Mackie 802-VLZ3 Owner's Manual - Page 11

802 Owner's Manual Patchbay Description MIC 1 XDR2 MIC PRE MIC 2 XDR2 MIC PRE MIC 3 XDR2 MIC PRE 1 1 1 MAIN OUT BALANCED L 17 BAL/UNBAL R L 16 R 802 MONO 2 BAL OR UNBAL 2 BAL OR UNBAL L +4 MIC L L MAIN OUT LINE IN 1 LINE IN 2 3 18 BAL LINE IN 3 OR UNBAL MAIN OUTPUT 13 R 14 R 15 4 4 R LEVEL TAPE IN TAPE OUT AUX SEND BAL/UNBAL BAL/UNBAL BAL/UNBAL 5 6 INSERT U M-1IC0GdABIVN 5 6 INSERT U M-1IC0GdABIVN LINE IN 4 5 LOW CUT 100 Hz 18dB/OCT MIC GAIN 3 MONO L BAL OR UNBAL 3 MONO L BAL OR UNBAL 8 L R9 L3 R4 10 L 12 PHANTOM POWER R 7 7 7 R R 11 0 60 0 60 0 60 +15dB - 45dB +15dB - 45dB GAIN GAIN GAIN LINE IN 5-6 LINE IN 7-8 ST RETURN ALT OUTPUT CR OUTPUT PHONES This iUs whAeUreXyou pUlug eAvUeXrythinUg in:AmUiXcrophoUnes,AUX line-level ­instruments and effects, headphones, and the ­ultimate destination for your sound: a recorder, PA OO system,Ue+1t5c. EQ OO +15 U EQ OO +15 U EQ OO +15 U EQ Appendix B12HkhHI zas details andHI 12kHz drawings o12HfkHI tzhe HI 12kHz conne-1c5 to+1r5s you can-15us+e15with the-18502+1-5VLZ3. Als-1o5 s+e1e5 U U U U the channel strip description on page 16 for details MID MID MID MID of the signal2r.5okHuz ting from the 2.5kHz XLR and l2i.5nkHez inputs. 2.5kHz -15 +15 U -15 +15 U -15 +15 U -15 +15 U 1. MIC INPUL8TO0HSWz (Channels 1-3) LOW 80Hz LOW 80Hz LOW 80Hz PHUANTAOUMX POWER U AUX MASTER U STEREO RETURN Most modernPPROEpSTrofessionSaElNDcondenser mics are equ+i15pped for phantom+p10ower, which lets the+20mixer OO OO OO seUnd lowE-Qcurrent DCPOvWoERltage to the mic's electronics through12HktHIhze same CwOirNeTsROthL at carry audLioEF. T(SReIGmHiT-pro -c15on+d15enser U mics oftSeROnOUOhRMCaEve batteries to a0dcBc=o0dmBuplish 20 the same thing.) MID "Phantom" owes its name to a15n ability to be "uns2e.5ekHnz " by dynamic mics (Shure SM571/0SM58, for MAIN MIX -i1n5 sU+t1a5nce), which don't need ­external powe6r and aren't affectedLObWy it anyway. 3 80Hz ALT 3-4 0 We-1u5se+1p5 hantom--1p5 o+w15ered, bala-15nc+e15d ­microph-15on+e15 -15 T+h15e 802-VLZ3's phantom power is globall2y c­ ontrolled inputs just lPikAeNthe big stuPdAiNo mega-conPsAoNles, for ­ PAN by the PpAhaNntom powTeArPE[12] switch. (This m4 eans the 7 LEVEL exactly the same reason: This kind of circuit is­­ phantom power for the mic inputs of channels 1-3SEiTs 10 excelleLntR at rejectinLg hR um and noLiseR . You can pLluRg tuLrnR ed on and off together.) 20 in almo1st any kind of2mic that ha3s -a4standard X­5L-R6 MUTE MUTE MUTE MUTE male mALTi3c-4connectorA.LT 3-4 ALT 3-4 ALT 3-4 PRE FADER PRE FADER PRE FADER PRE FADER ProSfeOsLOsional ribboSOnL,Odynamic, aSOnLdOcondenserSOmLOics 7-8 MUTE ALT 3-4 PRE FADER SOLO 30 Never pluAgSSs­I­GiNngle-ended (unbalanced) TO MAIN MIX micro­phones or ­instruments into RUDE SOLO the mic [1] input jacks if the ­phantom power is on. will all U sound excellent Uthrough theseU inputs. The U 802-VLZ3's mic inputs will handle any kind of mic level you can toss at them, without overloading. Be sure to OO OO performLtEhV+Ee1L2dlBevel-settLiEnVg+E1L2pdBrocedureLEoVn+E1L2pdBage 3. OO OO +12dB LEVEL OO U U OO MAX U Do not plug instrumPeHnONtEoS utputs into the mic input jacks with phantom power on, u­ nless +12dB you know fo+r10cdeBrtain it is safe to d+1o2dBso. OO OO LEVEL CTL ROOM/SUBMIX MAIN MIX Channel 3-4 is a hybrid design, with a mono mic input in a stereo channel. The mono mic input is fed to both Do not use phantom power with ribbon microphones. sides of the stereo field. Not every instrument is made to connect directly to a mixer. Guitars commonly need a Direct Injection (DI) box to connect to the mixer's mic inputs. Channels 1 and 2 have an instrument switch [6] so you do not need a DI box, and can plug your guitar directly into the line inputs [2]. Owner's Manual 11