Fender FM 65 DSP Owners Manual - Page 7

Fx Selec, Fx Se, Fx Sel, Fx Sele, Amp Type

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FM65 DSP Amplifier ACOUSTIC 1 2 JAZZ 1 TWEED 1 2 BLACKFACE™ 1 2 3 BRITISH 1 2 3 4 HOT ROD 1 2 METAL 1 2 AMP TYPE A super clean amplifier tone with the character of an Acoustasonic™ amplifier good for acoustic finger-picking. A super clean amplifier tone with the character of an Acoustasonic™ amplifier good for acoustic strumming. A clean amplifier tone optimized for jazz styles with the character of the Fender® Jazz King™ amplifier. A vintage tone based on early Fender® Tweed Champ® amps. A fat vintage tone based on early Fender® Tweed Bassman® amps. A bright vintage tone based on early Fender® Blackface™ amplifiers. A bright, slightly overdriven vintage tone based on early Fender® Blackface™ amplifiers. A bright, heavily overdriven vintage tone based on early Fender® Blackface™ amplifiers. A bright jangly tone reminiscent of early British combo amplifiers. An overdriven vintage tone based on early high-gain British stack amplifiers. A high-gain distorted tone based on modern British stack amplifiers. A super high-gain distorted tone based on modern British combo amplifiers. A high-gain overdriven tone based on the Fender® Hod Rod® series of amplifiers. A high-gain distorted tone based on specialized boutique amplifiers A sustained super high-gain scooped metal tone based on modern heavy metal amplifiers like the Fender® Metalhead™. A darker super high-gain scooped metal tone. FX SELECT VIBRATONE 1 Rotating Speaker Baffle DELAY 1 ~130ms (Slapback) 2 ~300ms 3 ~450ms REVERB 1 Large Room 2 Concert Hall 3 Classic Fender® Spring Reverb 4 Reverb + Delay CHORUS 1 Fast Sweep 2 Deep Sweep 3 Chorus + Delay 4 Chorus + Reverb FLANGE 1 Light Sweep 2 Deep Sweep TREMOLO 1 Low Intensity 2 High Intensity TYPE: PART NUMBER: POWER REQUIREMENTS: POWER OUTPUT: INPUT IMPEDANCE: FUSES FOOTSWITCH: SPEAKER: DIMENSIONS WEIGHT: PRIMARY: HEIGHT: WIDTH: DEPTH: Specifications PR 678 2316100000 (120V, 60Hz) 2316101900 (110V, 60Hz) TW 2316104900 (230V, 50Hz) UK 2316106900 (230V, 50Hz) EUR 2316109900 (220V, 60Hz) ROK 2316100900 (120V, 60Hz) "Drop Ship" 2316103900 (240V, 50Hz) AUS 2316105900 (220V, 50Hz) ARG 2316107900 (100V, 50Hz) JPN 180W 65W RMS into 8Ω >1MΩ F2.5A L, 250V for 100V / 120V versions F1.6A L, 250V for 230V / 240V versions 2-button-Channel Select / Effects Bypass (P/N 0071359000) One 12", 8 Ω Fender® Special Design (P/N 0071406000) 19 in (48.3 cm) 19 in (48.3 cm) 9.0 in (22.9 cm) 33 lb (15.0 kg) Product specifications are subject to change without notice. f e n d e r. c o m 7

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7
fender.com
TYPE:
PR 678
PART NUMBER:
2316100000 (120V, 60Hz)
2316100900 (120V, 60Hz) "Drop Ship"
:
:
2316101900 (110V, 60Hz) TW
2316103900 (240V, 50Hz) AUS
2316104900 (230V, 50Hz) UK
2316105900 (220V, 50Hz) ARG
2316106900 (230V, 50Hz) EUR
2316107900 (100V, 50Hz) JPN
2316109900 (220V, 60Hz) ROK
POWER REQUIREMENTS:
180W
:
:
POWER OUTPUT:
65W RMS into 8Ω
:
:
INPUT IMPEDANCE:
>1MΩ
:
:
FUSES
PRIMARY:
F2.5A L, 250V for 100V / 120V versions
F1.6A L, 250V for 230V / 240V versions
FOOTSWITCH:
2-button–Channel Select / Effects Bypass (P/N 0071359000)
SPEAKER:
One 12", 8 Ω Fender
®
Special Design (P/N 0071406000)
DIMENSIONS
HEIGHT:
19 in
(48.3 cm)
WIDTH:
19 in
(48.3 cm)
:
:
DEPTH:
9.0 in
(22.9 cm)
:
:
WEIGHT:
33 lb
(15.0 kg)
Product specifications are subject to change without notice.
CT
CT
EC
FX SELEC
FX SE
FX SE
FX SE
FX SEL
FX SEL
FX SEL
FX SEL
FX SELE
FX SELE
FX SELE
FX SELE
FX SELE
FX SELEC
FX SELEC
FX SELEC
V
VI
VIB
VIB
VIB
IB
B
B
V
E
NE
N
ON
O
TO
T
AT
RA
R
R
BR
ker Baffle
aker Baf
Spea
eak
1
Rot
1
Rota
1
Rota
1
Rotat
t
ti
in
n
n
ng
g
g
S
Y
AY
A
LA
L
EL
DE
D
D
back)
Sla
Slap
Slap
apb
apb
pb
pb
b
1
~13
1
~13
1
~130
1
~130
0
0m
m
m
m
ms
s
s
(
(
(S
2
~30
2
~30
2
~30
2
~300
2
~300
2
~300m
2
~300m
2
~300m
2
~300m
2
~300ms
2
~300ms
2
~300ms
3
~
3
~45
3
~450
3
~450m
3
~450m
3
~450m
3
~450ms
3
~450ms
3
~450ms
RE
EV
REV
RB
VERB
VERB
EVERB
EVER
REVER
e R
Ro
Room
oom
om
m
ge Roo
1
La
1
Larg
1
Large
1
Large R
1
Large R
arge Roo
2
2
C
Co
onc
nce
cert
rt H
Hall
all
3
Classic Fender® Spring Reverb
pring
g Rev
Reverb
rb
3
3
Cl
Clas
assic
sic F
Fen
ende
der®
r® S
3
Classic Fender® Sp
4
Reverb + Delay
4
Reverb + Delay
ay
4
4
Re
eve
e
4
Reverb +
CHORUS
C
CH
S
1
Fast Sweep
1
Fast Swee
1
Fa
st Sw
weep
2
Deep Sweep
3
Chorus + Delay
3
Cho
+ De
ay
4
Chorus + Reverb
4
Chorus
+ Re
erb
FLANGE
1
Light Sweep
2
Deep Sweep
TREMOLO
1
Low Intensity
2
High Intensity
AMP TYPE
ACOUSTIC
1
A super clean amplifier tone with the character of an Acoustasonic™
amplifier good for acoustic finger-picking.
2
A super clean amplifier tone with the character of an Acoustasonic™
amplifier good for acoustic strumming.
oo
d fo
r ac
ous
ic s
JAZZ
1
A clean amplifier tone optimized for jazz styles with the character of the
lean
n am
mplifi
er
tone
er tone optimized for jazz st
Fender® Jazz King™ amplifier
r
ifier
mpli
am
ing™ amplifier
Fende
der®
Ja
® Jazz King
.
r
r
TWEED
1
A vintage tone based on early Fender® Tweed Champ® amps.
e ton
ge
d Cham
weed C
Twe
er® T
nder
Fend
y Fe
arly
n ea
d on
sed
base
one b
tage tone based on early Fender® Tweed Champ
mps
ps.
A
A vintage tone based on early Fender® Tweed Champ® am
2
A fat vintage tone based on early Fender® Tweed Bassman® amps.
ge ton
ntage t
t vintag
fat vin
fa
ssma
eed Bassm
® Tweed
er® T
nder
Fend
y Fe
rly
ear
n e
d on
ed
base
e ba
one b
A fat vintage tone based on early Fender® Tweed Bassman
mp
ps.
A fat vintage tone based on early Fender® Tweed Bassman® am
BLACKFACE™
AC
1
1
A bright vintage tone based on early Fender® Blackface™ amplifiers.
e to
age t
vintage
ht vinta
bright v
A brigh
A
ace™ am
Blackface™
er® Blac
ender®
Fen
y F
rly
ar
as
ba
ne b
one
A bright vintage tone based on early Fender® Blackface™ amp
ased on early
based on early F
e based on early F
ne based on early Fe
ne based on e
tone based on early Fen
er
s.
lifie
2
2
er® Blackface™
ght
sligh
ght, slig
A bright, sl
A brigh
A
early Fende
ed on early F
ased on
a
A bright, slightly overdriven vintage tone based on early Fender®
ht
ht
as
ghtly overdriven vintage tone base
n vintage
en vintage
ven vintage t
ven vintage t
riven vintage to
driven vintage to
rdriven vintage ton
erdriven vintage ton
verdriven vintage tone
overdriven vintage tone
overdriven vintage tone
y overdriven vintage tone b
y overdriven vintage tone b
y overdriven vintage tone b
ly
tly overdriven vintage tone ba
ackface
Bla
ers.
mplifiers.
amplifiers
ampl
s.
3
3
Blackface™
ht,
A bright, heavi
A bright, heavi
on early Fender®
on early Fe
® B
h
he
hea
hea
heav
eav
eavi
avi
avi
vi
vi
ased
ed
ed o
d o
o
, heavily overdriven vintage tone based on
n vintage
en vintage
ven vintage t
ven vintage to
riven vintage to
driven vintage to
rdriven vintage ton
erdriven vintage ton
verdriven vintage tone
overdriven vintage tone
overdriven vintage tone
y overdriven vintage tone b
y overdriven vintage tone b
y overdriven vintage tone b
ly
vily overdriven vintage tone ba
ac
amplifie
rs
rs.
rs.
rs.
s.
s.
s.
ers
BRITISH
1
1
s.
A bright ja
A bright jangly
ng
combo
combo amplifier
mbo amplifier
r
rs
a
an
an
an
ang
ang
ngl
ngly
ngly
gly
i
it
iti
itis
itish
tish
sh
h
jangly tone reminiscent of early British co
scent of e
niscent of e
niscent of ea
miniscent of ea
miniscent of ear
eminiscent of ear
reminiscent of earl
reminiscent of early
e reminiscent of early
ne reminiscent of early
one reminiscent of early B
tone reminiscent of early B
tone reminiscent of early B
tone reminiscent of early B
t
y tone reminiscent of early Bri
2
2
2
ack amplifiers.
An o
An overdriv
rdriven
gh-
gh-gain
h-gain Brit
ain British st
ritish sta
An overdriven vintage tone based on early high-gain British stac
en
h
hi
hig
hig
ven vintage tone based on early high
ne based o
tone based on e
e tone based on ea
ge tone based on ea
age tone based on ear
tage tone based on earl
ntage tone based on early
ntage tone based on early
intage tone based on early
vintage tone based on early
v
vintage tone based on early h
mplifie
am
3
3
A high-gain distorted tone based on modern British stack amplifiers.
A h
A high-ga
h-gain dis
disto
orte
od
dern
ern B
rn Brit
British
tish stack
stack am
k am
A high-gain distorted tone based on modern British stack amp
mode
ne based o
d tone based on m
ted tone based on mo
rted tone based on mo
orted tone based on mod
orted tone based on mod
storted tone based on mode
rs.
ifier
4
A super high-gain distorted tone based on modern British combo amplifiers.
A su
super hi
r high-ga
-gain d
n dis
disto
tort
rte
ed
to
on
ne b
ba
ase
sed o
d on
on m
mode
odern
ern Brit
British
ish
A super high-gain distorted tone based on modern British c
rted tone b
o ampli
A super high-gain distorted tone based on modern British comb
HOT ROD
1
1
A high-gain overdriven tone based on the Fender® Hod Rod® series of
h-gain
ain over
erdr
drive
ven
n to
on
ase
sed
d on
on th
the F
e Fen
ender
der®
® H
igh-gain overdriven tone based on the Fender® Hod
ne ba
one base
d® se
series
A high-gain overdriven tone based on the Fender® Hod Rod®
amplifiers.
rs.
a
am
mplifier
2
A high-gain distorted tone based on specialized boutique amplifiers
ne based
e am
A
high-
-ga
ain d
ed
n distorted tone based on specialized
METAL
1
A sustained super high-gain scooped metal tone based on modern heavy
a
ned
su
per
scoo
ped
me
al ton
ne b
metal amplifiers like the Fender®
Metalhead™.
s
nder®
Me
lh
2
A darker super high-gain scooped metal tone.
A da
er super hi
h-gain s
ped met
etal tone.
FM65 DSP
Amplifier
Specifications