Yamaha RXV559 MCXSP10 Manual - Page 67

SOUND FIELD PROGRAMS, Selecting sound field programs

Page 67 highlights

SOUND FIELD PROGRAMS SOUND FIELD PROGRAMS What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and shape of the room in which we are sitting. ■ Elements of a sound field There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound coming straight to our ears from the player's instrument. Early reflections Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound. Reverberations These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA has done with the digital sound field processor. Selecting sound field programs Notes • Choose a sound field program based on your listening preference, not merely on the name of the program. • When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source. • Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input source (see page 37). • Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs are applied. ■ Front panel operations ■ Remote control operations (U.S.A. model) ZONE 2 ON/OFF ZONE CONTROL VOLUME MASTER ON OFF MAIN ZONE ON/OFF PHONES SPEAKERS A B SILENT CINEMA PRESET/TUNING FM/AM EDIT SEARCH MODE A/B/C/D/E NEXT CATEGORY PROGRAM l PRESET/TUNING/CH h MEMORY TUNING MODE MAN'L/AUTO FM AUTO/MAN'L LEVEL INPUT DISPLAY STRAIGHT TONE CONTROL INPUT MODE MULTI CH INPUT EFFECT VIDEO VIDEO AUX L AUDIO R PORTABLE PROGRAM selector Rotate the PROGRAM selector on the front panel. The name of the selected sound field program appears in the front panel display and in the OSD. TV VOL TV CH AMP VOLUME SOURCE TV TV MUTE TV INPUT MUTE STEREO 1 MUSIC ENTERTAIN MOVIE 2 3 4 STANDARD SELECT EXTD SUR. DIRECT ST. 5 6 7 8 SPEAKERS 9 ENHANCER 0 NIGHT 10 STRAIGHT ENT. PRESET/CH EFFECT (U.S.A. model) AMP Sound field program selector buttons Set the component selector switch to AMP and then press one of the sound field program selector buttons on the remote control repeatedly. The name of the selected sound field program appears in the front panel display and in the OSD. SOUND FIELD PROGRAMS 63

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SOUND FIELD PROGRAMS
63
SOUND FIELD
PROGRAMS
What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In
addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and
shape of the room in which we are sitting.
Elements of a sound field
There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound
coming straight to our ears from the player’s instrument.
Early reflections
Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one
surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound.
Reverberations
These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous
that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct
sound.
Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and
shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound
fields.
If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be
able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a
dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA
has done with the digital sound field processor.
Choose a sound field program based on your listening preference, not merely on the name of the program.
When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source.
Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input
source (see page 37).
Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs
are applied.
Front panel operations
Rotate the PROGRAM selector on the front panel.
The name of the selected sound field program appears in
the front panel display and in the OSD.
Remote control operations
Set the component selector switch to AMP and
then press one of the sound field program
selector buttons on the remote control
repeatedly.
The name of the selected sound field program appears in
the front panel display and in the OSD.
SOUND FIELD PROGRAMS
Selecting sound field programs
Notes
ZONE 2
ON/OFF
ZONE
CONTROL
DISPLAY
VIDEO
PORTABLE
L
AUDIO
R
CATEGORY
SEARCH MODE
EFFECT
MEMORY
FM/AM
PRESET/TUNING
EDIT
A/B/C/D/E
PROGRAM
l
PRESET/TUNING/CH
h
TUNING MODE
INPUT MODE
TONE CONTROL
STRAIGHT
SPEAKERS
PHONES
ON/OFF
MAIN ZONE
MASTER
SILENT CINEMA
B
A
MULTI CH
INPUT
VOLUME
VIDEO AUX
INPUT
ON
OFF
(U.S.A. model)
PROGRAM selector
TV MUTE
TV INPUT
MUTE
AMP
SOURCE
TV
PRESET/CH
STEREO
1
EFFECT
VOLUME
TV VOL
TV CH
STANDARD
5
SPEAKERS
9
MUSIC
2
SELECT
6
ENHANCER
0
ENTERTAIN
3
EXTD SUR.
7
NIGHT
10
MOVIE
4
DIRECT ST.
8
STRAIGHT
ENT.
(U.S.A. model)
AMP
Sound field program
selector buttons