Behringer DIGITAL MIXER X32 User Manual - Page 27

27 X32 DIGITAL MIXER Preliminary User Manual Modulation Delay Fair Compressor Modulation Delay combines three of the most used time modulation effects into one easy-to-operate unit, featuring true-stereo delay with a lush chorus, topped off with three reverb models to choose from. The BALANCE knob adjusts ratio of delay to reverb. The processor chain can operate as serial where one effect flows into the next, or parallel where each effect is applied to the source signal independently. TIME, FEED (back), LOW and HI CUT all affect the delay. Modulation DEPTH and RATE are adjustable. Three types of reverb are available - ambience, club and hall - with adjustable DECAY and HI DAMP. This model of a Fairchild 670 delivers some of the finest colorations in compressor history. Two small trim VRs, BIAS and BALANCE, preset the control side chain action, a 6-step knob determines the timing, and the 2 large INPUT GAIN and THRESHOLD knobs adjust the levels. There are models available for dual, stereo-linked, or mid/side operation. Combinator Dimensional Chorus The Dimensional Chorus offers the most user-friendly and classic sounds, best described as "space" and "dimensional". The 4 MODE buttons can be engaged individually or simultaneously for light chorus or very thick, exaggerated modulation. Adjust the 1st encoder to select mono or stereo operation, and press the encoder to engage or bypass the effect. Leisure Compressor The Combinator emulates famous broadcasting and mastering compressors, utilizing automatic parameter control that produces very effective yet "inaudible" results. The MIX knob allows some of the source signal to pass through unaffected. ATTACK and RELEASE have dedicated controls, and an Auto Release function can be engaged. Global X-OVER, RATIO, THRESH(old) and GAIN controls are available. Engage the Spectral Balance Control (SBC) to allow automatic gain balancing between the audio bands and its SPEED control to determine how aggressively the effect works. The meters can also display band reduction or the SBC gain balance, and can display peak outputs. The THRESH(old) and GAIN can be adjusted for each band independently. XTEC EQ1 This model of a popular tube-based optical compressor provides natural and effortlessly musical compression, inspired by the Teletronix LA-2A. Simply adjust the input GAIN and PEAK REDUCTION knob to dial in the amount of desired compression, then adjust the OUTPUT GAIN knob for the desired output level. The COMP setting will give a gentle compression ratio, whereas the LIMIT setting results in a higher ratio. Ultimo Compressor Inspired by the Pultec EQP-1a, this passive equalizer is a very powerful tool for sound enhancement. GAIN allows compensation for level changes resulting from frequency adjustments. Press the 1st encoder to engage or disengage the effect. Select the low frequency with the LO FREQ knob, adjust the amount of enhancement with the LO BOOST, then adjust the attack with the LO ATT. The same adjustments are available for the high frequencies. XTEC EQ5 The Ultimo Compressor is based on the Urei 1176LN Limiting Amplifier and authentically captures the smooth character of the original class-A output stage in its FET's legendary fast attack. Start with the INPUT and OUTPUT knobs at the -24 position for unity gain and set the ATTACK and RELEASE knobs fully counterclockwise. Select the compression ratio, then raise the ATTACK knob to lightly compress the signal. Increase the ratio for heavier compression and experiment with ATTACK, RELEASE and INPUT levels to achieve your desired result. Compensate for overall level reduction with the OUTPUT knob. This Pultec emulation is a classic analog passive equalizer that offers very warm and musical frequency sculpting. Simply select the center frequency for the 3 bands, then adjust how much low and high you want to boost and how much midrange you want to cut.