Mackie 1604-VLZ Pro Owner's Manual - Page 11

Line Inputs, Trim, Insert, Direct Out, Level-Setting Procedure, Level - used mixer

Page 11 highlights

LINE INPUTS These 1/4" jacks share circuitry (but not phantom power) with the mic preamps. You can use these inputs for virtually any signal you'll come across, from instrument levels as low as -50dB to operating levels of -10dBV to +4dBu, as there is 60dB of gain available via the TRIM knob . Always be sure to perform the Level-Setting Procedure . To learn how signals are routed from these inputs: . To connect balanced lines to these inputs, use a 1/4" tip-ring-sleeve (TRS) plug, the type found on some stereo headphones: RING SLEEVE SLEEVE RING TIP TIP RING TIP SLEEVE Tip = positive (+ or hot) Ring = negative (- or cold) Sleeve = shield or ground To connect unbalanced lines to these in- puts, use a 1/4" mono (TS) phone plug or standard instrument cable: SLEEVE SLEEVE TIP This 15dB of attenuation can be very handy when you are inserting a signal that is very hot, or you want to add a lot of EQ gain, or both. Without this "virtual pad," a scenario like that might lead to channel clipping. INSERT These 1/4" jacks are for connecting serial effects processors such as compressors, equalizers, de-essers, or filters . The INSERT point is after the TRIM control, but before the channel's EQ, LOW CUT, fader and MUTE controls. Insert cables must be wired thusly: ring tip sleeve (TRS plug) SEND to processor "tip" This plug connects to one of the mixer's Channel Insert jacks. "ring" RETURN from processor Tip = send (output to effects device) Ring = return (input from effects device) Sleeve = common ground Even though channels 1-8 already have DIRECT OUT jacks , INSERT jacks can also be used as channel direct outputs; post-TRIM, pre-LOW CUT, and pre-EQ. Here's three ways you can use the INSERT jacks: TIP Tip = signal (+) Sleeve = ground TIP SLEEVE TRIM Yes it's true, these controls are not located in the patchbay section at all. They're found along the top row of knobs in the channel strip section. But their purpose is so closely linked with the MIC and LINE input jacks that we couldn't bear to separate them. Here's why: Every time you plug something into a MIC or LINE input jack, you should perform the LevelSetting Procedure , and that procedure is basically "how to use the TRIM knob." TRIM adjusts the input sensitivity of the MIC and LINE inputs. This allows signals from the outside world to be adjusted to optimal internal operating levels. Through the XLR jack (MIC), there will be 0dB of gain with the knob fully down, ramping to 60dB of gain fully up. Through the 1/4" input (LINE), there is 15dB of attenuation fully down and 45dB of gain fully up, with a "U" (unity gain) mark at 10:00. MONO PLUG Channel Insert jack Direct out with no signal interruption to master. Insert only to first "click." MONO PLUG Channel Insert jack Direct out with signal interruption to master. Insert all the way in to the second "click." STEREO PLUG Channel Insert jack For use as an effects loop. (TIP = SEND to effect, RING = RETURN from effect.) DIRECT OUT Found only on channels 1-8, these 1/4" jacks deliver the signal from the very end of the channel path; post-TRIM, post-EQ, post-LOW CUT, post-fader and post-MUTE. They are the key player in "split monitoring," making the 1604-VLZ PRO perfect for an 8-track studio. To wire your own cables: . 11 OO OO OO OO OO TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 5/6 SHIFT EQ U HI 12k -15 +15 U MID -15 +15 800 200 2k 100 8k U LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT PAN LR 1 MUTE OL -20 SOLO 1-2 3-4 L - R

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11
LINE INPUTS
These
1
/
4
" jacks share circuitry (but not
phantom power) with the mic preamps. You
can use these inputs for virtually any signal
you’ll come across, from instrument levels as
low as –50dB to operating levels of –10dBV to
+4dBu, as there is 60dB of gain available via
the
TRIM
knob
. Always be sure to perform
the
Level-Setting Procedure
.
To learn how signals are routed from these
inputs:
. To connect balanced lines to these
inputs, use a
1
/
4
" tip-ring-sleeve (TRS) plug,
the type found on some stereo headphones:
Tip = positive (+ or hot)
Ring = negative (– or cold)
Sleeve = shield or ground
To connect unbalanced lines to these in-
puts, use a
1
/
4
" mono (TS) phone plug or
standard instrument cable:
Tip = signal (+)
Sleeve = ground
TRIM
Yes it’s true, these controls are not located
in the patchbay section at all. They’re found
along the top row of knobs in the channel strip
section. But their purpose is so closely linked
with the
MIC
and
LINE
input jacks that we
couldn’t bear to separate them. Here’s why:
Every time you plug something into a
MIC
or
LINE
input jack, you should perform the
Level-
Setting Procedure
, and that procedure is
basically “how to use the
TRIM
knob.”
TRIM
adjusts the input sensitivity of the
MIC
and
LINE
inputs. This allows signals from
the outside world to be adjusted to optimal
internal operating levels.
Through the XLR jack (
MIC
), there will be
0dB of gain with the knob fully down, ramping
to 60dB of gain fully up.
Through the
1
/
4
" input (
LINE
), there is 15dB
of attenuation fully down and 45dB of gain fully
up, with a “
U
” (unity gain) mark at 10:00.
This 15dB of attenuation can be very handy
when you are inserting a signal that is very hot,
or you want to add a lot of EQ gain, or both.
Without this “virtual pad,” a scenario like that
might lead to channel clipping.
INSERT
These
1
/
4
" jacks are for connecting serial
effects processors such as compressors, equaliz-
ers, de-essers, or filters
. The
INSERT
point is
after the
TRIM
control, but before the channel’s
EQ
,
LOW CUT,
fader and
MUTE
controls. Insert
cables must be wired thusly:
“tip”
This plug connects to one of the
mixer’s Channel Insert jacks.
“ring”
tip
ring
sleeve
SEND to processor
RETURN from processor
(TRS plug)
Tip = send (output to effects device)
Ring = return (input from effects device)
Sleeve = common ground
Even though channels 1–8 already have
DIRECT OUT
jacks
,
INSERT
jacks can also
be used as channel direct outputs; post-
TRIM
,
pre-
LOW CUT
, and pre-
EQ
. Here’s three ways
you can use the
INSERT
jacks:
Direct out with no signal interruption to master.
Insert only to first
click.
Channel Insert jack
Channel Insert jack
Channel Insert jack
Direct out with signal interruption to master.
Insert all the way in to the second
click.
For use as an effects loop.
(TIP = SEND to effect, RING = RETURN from effect.)
MONO PLUG
MONO PLUG
STEREO
PLUG
DIRECT OUT
Found only on channels 1–8, these
1
/
4
" jacks
deliver the signal from the very end of the
channel path; post-
TRIM
, post-
EQ
, post-
LOW
CUT
, post-fader and post-
MUTE
. They are the
key player in “split monitoring,” making the
1604-VLZ
PRO perfect for an 8-track studio.
To
wire your own cables:
.
PAN
AUX
3
1
2
EQ
5
4
6
5/6
SHIFT
PRE
TRIM
1
SOLO
L - R
3–4
1–2
OL
-20
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
U
O
O
+15
1
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
L
R
O
O
U
SLEEVE
TIP
TIP
SLEEVE
TIP
SLEEVE
SLEEVE
TIP
SLEEVE
TIP
RING
RING
TIP
SLEEVE
RING