Panasonic AG-DVX100A Digital Video Record - Page 41

Scene File Screen, A. Iris Level - 3 ccd

Page 41 highlights

Setting menus SCENE FILE screen Item/ (display mode) Description of settings DETAIL LEVEL For adjusting the detail amount. (Camera) -7 --- 0 --- +7 V DETAIL (Camera) For adjusting the strength of the outline compensation in the vertical direction of the images. -7 --- 0 --- +7 DTL CORING (Camera) For adjusting the level at which the noise in the detail signals is to be eliminated. -7 --- 0 --- +7 When this is adjusted in the "-" direction, clearer images are produced but the noise increases slightly. When it is adjusted in the "+" direction, the noise decreases. CHROMA LEVEL For adjusting the chroma level. (Camera) -7 --- 0 --- +7 CHROMA For finely adjusting the chroma phase. PHASE (Camera) -7 --- 0 --- +7 COLOR TEMP (Camera) For finely adjusting the color temperature (for performing fine adjustments after the white balance has been adjusted). -7 --- 0 --- +7 MASTER PED (Camera) For adjusting the black master pedestal which serves as the video reference. -15 --- 0 --- +15 A. IRIS LEVEL For setting the auto iris target value. (Camera) -4 --- 0 --- +4 The underlining indicates the factory setting. Item/ (display mode) Description of settings GAMMA (Camera) For selecting the gamma curve. LOW: Using a gamma curve with a moderate gradient for the low-luminance areas, the images are given a calm, composed look. A sharp touch is conveyed by the contrast. NORM: Standard images are produced. HIGH: Using a gamma curve with a sharp gradient for the low-luminance areas, the gradations of the dark areas are extended to make them appear brighter. A soft touch is conveyed by the contrast. B.PRESS: Images giving the sense of a sharper contrast than at the LOW setting are produced. CINE-LIKE: The gamma curve which gives the images a cinema-like finish is used. Images with less noise than at the CINE_LIKE_D setting are produced. CINE-LIKE_D: The dynamic range is higher than at the CINELIKE setting. CINE-LIKE_V: This uses the gamma curve for finishing the images into movie-like images where priority is given to contrast. In order to make full use of the CINELIKE gamma characteristics, it is recommended that the lens iris be set lower (by approx. 1/2) than the regular video level. KNEE (Camera) MATRIX (Camera) For setting the level (knee point) at which the high-brightness video signals sensed by the CCD are to be compressed in order to minimize color saturation in the highlights of the image. AUTO: The knee point is set automatically in accordance with the signals sensed. LOW: The knee point is set on the low side (with compression starting from around 80%). MID: The knee point is set at an interim value (with compression starting from around 90%). HIGH: The knee point is set on the high side (with compression starting from around 100%). For selecting the matrix table and expressing the colors during shooting. NORM: Colors suited to shooting outdoors or under light sources using halogen lamps are expressed. ENRICHED: More vivid colors are expressed than with the NORM setting. FLOU: Colors suited to shooting indoors under fluorescent light sources are expressed. CINE-LIKE: Colors suited to cinema-like shooting are expressed. 41

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41
Item/
(display mode)
Description of settings
DETAIL LEVEL
(Camera)
For adjusting the detail amount.
–7
---
0
---
+7
CHROMA LEVEL
(Camera)
For adjusting the chroma level.
–7
---
0
---
+7
CHROMA
PHASE (Camera)
For finely adjusting the chroma phase.
–7
---
0
---
+7
COLOR TEMP
(Camera)
For finely adjusting the color temperature
(for performing fine adjustments after the
white balance has been adjusted).
–7
---
0
---
+7
MASTER PED
(Camera)
For adjusting the black master pedestal
which serves as the video reference.
–15
---
0
---
+15
A. IRIS LEVEL
(Camera)
For setting the auto iris target value.
–4
---
0
---
+4
Item/
(display mode)
Description of settings
KNEE
(Camera)
For setting the level (knee point) at which
the high-brightness video signals sensed by
the CCD are to be compressed in order to
minimize color saturation in the highlights of
the image.
AUTO:
The knee point is set automatically in
accordance with the signals sensed.
LOW:
The knee point is set on the low side
(with
compression
starting
from
around 80%).
MID:
The knee point is set at an interim
value (with compression starting from
around 90%).
HIGH:
The knee point is set on the high side
(with compression starting from
around 100%).
Setting menus
SCENE FILE screen
V DETAIL
(Camera)
For adjusting the strength of the outline
compensation in the vertical direction of the
images.
–7
---
0
---
+7
DTL CORING
(Camera)
For adjusting the level at which the noise in
the detail signals is to be eliminated.
–7 --- 0 --- +7
When this is adjusted in the “–” direction,
clearer images are produced but the noise
increases slightly.
When it is adjusted in the “+” direction, the
noise decreases.
GAMMA
(Camera)
For selecting the gamma curve.
LOW:
Using a gamma curve with a moderate
gradient for the low-luminance areas, the
images are given a calm, composed look.
A sharp touch is conveyed by the contrast.
NORM:
Standard images are produced.
HIGH:
Using a gamma curve with a sharp
gradient for the low-luminance areas, the
gradations of the dark areas are
extended to make them appear brighter.
A soft touch is conveyed by the contrast.
B.PRESS:
Images giving the sense of a sharper contrast
than at the LOW setting are produced.
CINE-LIKE:
The gamma curve which gives the
images a cinema-like finish is used.
Images with less noise than at the
CINE_LIKE_D setting are produced.
CINE-LIKE_D:
The dynamic range is higher than at the
CINELIKE setting.
CINE-LIKE_V:
This uses the gamma curve for finishing
the images into movie-like images where
priority is given to contrast.
In order to make full use of the CINE-
LIKE gamma characteristics, it is
recommended that the lens iris be set
lower (by approx. 1/2) than the regular
video level.
The underlining indicates the factory setting.
MATRIX
(Camera)
For
selecting
the
matrix
table
and
expressing the colors during shooting.
NORM:
Colors suited to shooting outdoors
or under light sources using
halogen lamps are expressed.
ENRICHED:
More vivid colors are expressed
than with the NORM setting.
FLOU:
Colors suited to shooting indoors
under fluorescent light sources
are expressed.
CINE-LIKE:
Colors suited to cinema-like
shooting are expressed.