Mackie 1604-VLZ Pro Owner's Manual - Page 10

Patchbay Description, E-Z Interface, Mic/Line Inputs On Every Channel, Mic Inputs, Phantom Power - 16 channel mixer

Page 10 highlights

PATCHBAY DESCRIPTION At the risk of stating the obvious, this is where you plug everything in: microphones, line-level instruments and effects, and the ultimate destination for your sound: a tape recorder, PA system, etc. A few of the features described in this section are on top of the mixer, but most are out back on the "pod." E-Z INTERFACE and noise. You can plug in almost any kind of mic that has a standard XLR-type male mic connector. Always be sure to perform the Level-Setting Procedure . To learn how signals are routed from these inputs: . If you wire your own, connect them like this: SHIELD 2 HOT Concerned about levels, balancing, impedances, polarity, or other interface goblins? Don't be. On your 1604-VLZ PRO, you can patch anything almost anywhere, with nary a care. Here's why: • Every input and output is balanced (except insert, phones and RCA jacks). • Every input and output will also accept unbalanced lines (except XLR jacks). • Every input is designed to accept virtually any output impedance. • The main left and right mix outputs can deliver 28dBu into as low as a 600 ohm load. • All the other outputs can deliver 22dBu into as low as a 600 ohm load. • All the outputs are in phase with the inputs. All we ask is that you perform the Level-Setting Procedure every time you patch in a new sound source. So stop worrying and start mixing! MIC/LINE INPUTS ON EVERY CHANNEL The original CR-1604 had six mic/line channels and ten line-only channels. That was fine for most applications, but live sound users were forced to go out and buy the XLR-10 mic input add-on module. No more. Each and every channel on the New Improved 1604-VLZ PRO has the legendary Mackie mic/line input circuit. It's like getting a free XLR-10 with your mixer! MIC INPUTS We use phantom-powered, balanced microphone inputs just like the big studio megaconsoles, for exactly the same reason: This kind of circuit is excellent at rejecting hum COLD 3 1 SHIELD 1 COLD 3 2 HOT 1 3 2 SHIELD COLD HOT Pin 1 = ground or shield Pin 2 = positive (+ or hot) Pin 3 = negative (- or cold) Professional ribbon, dynamic, and condenser mics will all sound excellent through these inputs. The 1604-VLZ PRO's mic inputs will handle almost any kind of mic level you can toss at them, without overloading. PHANTOM POWER Most condenser mics require phantom power, where the mixer sends low-current DC voltage to the mic's electronics through the same wires that carry audio. The 1604-VLZ PRO's phantom power is globally controlled by the PHANTOM switch on the rear panel . Semipro condenser mics often have batteries to accomplish the same thing. "Phantom" owes its name to an ability to be "unseen" by dynamic mics (Shure® SM57/SM58, for instance) that don't need external power and aren't affected by it anyway. Unless you know for certain it is safe to do so, never plug single-ended (unbalanced) microphones, instruments or electronic devices into the MIC input jacks if the phantom power is on. 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO POWER PHANTOM ON ON CAUTION: TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING UUTTIILLIISSEEUUNNFFUUSSIIBBLLEEDDEERREECCHHAANNGGEEDDEEMMÊÊMMEETTYYPPEE..DDEEBBRRAANNCCHHEERRAAVVAANNTTDDEERREEMMPPLLAACCEERRLLEEFFUUSSIIBBLLEE INSERT INSERT INSERT MAIN OUT BAL/UNBAL L MONO R +6 INSERT OO MAIN INSERT (TIP SEND RING RETURN) L TAPE INPUT TAPE OUTPUT C-R OUT BAL/UNBAL L L L R R R R INSERT INSERT INSERT SUB OUT BAL/UNBAL 3 1 4 2 AUX RETURN BAL/UNBAL 4 3 2 1 L (MONO) R L (MONO) R L (MONO) R AUX SEND BAL/UNBAL 5 3 1 6 4 2 DIRECT OUT BAL/UNBAL 7 5 3 1 8 6 4 2 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT LINE 16 LINE 15 LINE 14 LINE 13 LINE 12 LINE 11 LINE 10 9 LINE 8 LINE 7 LINE 6 LINE 5 LINE 4 LINE 3 LINE 2 LINE 1 LINE BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- UN- BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL BAL MIC 16 XDR MIC PRE MIC 15 XDR MIC PRE MIC 14 XDR MIC PRE MIC 13 XDR MIC PRE MIC 12 XDR MIC PRE MIC 11 XDR MIC PRE MIC 10 XDR MIC PRE MIC 9 XDR MIC PRE MIC 8 XDR MIC PRE MIC 7 XDR MIC PRE MIC 6 XDR MIC PRE MIC 5 XDR MIC PRE MIC 4 XDR MIC PRE MIC 3 XDR MIC PRE MIC 2 XDR MIC PRE MIC 1 XDR MIC PRE 10 XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40

10
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
4
3
2
1
INSERT
INSERT
INSERT
LINE
INSERT
MIC 4
MIC 3
MIC 2
MIC 1
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
O
O
+6
PHANTOM
ON
POWER
ON
120 VAC 50/60 Hz 20W
1A/250V SLO-BLO
16
15
14
13
12
11
10
9
8
7
6
5
MIC 16
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
MIC 15
MIC 14
MIC 13
MIC 12
MIC 11
MIC 10
MIC 9
MIC 8
MIC 7
MIC 6
MIC 5
SUB OUT
C-R OUT
MAIN INSERT
(TIP SEND
RING RETURN)
TAPE
TAPE
MAIN OUT
AUX SEND
DIRECT OUT
AUX RETURN
3
R
L
MONO
R
R
R
R
L
R
L
R
L
R
L
L
L
L
1
4
2
5
1
2
3
4
3
1
6
4
2
7
5
3
8
6
4
1
2
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
INPUT
OUTPUT
R
L
(MONO)
(MONO)
(MONO)
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
TO REDUCE THE
RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR
REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE •
US PATENT NUMBER 29/049,129
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
At the risk of stating the obvious, this is
where you plug everything in: microphones,
line-level instruments and effects, and the ulti-
mate destination for your sound: a tape
recorder, PA system, etc. A few of the features
described in this section are on top of the
mixer, but most are out back on the “pod.”
E-Z INTERFACE
Concerned about levels,
balancing, impedances, po-
larity, or other interface
goblins? Don’t be. On your
1604-VLZ
PRO, you can patch anything almost
anywhere, with nary a care. Here’s why:
Every input and output is balanced
(except insert, phones and RCA jacks).
Every input and output will also accept
unbalanced lines (except XLR jacks).
Every input is designed to accept virtually
any output impedance.
The main left and right mix outputs can
deliver 28dBu into as low as a 600 ohm load.
All the other outputs can deliver 22dBu
into as low as a 600 ohm load.
All the outputs are in phase with the inputs.
All we ask is that you perform the
Level-Setting
Procedure
every time you patch in a new
sound source. So stop worrying and start mixing!
MIC/LINE INPUTS ON EVERY CHANNEL
The original CR-1604 had six mic/line channels
and ten line-only channels. That was fine for most
applications, but live sound users were forced to
go out and buy the XLR-10 mic input add-on
module. No more. Each and every channel on the
New Improved 1604-VLZ
PRO has the legendary
Mackie mic/line input circuit. It’s like getting a
free XLR-10 with your mixer!
MIC INPUTS
We use phantom-powered, balanced micro-
phone inputs just like the big studio mega-
consoles, for exactly the same reason: This
kind of circuit is excellent at rejecting hum
PATCHBAY DESCRIPTION
and noise. You can plug in almost any kind of
mic that has a standard XLR-type male mic
connector. Always be sure to perform the
Level-Setting Procedure
. To learn how sig-
nals are routed from these inputs:
. If you
wire your own, connect them like this:
2
2
3
1
1
SHIELD
COLD
HOT
SHIELD
COLD
HOT
3
SHIELD
COLD
HOT
3
2
1
Pin 1 = ground or shield
Pin 2 = positive (+ or hot)
Pin 3 = negative (– or cold)
Professional ribbon, dynamic, and condenser
mics will all sound excellent through these in-
puts. The 1604-VLZ
PRO’s mic inputs will handle
almost any kind of mic level you can toss at
them, without overloading.
PHANTOM POWER
Most condenser mics require phantom power,
where the mixer sends low-current DC voltage to
the mic’s electronics through the same wires
that carry audio. The 1604-VLZ
PRO’s phantom
power is globally controlled by the
PHANTOM
switch on the rear panel
.
Semipro condenser mics often have batter-
ies to accomplish the same thing. “Phantom”
owes its name to an ability to be “unseen” by
dynamic mics (Shure
®
SM57/SM58, for in-
stance) that don’t need external power and
aren’t affected by it anyway.
Unless you know for cer-
tain it is safe to do so,
never plug single-ended
(unbalanced) micro-
phones, instruments or
electronic devices into the
MIC
input jacks if
the phantom power is on.