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Yamaha 01V96i Reference Manual - Page 153

COMP Parameter, Range, Description, THRESHOLD dB, RATIO, ATTACK ms, RELEASE ms, OUT GAIN dB

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Appendix: Parameter Lists Dynamics Parameters 153 COMP Section COMP The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of :1, reduces the level to the threshold. This means that the limiter's output level never actually exceeds the threshold. Parameter Range Description THRESHOLD (dB) -54.0 to 0.0 (541 points) RATIO 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 8.0:1, 10:1, 20:1, :1 (16 points) ATTACK (ms) 0-120 (121 points) RELEASE (ms) OUT GAIN (dB) 44.1kHz: 6 ms - 46.0 sec 48kHz: 5 ms - 42.3 sec 88.2kHz: 3 ms - 23.0 sec 96kHz: 3 ms - 21.1 sec (160 points) 0.0 to +18.0 (180 points) KNEE Hard, 1-5 (6 points) This determines the level of input signal required to trigger the compressor. This determines the amount of compression, that is, the change in output signal level relative to change in input signal level. This determines how soon the signal will be compressed once the compressor has been triggered. This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. This sets the compressor's output signal level. This determines how compression is applied at the threshold. For higher knee settings, compression is applied gradually as the signal exceeds the specified threshold, creating a more natural sound. Output Level Input Level Output Level I/O Characteristics (KNEE=hard, OUT GAIN=0.0dB) THRESHOLD RATIO Time Series Analysis (RATIO=:1) Input signal THRESHOLD Output Signal ATTACK RELEASE Input Level Time Time 01V96i-Reference Manual

Section	Page
How to Use This Reference Manual	1
Contents	2
Contents of the Owner’s Manual (Booklet)	3
Function Tree	4
Control Surface & Rear Panel	6
Control Surface	6
Rear Panel	10
Analog I/O & Digital I/O	12
Analog Inputs & Outputs	12
Digital Inputs & Outputs	13
Converting Sampling Rates of Signals Received at I/O Card Inputs	14
Monitoring Digital Input Channel Status	14
Dithering Digital Outputs	15
Setting the Transfer Format for Higher Sampling Rates	16
Input Channels	17
About Input Channels	17
Setting the Input Channels from the Display	18
Setting the Input Channels from the Control Surface	25
Pairing Input Channels	26
Naming Input Channels	28
Bus Outs	29
About Stereo Out	29
Bus Out 1–8	29
Setting the Stereo Out and Bus Out 1–8 from the Display	30
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	33
Pairing Buses or Aux Sends	33
Attenuating Output Signals	34
Naming the Stereo Out and Bus Outs	35
Aux Outs	36
Aux Out 1–8	36
Setting Aux Out 1–8 from the Display	36
Setting Aux Out 1–8 from the Control Surface	38
Setting Aux Send Levels	38
Viewing Aux Send Settings for Multiple Channels	40
Panning Aux Sends	41
Copying Channel Fader Positions to Aux Sends	42
Input & Output Patching	43
Input Patching	43
Output Patching	44
Patching Direct Outs	46
Insert Patching	47
Monitoring	49
Monitor	49
Monitor and Solo Setup	49
Using the Monitor	50
Using the Solo Function	51
Surround Pan	52
About Surround Pan	52
Setting Up and Selecting Surround Pan Modes	53
Surround Panning	56
Grouping Channels & Linking Parameters	59
Grouping & Linking	59
Using Fader Groups and Mute Groups	59
Using Fader Group Master	61
Using Mute Group Master	62
Linking EQ and Compressor Parameters	62
Internal Effects	64
About the Internal Effects	64
Using Effects Processors via Aux Sends	64
Inserting the Internal Effects into Channels	65
Editing Effects	66
About Add-On Effects	67
About Plug-Ins	67
Scene Memories	68
About Scene Memories	68
What is Stored in a Scene?	68
About Scene Numbers	68
Storing and Recalling Scenes	69
Auto Scene Memory Update	70
Fading Scenes	71
Recalling Scenes Safely	72
Sorting Scenes	72
Copying and Pasting a Scene (Global Paste)	73
Libraries	74
About the Libraries	74
General Library Operation	74
Using Libraries	75
Remote Control	83
About Remote Function	83
Pro Tools Remote Layer	83
Nuendo/Cubase Remote Layer	93
Other DAW Remote Layer	94
MIDI Remote Layer	94
Machine Control Function	98
MIDI	100
MIDI & the 01V96i	100
MIDI Port Setup	101
Assigning Scenes to Program Changes for Remote Recall	103
Assigning Parameters to Control Changes for Real-time Control	104
Controlling Parameters by Using Parameter Changes	106
Transmitting Parameter Settings via MIDI (Bulk Dump)	107
Other Functions	109
Setting Preferences	109
Creating a Custom Layer by Combining Channels (User Assignable Layer)	110
Cascading Consoles	111
Checking the Battery and the System Version	113
Calibrating the Faders	113
Index	115
Appendix: Parameter Lists	119
USER DEFINED KEYS	119
USER DEFINED KEYS Initial Assignments	121
Input Patch Parameters	121
Initial Input Patch Settings	123
Output Patch Parameters	125
Initial Output Patch Settings	127
User Defined Remote Layer Initial Bank Settings	128
Effects Parameters	132
Effects and tempo synchronization	146
Preset EQ Parameters	147
Preset Gate Parameters (fs = 44.1 kHz)	148
Preset Compressor Parameters (fs = 44.1 kHz)	149
Dynamics Parameters	151
Appendix: MIDI	156
Scene Memory to Program Change Table	156
Initial Parameter to Control Change Table	157
MIDI Data Format	173