"PRE" SIGNAL
AUX SEND 1 KNOB
"POST" SIGNAL OBEYS
MUTE STATUS
INPUT
AUX SEND 1 PRE/POST SWITCH
(IN MASTER SECTION)
TO AUX SEND 2 OUTPUT
TO AUX SEND 1 OUTPUT
U
+15
-15
U
+15
-15
U
+12
-12
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
AUX
1
2
MON/
EFX
EFX
PAN
L
R
SOLO
1
MUTE
ALT 3
4
dB
30
20
10
O
O
40
50
5
5
U
60
10
U
O
O
+15
U
O
O
+15