Mackie 802-VLZ3 Owner's Manual - Page 6

Hookup Diagrams - rude solo

Page 6 highlights

802-VLZ3 Hookup Diagrams Electric Guitar Acoustic Microphone Guitar Bass Guitar Amplifier modeler DI Box MIC 1 MIC 2 MIC 3 MAIN OUT BALANCED L BAL/UNBAL R L Send R 802 BAL OR UNBAL BAL OR UNBAL MONO L LINE IN 1 LINE IN 2 BAL LINE IN 3 OR UNBAL R +4 MIC MAIN OUTPUT LEVEL L L R R TAPE IN TAPE OUT INSERT U M-1IC0GdABIVN INSERT U M-1IC0GdABIVN LINE IN 4 LOW CUT 100 Hz 18dB/OCT MIC GAIN MONO L BAL OR UNBAL R MONO L BAL OR UNBAL R 0 60 +15dB - 45dB GAIN 0 60 +15dB - 45dB GAIN 0 60 GAIN LINE IN 5-6 LINE IN 7-8 MAIN OUT AUX SEND BAL/UNBAL L BAL/UNBAL BAL/UNBAL L3 L R R4 R ST RETURN ALT OUTPUT CR OUTPUT PHANTOM POWER PHONES Effects Processor Return (connected to aux send) Return Vocal Compressor (connected to Insert) Send Return Compressor (connected to Insert) U AUX U AUX U AUX U AUX U AUX OO +15 U EQ HI 12kHz -15 +15 U MID 2.5kHz -15 +15 U LOW 80Hz -15 +15 PAN OO +15 U EQ HI 12kHz -15 +15 U MID 2.5kHz -15 +15 U LOW 80Hz -15 +15 PAN OO +15 U EQ HI 12kHz -15 +15 U MID 2.5kHz -15 +15 U LOW 80Hz -15 +15 PAN OO +15 U EQ HI 12kHz -15 +15 U MID 2.5kHz -15 +15 U LOW 80Hz -15 +15 PAN OO +15 U EQ HI 12kHz -15 +15 U MID 2.5kHz -15 +15 U LOW 80Hz -15 +15 PAN LR 1 MUTE ALT 3-4 PRE FADER SOLO U LR 2 MUTE ALT 3-4 PRE FADER SOLO U LR 3-4 MUTE ALT 3-4 PRE FADER SOLO U LR 5-6 MUTE ALT 3-4 PRE FADER SOLO U LR 7-8 MUTE ALT 3-4 PRE FADER SOLO U PRE POST U AUX MASTER SEND OO +10 POWER CONTROL ROOM SOURCE MAIN MIX ALT 3-4 TAPE ASSIGN TO MAIN MIX U STEREO RETURN +20 OO LEFT RIGHT 0dB=0dBu 20 15 10 6 3 0 2 4 7 LEVEL SET 10 20 30 RUDE SOLO U OO MAX U PHONES OO +12dB LEVEL OO +12dB LEVEL OO +12dB LEVEL OO +12dB LEVEL OO +12dB LEVEL OO +10dB CTL ROOM/SUBMIX OO +12dB MAIN MIX SA1530z Powered Speakers Keyboards iPodTM Docking Station This diagram shows a microphone connected to the mic input of channel 1, and a vocal compressor connected to the insert jack. A guitar is attached to the instrument input of channel 2, with the instrument switch pressed in, and a compressor on the insert. A bass guitar is connected to channel 3's mic input via a DI box, and another guitar plays through an amplifier modeler into channels 5 and 6. Keyboards are connected to the line inputs of channels 7 and 8. An effects processor is connected to the aux send, with the aux send set to post-level. Effects are added to the main mix via the stereo return inputs, and adjusted with the stereo return level control. To use the aux send for stage monitors instead of an effects processor, set the aux to pre-level so the monitor volume level can be adjusted independently from the main loudspeakers. An iPodTM docking station is connected to the tape RCA inputs, so you can play pre-recorded music during the breaks. The main mix output connects to a pair of SA1530z powered loudspeakers to please your audience. 6 802-VLZ3 Live Band PA System

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802-VLZ3
6
802-VLZ3
Hookup Diagrams
Live Band PA System
LINE IN 7-8
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
1
PAN
LEVEL
POWER
RUDE
SOLO
LEVEL
SET
CONTROL
ROOM
SOURCE
ALT 3-4
TAPE
MAIN MIX
LEFT
RIGHT
0dB=0dBu
ASSIGN
TO MAIN MIX
MAIN MIX
+12dB
O
O
+10dB
O
O
SEND
O
O
+10
802
+12dB
O
O
CTL ROOM/SUBMIX
PHONES
AUX
3
4
0
2
15
20
10
6
30
10
7
20
1
MUTE
ALT 3-4
PRE FADER
SOLO
LINE IN 5-6
MONO
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
MONO
BAL
OR
UNBAL
L
R
MONO
BAL
OR
UNBAL
L
R
L
R
ST RETURN
BAL/UNBAL
L
3
ALT OUTPUT
R
4
BAL/UNBAL
L
R
BAL/UNBAL
L
R
PRE
POST
+4
MIC
AUX
MASTER
O
O
+20
STEREO
RETURN
LOW CUT
100 Hz
18dB/OCT
GAIN
+15dB - 45dB
INSERT
LINE IN 1
LINE IN 3
LINE IN 4
MIC
1
BAL
OR
UNBAL
GAIN
+15dB - 45dB
GAIN
INSERT
LINE IN 2
MIC
2
MIC
3
MAIN
OUTPUT
LEVEL
PHANTOM
POWER
CR OUTPUT
TAPE IN
TAPE OUT
L
R
L
R
PHONES
MAIN OUT BALANCED
L
R
AUX SEND
BAL/UNBAL
MAIN OUT
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
PAN
LEVEL
+12dB
O
O
AUX
MUTE
ALT 3-4
PRE FADER
SOLO
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
PAN
LEVEL
+12dB
O
O
AUX
3-4
MUTE
ALT 3-4
PRE FADER
SOLO
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
PAN
LEVEL
+12dB
+12dB
O
O
AUX
MUTE
ALT 3-4
PRE FADER
SOLO
HI
12kHz
MID
2.5kHz
LOW
80Hz
EQ
PAN
LEVEL
O
O
AUX
MUTE
ALT 3-4
PRE FADER
SOLO
5-6
7-8
O
O
MAX
+15
-15
+15
-15
+15
-15
L
R
U
U
U
O
O
+15
U
+15
-15
+15
-15
+15
-15
L
R
U
U
U
O
O
+15
U
+15
-15
+15
-15
+15
-15
L
R
U
U
U
O
O
+15
U
+15
-15
+15
-15
+15
-15
L
R
U
U
U
O
O
+15
U
+15
-15
+15
-15
+15
-15
L
R
U
U
U
O
O
+15
U
U
U
U
U
U
U
U
U
U
-
1
0
d
B
V
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
M
I
C
G
A
I
N
0
U
60
M
I
C
G
A
I
N
0
60
2
iPod
TM
Docking Station
Microphone
Acoustic
Guitar
Bass
Guitar
Vocal Compressor
(connected to Insert)
Compressor
(connected to Insert)
Send
Return
Send
Return
Keyboards
SA1530z Powered Speakers
Effects Processor
(connected to aux send)
Return
Amplifier
modeler
DI Box
Electric
Guitar
This diagram shows a microphone connected to the mic input of channel 1, and a vocal compressor
connected to the insert jack. A guitar is attached to the instrument input of channel 2, with the instrument
switch pressed in, and a compressor on the insert. A bass guitar is connected to channel 3's mic input via
a DI box, and another guitar plays through an ampliļ¬er modeler into channels 5 and 6. Keyboards are
connected to the line inputs of channels 7 and 8.
An effects processor is connected to the aux send, with the aux send set to post-level. Effects are added
to the main mix via the stereo return inputs, and adjusted with the stereo return level control.
To use the aux send for stage monitors instead of an effects processor, set the aux to pre-level so the
monitor volume level can be adjusted independently from the main loudspeakers.
An iPod
TM
docking station is connected to the tape RCA inputs, so you can play pre-recorded music
during the breaks.
The main mix output connects to a pair of SA1530z powered loudspeakers to please your audience.