Mackie 1604-VLZ Pro Owner's Manual - Page 21

Pre, 5/6 Shift, Pre Vs. Post

Page 21 highlights

OO OO OO OO OO We recommend going into a stereo reverb in mono and returning in stereo. We have found that on most "stereo" reverbs, the second input just ties up an extra aux send and adds nothing to the sound. There are exceptions, so feel free to try it both ways. Should you choose to use two aux sends, use the "odd" AUX (1, 3 or 5) to feed its left input and the "even" AUX (2, 4 or 6) to feed the right input. Remember, if you're also dealing with a stereo source signal, you'll want to follow the sides - use the odd AUX on the channel carrying the left side and the even AUX on the channel carrying the right. PRE This switch determines the tap point of AUX 1 and 2. Generally, "post" sends are used to feed effects devices, and "pre" sends are used to feed your stage monitors. See the "Pre vs. Post" diagram below. AUX 3 through 6 are always in post mode. In post mode (switch up), AUX 1 and 2 will follow the EQ, LOW CUT, fader and MUTE settings. If you fade the channel, you fade the send. This is a must for effects sends, since you want the levels of your "wet" signals to follow the level of the "dry." In PRE mode (switch down), AUX 1 and 2 follow the TRIM and LOW CUT settings only. EQ, PAN, fader and MUTE settings have no effect on the PRE sends. This is the preferred method for setting up stage monitor feeds - they'll be controlled independently of the fader and mute moves. 5/6 SHIFT Don't let the fact that there's only four AUX knobs per channel fool you - the 1604-VLZ PRO has six AUX SENDs. With the 5/6 SHIFT switch up, the knobs labeled AUX 3 and AUX 4 deliver their signals to AUX SEND 3 and 4 outputs. With the shift switch down, the signals appear at the AUX SEND 5 and 6 outputs. We recommend that AUX SEND 3 and 4 be patched into your "utility" effects, like a short reverb and slap delay; effects you use all the time. Use AUX SEND 5 and 6 for "exotic" effects, like harmonizers and multi-tap delays; they are not likely to be used as often. INPUT TRIM Pre Vs. Post INSERT LOW CUT MUTE EQ FADER 'PRE' SIGNAL 'POST' SIGNAL PAN ASSIGN AUX 1 PRE SWITCH AUX 2 TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 5/6 SHIFT EQ U HI 12k -15 +15 U MID -15 +15 800 200 2k 100 8k U LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT PAN LR 1 MUTE OL -20 SOLO 1-2 3-4 L - R 21

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21
We recommend going into a stereo reverb in
mono and returning in stereo. We have found
that on most “stereo” reverbs, the second input
just ties up an extra aux send and adds nothing
to the sound. There are exceptions, so feel free
to try it both ways. Should you choose to use two
aux sends, use the “odd”
AUX
(
1
,
3
or
5
) to feed
its left input and the “even”
AUX
(
2
,
4
or
6
) to
feed the right input. Remember, if you’re also
dealing with a stereo source signal, you’ll want
to follow the sides — use the odd
AUX
on the
channel carrying the left side and the even
AUX
on the channel carrying the right.
PRE
This switch determines the tap point of
AUX 1
and
2
. Generally, “post” sends are used
to feed effects devices, and “pre” sends are
used to feed your stage monitors. See the “Pre
vs. Post” diagram below.
AUX 3
through
6
are
always in post mode.
In post mode (switch up),
AUX 1
and
2
will
follow the
EQ
,
LOW CUT
, fader and
MUTE
set-
tings. If you fade the channel, you fade the
send. This is a must for effects sends, since you
want the levels of your “wet” signals to follow
the level of the “dry.”
PAN
AUX
3
1
2
EQ
5
4
6
5/6
SHIFT
PRE
TRIM
1
SOLO
L - R
3–4
1–2
OL
-20
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
U
O
O
+15
1
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
L
R
O
O
U
Pre Vs. Post
In
PRE
mode (switch down),
AUX 1
and
2
follow the
TRIM
and
LOW CUT
settings only.
EQ
,
PAN
, fader and
MUTE
settings have no ef-
fect on the
PRE
sends. This is the preferred
method for setting up stage monitor feeds —
they’ll be controlled independently of the fader
and mute moves.
5/6 SHIFT
Don’t let the fact that there’s only four
AUX
knobs per channel fool you — the 1604-VLZ
PRO has six
AUX SEND
s. With the
5/6 SHIFT
switch up, the knobs labeled
AUX 3
and
AUX
4
deliver their signals to
AUX SEND 3
and
4
out-
puts. With the shift switch down, the signals
appear at the
AUX SEND 5
and
6
outputs.
We recommend that
AUX SEND 3
and
4
be
patched into your “utility” effects, like a short re-
verb and slap delay; effects you use all the time.
Use
AUX SEND 5
and
6
for “exotic” effects, like
harmonizers and multi-tap delays; they are not
likely to be used as often.
INPUT
TRIM
INSERT
LOW
CUT
EQ
PAN
ASSIGN
MUTE
FADER
'POST' SIGNAL
'PRE' SIGNAL
PRE SWITCH
AUX 1
AUX 2