Harman Kardon AVR 1565 Owners Manual - Page 31

Harman Kardon AVR 1565 Manual

Page 31 highlights

AVR 1565/AVR 1566 Table A9 - Surround Modes (cont.) Surround Mode DTS Digital Appendix Description Using a different encoding/decoding method from Dolby Digital, DTS Digital also provides up to five discrete main channels, plus an LFE channel. Incoming Bitstream or Signal • DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1 • DTS-ES Matrix (played as 5.1) • DTS-ES Discrete (played as 5.1) DTS-HD DTS-HD is a high-definition audio format that complements the high-definition video found on Blu-ray Disc and HD-DVD discs. It is transmitted using a DTS core with high-resolution extensions. Even when only DTS 5.1 surround sound is desired (or available, if the multizone system is in use), the higher capacity of high-resolution discs serves up DTS at twice the bit rate used on DVD-Video discs. DTS-HD Master Audio technology delivers bit-for-bit reproductions of studio master recordings for an incredibly accurate performance. • Blu-ray Disc or HD-DVD discs encoded with DTS-HD modes, delivered via HDMI connection DTS-HD Master Audio • Blu-ray Disc or HD-DVD discs encoded with DTS-HD Master Audio technology, delivered via HDMI connection DTS Stereo Delivers a two-channel downmix of DTS Digital materials or presents a matrixencoded surround presentation. • DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1 • DTS 96/24 • DTS-ES Matrix Logic 7 Mode Group A HARMAN proprietary technology, Logic 7 technology enhances two-channel and matrix-encoded recordings by deriving separate information for the surround back channels. It provides more accurate placement of sound, improves panning and expands the sound field, even when used with 5.1-channel systems. Logic 7 technology uses 96kHz processing and is available in 5.1 mode. Three variants are available. Especially suited to two-channel sources containing Dolby Surround or matrix encoding, Logic 7 Movie mode increases center-channel intelligibility. See below Logic 7 Movie • Analog (two-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Logic 7 Music The AVR is programmed at the factory to default to this mode for twochannel signals. Logic 7 Music mode is well suited to conventional twochannel music recordings. • Analog (two-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Logic 7 Game Use Logic 7 Game mode to enhance enjoyment of video-game consoles. • Analog (two-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) 5-Channel Stereo Useful for parties, the left- and right-channel information is played through both the front and surround speakers on each side, while the center speaker plays a summed mono mix. • Analog (two-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) 2-Channel Stereo Turns off all surround processing and plays a pure two-channel signal or a downmix of a multichannel signal. The signal is digitized and bass management settings are applied, making it appropriate when a subwoofer is used. • Analog (two-channel; DSP downmix available for multichannel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) 31

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31
AVR 1565/AVR 1566
Surround Mode
Description
Incoming Bitstream or Signal
DTS Digital
Using a different encoding/decoding method from Dolby Digital, DTS Digital
also provides up to five discrete main channels, plus an LFE channel.
• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, 2/2/.0 or
.1, 3/2/.0 or .1
• DTS-ES Matrix (played as 5.1)
• DTS-ES Discrete (played as 5.1)
DTS-HD
DTS-HD is a high-definition audio format that complements the high-definition video
found on Blu-ray Disc and HD-DVD discs. It is transmitted using a DTS core with
high-resolution extensions. Even when only DTS 5.1 surround sound is desired (or
available, if the multizone system is in use), the higher capacity of high-resolution
discs serves up DTS at twice the bit rate used on DVD-Video discs.
• Blu-ray Disc or HD-DVD discs encoded with DTS-HD modes,
delivered via HDMI connection
DTS-HD Master Audio
DTS-HD Master Audio technology delivers bit-for-bit reproductions of studio master
recordings for an incredibly accurate performance.
• Blu-ray Disc or HD-DVD discs encoded with DTS-HD Master
Audio technology, delivered via HDMI connection
DTS Stereo
Delivers a two-channel downmix of DTS Digital materials or presents a matrix-
encoded surround presentation.
• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, 2/2/.0 or
.1, 3/2/.0 or .1
• DTS 96/24
• DTS-ES Matrix
Logic 7
Mode Group
A HARMAN proprietary technology, Logic 7 technology enhances two-channel
and matrix-encoded recordings by deriving separate information for the surround
back channels. It provides more accurate placement of sound, improves panning
and expands the sound field, even when used with 5.1-channel systems. Logic 7
technology uses 96kHz processing and is available in 5.1 mode. Three variants are
available.
See below
Logic 7
Movie
Especially suited to two-channel sources containing Dolby Surround or matrix
encoding, Logic 7 Movie mode increases center-channel intelligibility.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7
Music
The AVR is programmed at the factory to default to this mode for two-
channel signals. Logic 7 Music mode is well suited to conventional two-
channel music recordings.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7
Game
Use Logic 7 Game mode to enhance enjoyment of video-game consoles.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
5-Channel Stereo
Useful for parties, the left- and right-channel information is played through both
the front and surround speakers on each side, while the center speaker plays a
summed mono mix.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
2-Channel Stereo
Turns off all surround processing and plays a pure two-channel signal or a downmix
of a multichannel signal. The signal is digitized and bass management settings are
applied, making it appropriate when a subwoofer is used.
• Analog (two-channel; DSP downmix available for multichannel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Table A9 – Surround Modes (cont.)
Appendix