Yamaha YDP-181 Owner's Manual - Page 57

Preset Voice List, Demo Song List - electronic piano

Page 57 highlights

ENGLISH Preset Voice List Preset Voice List : Yes : No Voice Name Stereo Touch Dynamic Key-Off Sampling Response Sampling*1 Sampling*2 Voice Descriptions GRANDPIANO 1 Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. GRANDPIANO 2 Spacious and clear piano with bright reverb. Good for popular music. E.PIANO 1 An electronic piano sound created by FM synthesis. Good for standard popular music. E.PIANO 2 The sound of an electric piano using hammer-struck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard. HARPSICHORD 1 The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. HARPSICHORD 2 VIBRAPHONE Mixes the same voice an octave higher for a more brilliant tone. Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. CHURCH ORGAN 1 CHURCH ORGAN 2 This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. This is the organ's full coupler sound often associated with Bach's "Toccata and Fugue." JAZZ ORGAN The sound of a "tonewheel" type electric organ. Often heard in jazz and rock idioms. STRINGS 1 Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode. STRINGS 2 Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. CHOIR A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. GUITAR Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released. Demo Song List Voice Name Title GRAND PIANO1 Salut d'amour, op.12 HARPSICHORD1 Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV.1058 HARPSICHORD2 Gigue, Französische Suiten Nr.5, BWV.816 CHURCH ORGAN1 Herr Christ, der ein'ge Gottes-Sohn, BWV.601 CHURCH ORGAN2 Triosonate Nr.6, BWV.530 The demonstration pieces listed above are short rearranged excerpts of the original compositions. All other songs are original (©2010 Yamaha Corporation). Composer E. Elgar J. S. Bach Owner's Manual 57

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Preset Voice List
Owner’s Manual
57
ENGLISH
Preset Voice List
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an
acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.
Demo Song List
The demonstration pieces listed above are short rearranged excerpts of the original compositions.
All other songs are original (©2010 Yamaha Corporation).
Voice Name
Stereo
Sampling
Touch
Response
Dynamic
Sampling
*1
Key-Off
Sampling
*2
Voice Descriptions
GRANDPIANO 1
Recorded samples from a full concert grand piano. Perfect
for classical compositions as well as any other style that
requires acoustic piano.
GRANDPIANO 2
Spacious and clear piano with bright reverb. Good for popu-
lar music.
E.PIANO 1
An electronic piano sound created by FM synthesis. Good
for standard popular music.
E.PIANO 2
The sound of an electric piano using hammer-struck metallic
“tines.” Soft tone when played lightly, and an aggressive tone
when played hard.
HARPSICHORD 1
The definitive instrument for baroque music. Since harpsi-
chord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
HARPSICHORD 2
Mixes the same voice an octave higher for a more brilliant
tone.
VIBRAPHONE
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
CHURCH ORGAN 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
CHURCH ORGAN 2
This is the organ’s full coupler sound often associated with
Bach’s “Toccata and Fugue.”
JAZZ ORGAN
The sound of a “tonewheel” type electric organ. Often heard
in jazz and rock idioms.
STRINGS 1
Stereo-sampled, large-scale strings ensemble with realistic
reverb. Try combining this voice with piano in the DUAL
mode.
STRINGS 2
Spacious strings ensemble with a slow attack. Try combining
this voice with a piano or electric piano in the DUAL mode.
CHOIR
A big, spacious choir voice. Perfect for creating rich harmo-
nies in slow pieces.
GUITAR
Warm and natural-sounding nylon guitar. Enjoy the quiet
ambience of nylon strings.
Voice Name
Title
Composer
GRAND PIANO1
Salut d'amour, op.12
E. Elgar
HARPSICHORD1
Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV.1058
J. S. Bach
HARPSICHORD2
Gigue, Französische Suiten Nr.5, BWV.816
CHURCH ORGAN1
Herr Christ, der ein’ge Gottes-Sohn, BWV.601
CHURCH ORGAN2
Triosonate Nr.6, BWV.530
: Yes
: No