Mackie 802-VLZ3 Owner's Manual - Page 14

Control Room Outputs, 11. Phones, 12. Phantom Switch And Led, 13. Tape Input - review

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802-VLZ3 MIC 1 XDR2 MIC PRE MIC 2 XDR2 MIC PRE MIC 3 XDR2 MIC PRE 1 1 1 MAIN OUT BALANCED L 17 BAL/UNBAL R L 16 R 802 MONO 2 BAL OR UNBAL 2 BAL OR UNBAL L +4 MIC L L MAIN OUT LINE IN 1 LINE IN 2 BAL 18 LINE IN 3 OR 3 UNBAL MAIN OUTPUT 13 R 14 R 15 4 4 R LEVEL TAPE IN TAPE OUT AUX SEND BAL/UNBAL BAL/UNBAL BAL/UNBAL 5 6 INSERT U M-1IC0GdABIVN 5 6 INSERT U M-1IC0GdABIVN LINE IN 4 5 LOW CUT 100 Hz 18dB/OCT MIC GAIN 3 MONO L BAL OR UNBAL 3 MONO L BAL OR UNBAL 8 L R9 L3 R4 10 L 12 PHANTOM POWER R 7 7 7 R R 11 0 60 0 60 0 60 +15dB - 45dB +15dB - 45dB GAIN GAIN GAIN LINE IN 5-6 LINE IN 7-8 ST RETURN ALT OUTPUT CR OUTPUT PHONES 10. CONU TROALUXROOMU OUATUPXUTS U AUX U AUX 12.U PHAAUNXTOM SWITUCH aAnUdX LED MASTER U STEREO RETURN These TRS 1⁄4" balanced/unbalanced outputs This global swPPROiEStTch controSlEsNDthe phantom power supply OO OO allow you+1t5o listen to so+1m5 ething othe+r15than the ma+1i5n OO OO OO OO for c+1o5ndenser micropho+1n0es plugged into the+2m0 ic [1] OO mix. TheUse ouEtpQuts arUe oftenEQused tUo run EaQnice pUair ofEQ inpUuts. SEeQe the phanPtOoWmERpower details on page 11 powered stud1i2oHkHI mz onitors in12HakHI zcontrol roo1m2HkHI.zThe source12HkHI z before u1s2HiknHI zg this swCiOtcNhTR.OL LEFT RIGHT is sele-c15te+d15using the-15so+u15rce matr-i1x5 [+3150] switch-1e5s + 1 5 U U U U (see page 19). You can choose to listen to the main mix, MID MID MID MID the alt 3-4 ste2r.5ekHoz bus (see m2.5kuHzte/alt 3-4 o2n.5kHpzage 16), 2.5kHz soloed-15chU+a15nnels, or-1t5hUe+1t5ape inpu-t15. UT+h15e volume-15isU+15 -15 +15 ROOM 0dB=0dBu PUress the switch iSnOtUoRCeEngage phantom po20wer to the three mi2.cM5kIDHiznputs. Press the switch out T-1h5 e+1L5ED will comeMoAnINwMhIXen phantom to tu1r5n it off. powe10r is engaged. 6 U adjustable witLhOWthe controlLrOoWom/submixLO[W32] knob. LOW 80Hz 80Hz 80Hz 80Hz -15 +15 -15 +15 -15 +15 -15 +15 LOWPhantom power is supplied to all 3three mic 80Hz ALT 3-4 0 -15 +15 inputs at once, therefore, do not u2 se a 11. PHONESPAN PAN PAN PAN PANribbon microphone TAPE in any of these4 inputs This stereo jack will drive any standard headphone to when phantom power is engaged. 7 LEVEL SET 10 very louLdRlevels. "iPodL "R-type and coLmRputer headpL hRones can also1be used here2, with a 1/4" 3m-a4le to 1/8" f5em-6ale stereo AMaLUTd3Ta-E4pter. MUTE ALT 3-4 MUTE ALT 3-4 MUTE ALT 3-4 PRE FADER PRE FADER PRE FADER PRE FADER To leSaOrLnO how signaSOlsLOare routedStOoLOthese outpSuOtLsO, see source matUrix [30] on paU ge 19. The leUvel is adjustedU LR 173-.8TAPE INPUT 20 30 MUTE ASSIGN ALCT 3o-4nnect your comTOpMuAINteMrIXaudio outputs, or tape RUDE PrReEcFAoDrEdR er's outputs here, ­using standard hSOiL-Ofi (RCA) SOLO cableUs. U OO MAX U PHONES with the phones knob [31], and the source is whatever Use these jacks for convenient tape playback of your the control room output is playing, such as the main mixes. You'll be able to review a mix and then rewind OO OO mix, the LaElVt+E13L2-d4B stereo LbEuV+Es1L,2dsBoloed chLaEVn+En1L2edBls, or theLEtVa+E1pL2deB input. If you're wiring your own cable for the phones OO OO OO OO andLEtVr+Ey12LdaBnotherCpTLaRsOs OwMi+t1/0hSdUoBBuMtIXrepatchingMoArINd+1Mi2sdItBXurbing the mixer levels. You can also use these jacks with a OO output, follow s­ tandard conventions: portable tape or CD player to feed ­music to a PA system Tip = Left channel between sets. Ring = Right channel Sleeve = Common ground WARNING: The headphone amp is loud, and can cause permanent ear damage. Even intermediate levels may be painfully loud with some earphones. BE CAREFUL! Always turn the phones [31] knob all the way down before connecting headphones. Keep it down until you've put the phones WARNING: engaging both the tape and ­assign to main mix b­ uttons in the control room source [30] matrix can create a feedback path between tape input and tape output. Make sure your tape deck is not in record, record-pause, or input monitor mode, when you engage these switches, or make sure the control room / submix [32] level knob is fully counterclockwise (off). on. Then turn it up slowly. 14 802-VLZ3

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802-VLZ3
14
802-VLZ3
12. PHANTOM SWITCH and LED
This global switch controls the phantom power supply
for condenser microphones plugged into the mic [1]
inputs. See the phantom power details on page 11
before using this switch.
Press the switch in to engage phantom power to the
three mic inputs. Press the switch out to turn it off.
The LED will come on when phantom power is engaged.
Phantom power is supplied to all three mic
inputs at once, therefore, do not use a
ribbon microphone in any of these inputs
when phantom power is engaged.
13. TAPE INPUT
Connect your computer audio outputs, or tape
recorder’s outputs here, using standard hi-fi (RCA)
cables.
Use these jacks for convenient tape playback of your
mixes. You’ll be able to review a mix and then rewind
and try another pass without repatching or disturbing
the mixer levels. You can also use these jacks with a
portable tape or CD player to feed music to a PA system
between sets.
WARNING: engaging both the tape and assign
to main mix buttons in the control room
source [30] matrix can create a feedback
path between tape input and tape output. Make sure
your tape deck is not in record, record-pause, or input
monitor mode, when you engage these switches, or
make sure the control room / submix [32] level knob
is fully counterclockwise (off).
10. CONTROL ROOM OUTPUTS
These TRS 1⁄4" balanced/unbalanced outputs
allow you to listen to something other than the main
mix. These outputs are often used to run a nice pair of
powered studio monitors in a control room. The source
is selected using the source matrix [30] switches
(see page 19). You can choose to listen to the main mix,
the alt 3-4 stereo bus (see mute/alt 3-4 on page 16),
soloed channels, or the tape input. The volume is
adjustable with the control room/submix [32] knob.
11. PHONES
This stereo jack will drive any standard headphone to
very loud levels. "iPod"-type and computer headphones
can also be used here, with a 1/4" male to 1/8" female
stereo adapter.
To learn how signals are routed to these outputs, see
source matrix [30] on page 19. The level is adjusted
with the phones knob [31], and the source is whatever
the control room output is playing, such as the main
mix, the alt 3-4 stereo bus, soloed channels, or the tape
input. If you’re wiring your own cable for the phones
output, follow standard conventions:
Tip = Left channel
Ring = Right channel
Sleeve = Common ground
WARNING: The headphone amp is loud, and
can cause permanent ear damage. Even
intermediate levels may be painfully loud with
some earphones. BE CAREFUL! Always turn the phones
[31] knob all the way down before connecting
headphones. Keep it down until you’ve put the phones
on. Then turn it up slowly.
LINE IN 7-8
802
LINE IN 5-6
MONO
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
MONO
BAL
OR
UNBAL
L
R
MONO
BAL
OR
UNBAL
L
R
L
R
ST RETURN
BAL/UNBAL
L
3
ALT OUTPUT
R
4
BAL/UNBAL
L
R
BAL/UNBAL
L
R
+4
MIC
LOW CUT
100 Hz
18dB/OCT
GAIN
+15dB - 45dB
INSERT
LINE IN 1
LINE IN 3
LINE IN 4
MIC
1
BAL
OR
UNBAL
GAIN
+15dB - 45dB
GAIN
INSERT
LINE IN 2
MIC
2
MIC
3
X
D
R
2
M
I
C
P
R
E
X
D
R
2
M
I
C
P
R
E
X
D
R
2
M
I
C
P
R
E
MAIN
OUTPUT
LEVEL
PHANTOM
POWER
CR OUTPUT
TAPE IN
TAPE OUT
L
R
L
R
PHONES
MAIN OUT BALANCED
L
R
AUX SEND
BAL/UNBAL
MAIN OUT
-
1
0
d
B
V
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
M
I
C
G
A
I
N
0
U
60
M
I
C
G
A
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N
0
60
1
2
4
5
7
1
2
4
5
6
7
1
3
5
7
6
3
3
8
9
13
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10
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11