Behringer DEEPMIND 12 Quick Start Guide - Page 6

DeepMind 12 Controls

Page 6 highlights

10 DeepMind 12 DeepMind 12 Controls (EN) Step 2: Controls (5) (6) (7) (1) (3) (14) (15) (16) (17) (18) (19) (20) (2) (4) (8) (9) (10) (11) (12) (13) (20) 11 Quick Start Guide (1) DISPLAY - this large backlit LCD screen CHORD - allows you to play any chord with a shows the synthesizer status, parameters, single key. The chord is given a root note and and the five main menus. The contrast mapped across the keyboard. and brightness are adjustable on the PANEL SETTINGS page of the GLOBAL menu. POLY CHORD - allows you to play multiple chords from multiple keys. The chords are (2) NAVIGATION - navigate within the display mapped to individual keys. menus using the UP, DOWN, +/YES and -/NO buttons. TAP/HOLD - tap this button in time with your performance to set the rate/BPM, or (3) MENUS - these switches allow access to the press and hold to engage the HOLD function. display menus. EDIT - this allows additional arpeggiator/ PROG MENU- the main display of the control sequencer parameters to be edited synthesizer. Shows the current program, the from the main display. currently adjusted parameter and a visual representation of the parameter and the three envelopes. (6) LFO 1 and 2- low frequency oscillators used to modulate or control other parameters. FX MENU - add up to four effects from the RATE- this sets the rate, or speed of the LFO. list available. Change the effects routing by DELAY TIME - the duration of time which selecting one of the ten MODEs available. will elapse before the LFO starts. Each of the effects has individual controls for all parameters. EDIT - this allows additional LFO parameters to be edited from the main display. GLOBAL MENU - view and adjust settings for the synthesizer. There are five pages, CONNECTIVITY, KEYBOARD, PEDAL, PANEL and SYSTEM. LFO WAVEFORMs - these LEDs indicate the type and status of the waveforms produced by each LFO. COMPARE MENU - in this menu, you can compare the current program with the stored program and see the difference in physical (7) OSC 1 & 2 - These analog full range oscillators create waveforms which are the sound source of the synthesizer. fader positions. OSC 1 & 2 PITCH MOD - amount of pitch WRITE MENU - in this menu, you can write modulation applied to respective OSC. the current program settings to the program OSC 1 SQUAREWAVE- this switch turns the library. You can also rename the program and square wave output for OSC 1 on/off. set its category type. OSC 1 PWM - amount of pulse (4) DATA ENTRY - selected parameters on the width modulation applied to display are adjusted using the rotary knob or the OSC 1 square wave. the fader. The rotary knob has a click which allows very accurate control. The fader allows rapid adjustment across the full range. OSC 1 SAWTOOTH- this switch turns the sawtooth output for OSC 1 on/off. MOD- this switch opens the modulation matrix on the display and allows up to 8 OSC 2 TONE MOD- amount of tone modulation applied to OSC 2. modulations to be created from the list of OSC 2 PITCH- controls the base pitch sources and destinations. of OSC 2. (5) ARP/SEQ - this area controls the arpeggiator and the control sequencer. ON/OFF - when activated, this generates an arpeggio based on pressed keys. Note - the control sequencer is turned on from its edit page only. OSC 2 LEVEL- controls the level of OSC 2. NOISE LEVEL- controls the amount of white noise added to the oscillators. EDIT- this allows additional OSC parameters to be edited from the main display. RATE - adjusts the rate of the arpeggiator / sequencer in beats per minute (BPM). GATE TIME - adjusts the duration of the note played based on a percentage of the time between triggered notes. (8) POLY - this area is used to control the polyphony of the synthesizer. UNISON DETUNE - when voices are playing in unison, this adjusts the amount of detuning between the voices. EDIT- this allows additional POLY parameters to be edited from the main display. (9) VCF - the voltage controlled low pass filter used to filter high frequencies from the sound of the synthesizer. FREQ - adjusts the cut-off frequency of the filter. 2-POLE - changes the roll off slope of the filter from the default 4-POLE mode to a 2-POLE mode. RES - adjusts the resonance of the filter cut-off point. EDIT - allows additional VCF parameters to be edited from the main display. ENV - adjusts the level of the VCF ENVELOPE which controls the filter cut-off frequency. INVERT - used to invert the polarity of the VCF envelope applied to the filter cut-off frequency. LFO - adjusts the depth of the selected LFO waveform applied to the filter cut-off frequency. KYBD - adjusts the amount of keyboard tracking to be applied to the filter cut-off frequency. (10) VCA - the voltage controlled amplifier used to control the output level. LEVEL - controls the output level of the VCA. EDIT - this allows additional VCA parameters to be edited from the main display. (11) HPF - the voltage controlled high pass filter used to filter low frequencies from the sound of the synthesizer. FREQ - used to adjust the frequency of the high pass filter. BOOST - this switch applies a +12 dB bass boost to the signal path

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17

10
11
DeepMind 12
Quick Start Guide
DeepMind 12 Controls
(EN)
Step 2: Controls
(5)
(6)
(7)
(1)
(3)
(20)
(19)
(18)
(17)
(16)
(15)
(14)
(1)
DISPLAY
- this large backlit LCD screen
shows the synthesizer status, parameters,
and the five main menus. The contrast
and brightness are adjustable on the
PANEL SETTINGS page of the GLOBAL menu.
(2)
NAVIGATION
- navigate within the display
menus using the UP, DOWN, +/YES and
-/NO buttons.
(3)
MENUS
- these switches allow access to the
display menus.
PROG MENU
- the main display of the
synthesizer. Shows the current program, the
currently adjusted parameter and a visual
representation of the parameter and the
three envelopes.
FX MENU
- add up to four effects from the
list available. Change the effects routing by
selecting one of the ten MODEs available.
Each of the effects has individual controls
for all parameters.
GLOBAL MENU
- view and adjust settings
for the synthesizer. There are five pages,
CONNECTIVITY, KEYBOARD, PEDAL,
PANEL and SYSTEM.
COMPARE MENU
- in this menu, you can
compare the current program with the stored
program and see the difference in physical
fader positions.
WRITE MENU
- in this menu, you can write
the current program settings to the program
library. You can also rename the program and
set its category type.
(4)
DATA ENTRY
- selected parameters on the
display are adjusted using the rotary knob or
the fader. The rotary knob has a click which
allows very accurate control. The fader allows
rapid adjustment across the full range.
MOD
- this switch opens the modulation
matrix on the display and allows up to 8
modulations to be created from the list of
sources and destinations.
(5)
ARP/SEQ
- this area controls the arpeggiator
and the control sequencer.
ON/OFF
- when activated, this generates an
arpeggio based on pressed keys. Note - the
control sequencer is turned on from its edit
page only.
RATE
- adjusts the rate of the arpeggiator /
sequencer in beats per minute (BPM).
GATE TIME
- adjusts the duration of the note
played based on a percentage of the time
between triggered notes.
CHORD
- allows you to play any chord with a
single key. The chord is given a root note and
mapped across the keyboard.
POLY CHORD
- allows you to play multiple
chords from multiple keys. The chords are
mapped to individual keys.
TAP/HOLD
- tap this button in time with
your performance to set the rate/BPM, or
press and hold to engage the HOLD function.
EDIT
- this allows additional arpeggiator/
control sequencer parameters to be edited
from the main display.
(6)
LFO 1 and 2
- low frequency oscillators used
to modulate or control other parameters.
RATE
- this sets the rate, or speed of the LFO.
DELAY TIME
- the duration of time which
will elapse before the LFO starts.
EDIT
- this allows additional LFO parameters
to be edited from the main display.
LFO WAVEFORMs
- these LEDs indicate the
type and status of the waveforms produced
by each LFO.
(7)
OSC 1 & 2
- These analog full range
oscillators create waveforms which are the
sound source of the synthesizer.
OSC 1 & 2 PITCH MOD
- amount of pitch
modulation applied to respective OSC.
OSC 1 SQUAREWAVE
- this switch turns the
square wave output for OSC 1 on/off
.
OSC 1 PWM
- amount of pulse
width modulation applied to
the OSC 1 square wave.
OSC 1 SAWTOOTH
- this switch turns the
sawtooth output for OSC 1 on/off
.
OSC 2 TONE MOD
- amount of tone
modulation applied to OSC 2.
OSC 2 PITCH
- controls the base pitch
of OSC 2.
OSC 2 LEVEL
- controls the level of OSC 2.
NOISE LEVEL
- controls the amount of white
noise added to the oscillators.
EDIT
- this allows additional OSC parameters
to be edited from the main display.
(8)
POLY
- this area is used to control the
polyphony of the synthesizer.
UNISON DETUNE
- when voices are playing
in unison, this adjusts the amount of
detuning between the voices.
EDIT
- this allows additional POLY parameters
to be edited from the main display.
(9)
VCF
- the voltage controlled low pass filter
used to filter high frequencies from the
sound of the synthesizer.
FREQ
- adjusts the cut-off
frequency of
the filter.
2-POLE
- changes the roll off
slope of the
filter from the default 4-POLE mode to a
2-POLE mode.
RES
- adjusts the resonance of the filter
cut-off
point.
EDIT
- allows additional VCF parameters to
be edited from the main display.
ENV
- adjusts the level of the VCF ENVELOPE
which controls the filter cut-off
frequency.
INVERT
- used to invert the polarity of
the VCF envelope applied to the filter
cut-off
frequency.
LFO
- adjusts the depth of the selected
LFO waveform applied to the filter
cut-off
frequency.
KYBD
- adjusts the amount of keyboard
tracking to be applied to the filter
cut-off
frequency.
(10)
VCA
- the voltage controlled amplifier used
to control the output level.
LEVEL
- controls the output level of the VCA.
EDIT
- this allows additional VCA parameters
to be edited from the main display.
(11)
HPF
- the voltage controlled high pass filter
used to filter low frequencies from the sound
of the synthesizer.
FREQ
- used to adjust the frequency of the
high pass filter.
BOOST
- this switch applies a +12 dB bass
boost to the signal path
(2)
(4) (8)
(9)
(10) (11)
(12)
(13)
(20)